Ignacio Pinazo Camarlench

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Ignacio Pinazo Camarlench
València, Spain
DiedOctober 18, 1916(1916-10-18) (aged 67)
NationalitySpanish
Known forPainting
MovementRomantic

Ignacio Pinazo Camarlench (January 11, 1849 – October 18, 1916) was a Spanish painter from

Impressionist
painters from late nineteenth century Spain.

Biography

Born into a poor family in

hatter
.

His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time.

In 1873 the sale of a painting provided sufficient funds for him to visit Rome for the first time. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating

Impressionist
style.

He returned to Rome in 1876, having obtained a grant from the Diputación de València, this time staying for five years.[1]

In 1884, due to a cholera epidemic in Valencia, Pinazo temporarily moved to the town of Bétera, where he stayed in the villa "Maria" of the banker Jose Jaumandreu. From 1884 to 1886 he taught at the School of Valencia. He received many commissions from the Valencian aristocracy, among them the Marchioness of Benicarló.

The annual art exhibitions brought Pinazo silver medals in 1881 and 1885, and gold medals in 1887 and 1899. He also received a royal medal and in 1912 a street in Valencia was named after him.

He was married to Teresa Martinez Montfort. They had two sons, Ignacio and Jose, both of whom became painters themselves. He died in Godella, aged 67.

Work

Ignazio Pinazo worked with dark colours: black, brown and other earth-like shades, as well as in the scintillating palette typical of Impressionism. His work often shows rapid brush strokes. Paintings include:

  • Las hijas del Cid (1879)
  • Los últimos momentos del rey Don Jaime el Conquistador en el acto de entregar su espada a su hijo Don Pedro
  • El guardavía (1877)
  • Barca en la playa (1890).

Part of his work can be seen in the Basilica de la asunción in the town of Cieza, and in the Museu de Belles Arts de València (Valencia Museum of Fine Arts). The largest collection of this painter's work is held at the Institut Valencià d'Art Modern (Valencia Institute of Modern Art), with over one hundred paintings and six hundred drawings, although unfortunately these are not on permanent display. A selection of his work may also be viewed at the Museo del Prado in Madrid.[2]

Selected paintings

  • The Lineman
    The Lineman
  • Seated Feminine Figure
    Seated Feminine Figure
  • Portrait of Doña Teresa Martínez
    Portrait of Doña Teresa Martínez
  • Portrait of Don Manuel Comas
    Portrait of Don Manuel Comas
  • The Arbor
    The Arbor
  • My Street in Godella
    My Street in Godella
  • The Cross at the Mill in Godella
    The Cross at the Mill in Godella
  • The Daughters of El Cid
    The Daughters of El Cid
  • Anochecer en la escollera III

Sources

References

  1. ^ "Ignacio Pinazo, El Precursor de la Pintura Moderna, Javier Pérez Rojas, Universitat de València (2017)".
  2. ^ "Ignacio Pinazo: works at the Museo del Prado".