It's Love I'm After

Source: Wikipedia, the free encyclopedia.
It's Love I'm After
Theatrical release poster
Directed byArchie Mayo
Screenplay byCasey Robinson
Based on"Gentlemen After Midnight"
by Maurice Hanline
Produced by
Starring
CinematographyJames Van Trees
Edited byOwen Marks
Music byHeinz Roemheld
Production
company
Distributed byWarner Bros. Pictures
Release date
  • November 20, 1937 (1937-11-20) (USA)
Running time
90 minutes
CountryUnited States
LanguageEnglish

It's Love I'm After is a 1937 American

Leslie Howard and Bette Davis, following Of Human Bondage and The Petrified Forest
.

Plot

Basil Underwood and Joyce Arden are an egotistical acting team known for their romantic scenes on stage and fiery temperaments off. Although they deeply love each other, their frequent spats over the years have kept them from tying the knot.

Comic complications ensue when Basil postpones their latest marriage plans in order to attempt to diminish the ardor of star-struck heiress Marcia West at the request of her fiancé Henry Grant. When Basil's boorish behavior fails to bother Marcia, who is all-too-willing to submit to his charms, he begins to capitalize on her infatuation with him, much to Joyce's dismay.

The screenplay allows Leslie Howard to draw on his classical background by having his character quote lines from Macbeth, Hamlet, The Taming of the Shrew, As You Like It, and Romeo and Juliet.

Cast

Production

Leslie Howard originally envisioned either Gertrude Lawrence or Ina Claire, both noted for their comedic stage performances, as his leading lady, although they had limited experience in films. Producer Hal B. Wallis had director Archie Mayo meet with Lawrence, who was interested in playing the role, but when Wallis and Howard screened the 1936 British film Men Are Not Gods, they agreed Lawrence did not photograph well.[1]

The film began production without a leading lady. Then Wallis decided the

Palm Springs to recuperate and finally agreed to appear in the film if Wallis would allow her some time for rest and relaxation. He insisted she report to work on March 28, 1937, and she replied, "Give me a week more . . . I must have a brief chance of being something more than a jittery old woman."[2] She also asked Wallis to replace cinematographer James Van Trees with Tony Gaudio, one of the few cameramen she trusted, and the producer agreed, although Van Trees received sole screen credit.[1]

Reception

Time described the film as "refreshing, impudent fun: a buoyant cinema making faces at its precise old aunt, the theatre."[3]

In his review in

Allmovie, Craig Butler called the film "unjustly neglected" and "a delightful romp that provides an excellent showcase for the often equally neglected comedic talents of its trio of stars. While Love falls just shy of true classic status - the screenplay is slightly off the mark in a few places and its dialogue occasionally lacks the effervescent sparkle that is a requirement of the genre - it's still a little gem of a picture with an abundance of laughs . . . a great pick-me-up and well worth searching out."[4]

Channel 4 called the film "fast-moving and thoroughly enjoyable."[5]

Musical adaptation

It's Love I'm After is the basis of a stage musical comedy called Madly in Love, which interpolates songs by

demo recording of the score features Karen Ziemba as Joyce Arden, Jay O. Sanders as Jeffrey Underwood, Brent Barrett as Henry Grant, Jr., and Stuart Zagnit as Digges.[6]

References

External links