It Came from the Closet: Queer Reflections on Horror
Editor | Joe Vallese |
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Cover artist | Braulio Amado |
Country | United States |
Language | English |
Genre |
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Publisher |
It Came from the Closet: Queer Reflections on Horror is a
Major themes
One of the main themes explored by some of the essays present in It Came from the Closet is the connection that some queer people might feel with the antagonist of the movie, which is exemplified by essays such as Sachiko Ragosta's, about Eyes Without a Face, and Viet Dinh's, who writes about Sleepaway Camp.[1]
Reception
Halie Kerns, reviewing for the
A review for
In a review published by Autostraddle, Abeni Jones talked about the usefulness of the collection to readers who might not necessarily enjoy horror films but who are looking for queer representation, citing essays on Jaws and The Birds as examples. Jones also praised the essays for not being overly analytical, saying "[t]hese are personal essays, not queer theory papers."[5]
References
- ^ Retta, Mary (October 7, 2022). "The Unexpected Power of Seeing Yourself as a Villain". The Atlantic. Retrieved October 18, 2022.
- ^ Kerns, Halie (October 2022). "Arts & Humanities". Library Journal. 147 (10): 140.
- ^ "It Came from the Closet: Queer Reflections on Horror by". Publishers Weekly. July 7, 2022. Retrieved October 16, 2022.
- The Booklist. 119 (2): 9.
- ^ Jones, Abeni (October 4, 2022). "'It Came From the Closet' Gave Me New Appreciation for Horror". Autostraddle. Retrieved October 18, 2022.