Hervé Fischer
This poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. )Find sources: "Hervé Fischer" – news · newspapers · books · scholar · JSTOR (March 2017) |
Hervé Fischer (born 1941) is a French artist-philosopher and sociologist. He graduated from the École Normale Supérieure (Rue d'Ulm, Paris, 1964) and defended his Master's thesis on Spinoza's political philosophy with Raymond Aron and devoted his main research to the sociology of colour. For many years he taught the sociology of communication and culture at the Sorbonne, where he was promoted to master lecturer in 1981. At the same time, he developed a career as a multi-media artist and creator of "sociological art" (1971) and initiated many public participation projects with radio, television, and print media in many European and Latin American countries before coming to Quebec. He speaks fluently French, English, German and Spanish.
Biography
Born in 1941 in France, Hervé Fischer, a French and Canadian philosopher and artist, graduated from the
Hervé Fischer is co-founder of La Cité des arts et des nouvelles technologies de Montréal, the Quebec International Science Film Festiva Telesciencel, the Multimedia International Market, and Science Pour Tous.[1] Since 1997, he is also co-founder and president of the International Federation of Multimedia Associations.[2] A member of the Canadian Committee of UNESCO.
He has been elected holder of the
In 2011 he starts what he calls tweet art and tweet philosophy, creating small digital icons syndicated on Twitter, with a philosophical and interrogative aim.[4]
A member of the board of Artists for Peace, he received a Doctorate honoris causa from the Quebec Universities and delivers important lectures about digital technologies, art and mythoanalysis around the world.
Bibliography
He has published numerous articles, papers and books on the sociology of art and communications, notably: Art and Marginal Communication (Balland, Paris, 1974), Théorie de l'art sociologique, Casterman, Paris, 1976; L'Histoire de l'art est terminée, Balland, 1981; Citoyens-sculpteurs, Segedo, 1981; L'Oiseau-chat (on the Quebec identity), La Presse, 1983; La Calle ¿ A dónde Ilega?, Arte y Ediciones, Mexico, 1984; Mythanalyse du futur (400 p., on Internet, 'www.hervefischer.net'), The Digital Shock, McGill and Queen's University Press, 2006, Le romantisme numérique, Fides and Musée de la civilisation, 2002, Les défis du cybermonde, (direction, Presses de l'Université Laval 2003), CyberProméthée, l'instinct de puissance, vlb, 2003), La planète hyper, de la pensée linéaire à la pensée en arabesque, vlb, 2004), The Decline of the Hollywood Empire, Talon Books, Vancouver, 2006), Nous serons des dieux, vlb, 2006, Québec imaginaire et Canada réel : l’avenir en suspens, vlb, 2008, Un roi américain, vlb, 2009, L'avenir de l'art, vlb, 2010. "Nouvelle nature", retrospective catalogue published by the musée d'art moderne of Céret, France, 2010.
- Art et communication marginale, Balland, 1974
- Théorie de l'art sociologique, Casterman, 1976
- L'Histoire de l'art est terminée, Balland, 1981
- Citoyens-sculpteurs, Segedo, 1981
- Mythanalyse et société, in L'oiseau-chat, roman-enquête sur l'identité québécoise 4e partie, éditions La Presse, Montréal, 1983.
- La Calle ¿adónde llega? Arte y Ediciones, Mexico, 1984.
- Mythanalyse du futur, 2000
- Le romantisme numérique (60 p., Fides et Musée de la civilisation, 2002)
- Les défis du cybermonde (direction, P. U. L., 2003)
- CyberProméthée, l'instinct de puissance (éditions vlb, 2003 et UNTREF, Argentine)
- La planète hyper. De la pensée linéaire à la pensée en arabesque (vlb, 2004)
- Nous serons des dieux (vlb, 2006).
- Digital Shock - Confronting the New Reality, McGill Queen's University Press, Montreal, 2006
- The Decline of the Hollywood Empire, Talon Books, Vancouver, 2006
- La société sur le divan. Éléments de mythanalyse (vlb, 2007).
- Québec imaginaire et Canada réel. L'avenir en suspens (vlb, 2008).
- Un roi américain - Denys Premier de l'Anse (vlb, 2009).
- L'avenir de l'art (vlb, 2010).
- Nouvelle nature (Musée d'art moderne de Céret, 2010).
- La Divergence du futur (vlb, 2014).
- La pensée magique du Net (Editions François Bourin, Paris, 2014).
- La postmodernité à l'heure numérique. Regard croisé Michel Maffesoli et Hervé Fischer (Editions François Bourin, Paris, 2016).
- MARKET ART (Editions François Bourin, Paris, 2016).
- L'Âge hyperhumaniste. Pour une éthique planétaire (Editions de l'Aube, 2019).
- Les couleurs de l'Occident. De la préhistoire au XXIe siècle (Bibliothèque illustrée des histoires, Editions Gallimard, Paris, 2019).
- Mythanalyse de la couleur (Bibliothèque des sciences humaines, Editions Gallimard, Paris, 2023).
Exhibitions
Centre Pompidou
Herve Fischer's work is being exhibited at the
See also
References
- ^ Science pour tous
- ^ "IFMA". Archived from the original on 2018-07-30. Retrieved 2014-01-03.
- ^ Fondation Langlois
- ^ SIGGRAPH