János Major
János Major | |
|---|---|
 | |
| Born | May 8, 1934 Budapest, Hungary |
| Died | June 12, 2008 (aged 74) Budapest, Hungary |
| Resting place | Kozma Street Cemetery 47°28′22.25″N 19°10′46.04″E / 47.4728472°N 19.1794556°E |
| Nationality | Hungarian |
| Alma mater | Hungarian University of Fine Arts |
| Known for | Tombstone photographs, drawings and etchings |
| Spouse(s) | Eva Buchmuller, divorced |
| Website | evabuchmuller |
János Major [1] (Budapest, May 8, 1934 – June 12, 2008) was a Hungarian
From 1947 to 1950, he attended a private school, and later, a High School for Fine and Applied Arts. In 1950, his mother married Bela Major, which made him and his sister adopt the name Major as their last name. Upon high school graduation, he got accepted to the Academy of Fine Arts in Budapest where he studied graphic reproduction: etching, lithography, and woodcut under Karoly Koffan. His diploma work in 1959 was etchings of women workers at an electronics factory. He married and later divorced, Eva Buchmuller. He is survived by their two daughters, Rebecca and Borbala Major.
Career
In the 1960s, he experimented with mezzotint, line engraving, aquatint, acids on steel plates, and imprints into vernis mou. His epic etching In Memoriam of Moric Scharf, a reference to a famous Hungarian blood libel case, to the Holocaust, and to
He produced art that was grotesque, (self) ironic, absurd sexual engagements blend with Jewish and political motifs.[a][2] In the 1980s, he became interested in perspective illusion.[3] He has dealt with the subconscious and taboo.[1]
He staged a one-man protest on October 18, 1969, at Victor Vasarely's retrospective exhibition at the Mücsarnok gallery in Budapest. Janos walked around the exhibit with a one-inch sign under his lapel and showed it only to friends: Vasarely Go Home.[4]
In 1976, Major destroyed a significant portion of his work. The same year, he became associated with the Budapest History Museum as an archaeological draftsman and did not resume his own work for a decade.[3]
His late work consists of tombstone photography, drawings, and comics. These drawings make use of a certain perspective representation he called ‘coincidences,’ resulting in absurd misperception (with pornographic overtones).[3]
Exhibitions
Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press.
- 1969 – Fényes Adolf Room, Budapest, Hungary (with István Bencsik and Ilona Keserü Ilona)
- 1989 – Óbuda Pincegaléria, Budapest[3]
- 1996 – Budapest History Museum, Budapest
- 1997 – Körmendi Gallery, Budapest (floor)
- 1997 – Goethe Institute, Budapest
- 1997 – Goethe Institute, Budapest
- 2000 – Dorottya Street Gallery, Budapest
- 2001 – Szinnyei Salon
- 2006 – Museum Kiscelli – Municipal Picture Gallery
- 2007 – Petofi Literary Museum
- 2012 – 2B Gallery
- 2013 – Hungarian University of Fine Arts
Group
Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press.
- 1961 – I. National Graphic Biennial, Miskolc / Studio '61, Budapest
- 1964 – MTA Central Physical Research Institute, Budapest / Fényes Adolf Hall, Budapest (with István Bencsik, Ilona Keserü)
- 1966 – Studio '66, Budapest / Europahaus, Vienna / Tombstone Photographs (János Major, Péter Donáth, Gábor Karátson), Central Physics Research Institute, Budapest
- 1965 – Technical University of Budapest R Building, Budapest
- 1968 – Budapest University of Technology, Budapest / Central Physics Research Institute Club, Budapest / Graphic Exhibition, János Vignola / Major, Ilona Keserü, István Bencsik, Adolf Hall Fényes, Budapest / Industrial Design II, IPARTERV, Budapest
- 1969 – Hungarian exhibition, Essen
- 1970 – R-exhibition, Building R, Technical University of Budapest, Budapest / Künstler aus Ungarn, Baukunst, Cologne
- 1971 – Tombstone Photography, Central Physics Research Institute, Budapest
- 1973 – Chapel of the Balatonboglár, Balatonboglár
- 1999 – Perspective, Műcsarnok, Budapest.
Awards
Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press.
- 1990 – Honorary Professor, Hungarian University of Fine Arts.
- 1990 – State Prize, Meritorious Artist.
- 2002 – Klára Herczeg Prize.[5]
- 2007 – Janos Major Prize. Founder NETRAF – Tamas St. Auby. The prize began in 1998 in his honor.[6]
Bibliography
Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press.
- László Beke: Introduction to János Major's Photographs of Tombs-with an English Summary, 1972.
- Karátsony G .: János Major's graphic work, Art, 1974/7.
- Emese Krunák: The forerunner of avant-garde graphics. János Major art, Art, 1987/5.
- Éva Körner: Grotesque victim. János Major's erotic art, New Art, 1997 / 5–6.
- Antal István: Major league – János Major Prózavers, New Art, 1997 / 5–6.
- Peter Sinkovits: Self-portrait in Distortion Mirror. Conversation with János Major, New Art, 1997 / 5–6.
- Major János: (Kat. Bev., Körmendi Gallery, 1997)
- Tamás Szőnyei: Light, dark. Major János Graphic Artist, MANCS, 2000/3.
Notes
- ^ "János Major depicted his own Jewishness with a surprising freedom and a ruthless self-mockery. By appropriating the language of anti-semitic representations, by rendering his own Jewishness in a grotesque manner, he probed the meaning of anti-semitism, and the attempts of processing Holocaust trauma and its failures."[1]
See also
References
- ^ a b "Taboo Subject". December 5, 2013.
- ^ "Major János". Retrieved September 9, 2018.
- ^ ISBN 978-963-7165-49-8.
- ^ "VASARELY GO HOME". Museo Nacional Centro de Arte Reina Sofía. September 13, 2011. Retrieved September 10, 2018.
- ^ "KLÁRA HERCZEG PRIZE". Retrieved September 15, 2018.
- ^ "Janos Major Prize". Transit Blog Hujngary. Retrieved September 12, 2018.
External links
Media from Commons
Quotations from Wikiquote
Data from Wikidata
| International | |
|---|---|
| National | |
| Other | |
