Hugo d'Oignies
Hugo of Oignies (
Life
In 1187 Hugo helped to found what became the
During a visit to the priory in 1228 or 1229 to
In his work, the human figure merges with the technical virtuosity with which the artist treats the decor's watermarks, crimping delicate cabochons. He provided works of art for the monastery. These included liturgical objects such as crosses, chalices and other religious artifacts which are considered to be masterpieces of metalwork.[4][5]
Legacy
When the priory was overrun and the community of
In early 2010 they were moved again, this time to the Provincial Museum of Ancient Arts in Namur.
The Encyclopædia Britannica says of his contribution to Gothic metalwork, "The growing naturalism of the 13th century is notable in the work of Nicholas' follower Hugo d’Oignies, whose reliquary for the rib of St. Peter in Namur (1228) foreshadows the partly crystal reliquaries in which the freestanding relic is exposed to the view of the faithful; it is decorated with Hugo’s particularly fine filigree and enriched by naturalistic cutout leaves and little cast animals."[6]
References
- ^ ISBN 978-0-19-518948-3. Retrieved 28 July 2012.
- ^ ISBN 978-0-8018-7823-7. Retrieved 1 August 2012.
- ISBN 978-0-8020-7711-0. Retrieved 1 August 2012.
- ISBN 978-0-7614-7890-4. Retrieved 1 August 2012.
- ISBN 978-0-7603-1869-0. Retrieved 1 August 2012.
- ^ "Hugo d'Oignies". Encyclopædia Britannica. Retrieved 1 August 2012.
Bibliography
- Doumont, Danièle. Le fabuleux trésor d'Hugo d'Oignies, l'une des sept merveilles de Belgique exposée à Namur, Mémoires, La Lettre mensuelle, 2003
- Collet, Emmanuel. Le trésor d'Oignies, ISBN 978-2-87212-666-8