Ignoramus (play)
Ignoramus is a college farce, a 1615 academic play by George Ruggle. Written in Latin (with passages in English and French), it was arguably the most famous and influential academic play of English Renaissance drama. Ruggle based his play on La Trappolaria (1596), an Italian comedy by Giambattista della Porta (which in turn borrows from the Pseudolus of Plautus).
In
(“I do not know”, “I am unacquainted with”, “I am ignorant of”), literally means “we are ignorant of” or “we do not know”. The term acquired its English meaning of an ignorant person or dunce as a consequence of Ruggle's play.Performance
The play was first produced in
Texts
Ignoramus was entered into the Stationers' Register on April 18, 1615, and was published later that year by the bookseller Walter Burre. Two subsequent editions were issued in 1630, and other editions followed in 1658, 1659, 1668, 1707, 1731, 1736, 1737, and after. John Sidney Hawkins issued an elaborately-edited text in 1787.
Several manuscripts of the play also exist. The MS. in the collection of the Bodleian Library, Tanner MS. 306, features a cast list of the amateur actors in the original production.[2]
Fernando Parkhurst translated the original into English in 1660, as Ignoramus, or the Academical Lawyer;
Satire
The play satirizes the college recorder, Francis Brackyn (also spelt Brackin), a "constant adversary of the university"[3] who is represented as the Ignoramus of the title. Brackyn was unpopular among the academics of the town as a "common lawyer" (they used a crude "law Latin" that the academics deplored); he had previously been ridiculed in the third of the Parnassus plays. In Ignoramus, Brackyn is given a romance of false loves; he is enamored of Rosabella and pays 600 gold pieces for her hand in marriage, but is tricked into being with the mannish Polla. Like Malvolio, who is supposed mad, he is suspected of being possessed and put through an exorcism before being carried off to a monastery to recuperate (and to stay away from the loves of the more worthy wits).
The lawyers who were the subject of the play's satire did not enjoy the work; Sir Edward Coke, the Lord Chief Justice, believed that he was a target of some of the barbs. The play provoked a quarrel between academics and lawyers. The lawyers responded with satirical poems and ballads, which inspired responses by the academics, to create a passionate controversy. Ruggle's play even had an influence in the reform of legal language in England.[4]
Author
George Ruggle (1575–1622) graduated
Upon Ruggle's death, Nicholas Ferrar read a eulogy for the academic at a meeting of the Virginia Company; he referred to Ruggle as a "Brother of the Company" and revealed that Ruggle had worked for the Company for the last three years of his life. In his will, Ruggle left £100 for the Christian education of American Indian children in Virginia.[5]
Ruggle is reported to have written other plays; but none are extant.[6]
References
- E. K. Chambers, The Elizabethan Stage, 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, pp. 475-6.
- ^ Chambers, Vol. 3, p. 475.
- ^ E. J. F. Tucker, "Ruggle's Ignoramus and Humanistic Criticism of the Language of Common Law," Renaissance Quarterly Vol. 30 No. 3 (Autumn 1977), pp. 341-50; see p. 341.
- ^ Tucker, pp. 342-50.
- ^ Edward D. Neill, "Nicholas Ferrar's Eulogy on the Author of Ignoramus," Notes and Queries, 4th Series Vol. 8 (1871), p. 490.
- ^ Frederick S. Boas, University Drama in the Tudor Age, London, Oxford University Press, 1914; p. 325 n. 1.