Jane Lessingham
Jane Lessingham née Hemet (1738 or 1739 –- 13 March 1783) (married name Jane Stott) was a stage actress from 1756 to 1782. Thomas Harris (1767? -1771)
Sir William Addington (1775)
Lessingham first came to the stage during 1756, when she played Desdemona in a production of Othello at the Theatre Royal, Covent Garden. It was not until March, 1762 that she began to use the stage name ‘Lessingham’, when she took the part of Silvia in George Farquhar's play The Recruiting Officer. During 1768, Lessingham was involved in a public controversy between theatre managers Thomas Harris and George Colman. Colman, and other contemporary sources, cited Lessingham's ambitions as one of the major sources of the conflict.[3]
On 13 March 1783 Lessingham died. She was buried in Hampstead Churchyard and left her estate in trust to Harris for the care of their four sons.
The diarist John Taylor recorded that Lessingham's career began with the support of poet Upon her return to the Theatre Royal (where she would remain until the rest of her career), Lessingham's career enjoyed rapid success. However, this success was the subject of much speculation and scandal, in particular during the public dispute which broke out between Lessingham continued to perform at the Theatre Royal until 1782, the year before her death. There, she was paid £4 a week; raised to £7 a week during her last five seasons. In 1776, she appeared as Mrs Sullen in another of Farquhar's plays, The Beaux Stratagem, for which Taylor remarked that ‘the only improbable part of her acting in the character of Mrs Sullen was in the chamber scene with Archer, as from her general manner it did not seem likely that she should resist his importunities when he appeared as a gentleman’.[9] Her other performances in tragic roles were largely not well received. James Stewart described her as a ‘water-gruel actress’, however ‘tolerable as Jacintha [in The Suspicious Husband], Nerissa [in The Merchant of Venice] and other parts in boy's clothes’.[10] Equally, the critic Francis Gentleman described her as a ‘tasteless milksop’, for whom ‘parts eternally would fight, without the sense, or talents, to be right’.[11] Her final role was as Jacintha in Benjamin Hoadley's The Suspicious Husband, in 1782.
In 1753, Lessingham married naval commander John Stott at St Paul's, Covent Garden. In 1765, Stott divorced Lessingham on the grounds of adultery. At the divorce trial, witnesses attested to the fact that Lessingham had given birth to a child during the three years Stott was at sea. In his concluding remarks, the presiding judge said ‘Unmindful of [your] conjugal vow, and not having the fear of God before [your] eyes, but being instigated and seduced by the devil, [you] did commit adultery with one or more strange person… and was by such criminal conversation begot with child’.[12] Taylor recorded that Lessingham had begun an affair with Derrick before her marriage to Stott, whilst other sources suggest it was during the marriage.[9] At some stage, the pair lived together in Shoe Lane, Holborn, where Derrick helped to prepare Lessingham to begin a career as an actress. Taylor described Lessingham as having deserted the poet due to his poverty, leaving him heartbroken. He records one incident during which, years after their separation, Derrick went to visit Lessingham whilst she was living with Harris in Hampstead. There, he was denied entry and after insistence, was met by Lessingham who called him an ‘impudent fellow’ and threatened to call the constable if he didn't leave.[9]
Taylor later recorded that Lessingham began a relationship with Admiral Boscawen. This is confirmed by Captain William Hanger, who in his 1772 memoirs, wrote that ‘At the time Mrs L__m, the actress, was supported in a most splendid manner by Admiral B__n, whilst he was gaining laurels for himself, and glory for his country abroad, the captain [Hanger] most politely attended her at home, to prevent her grief becoming too violent in the absence of her naval admirer’.[13]
At some stage during the 1760s, likely upon her 1767 return to the Theatre Royal, Lessingham became Harris’ mistress. An anonymous article from 27 August 1771 in The General Evening Post confirmed that Lessingham had left Harris. The letter read:
‘Mrs L__m – who, to the unspeakable distress of Mr. H___, has eloped to some corner of the earth, with a new paramour, utterly unknow[n] to the afflicted Menelaus. This Helen of an actress very young married to Capt. S___, of the navy – she left him for Delaval; Delaval for Boscawen; Boscawen for Pembroke; Pembroke for Colbourne; Colbourne for Mason; and Mason for H___; and alas! H___ for whom neither he nor I know. By all these she has had sweet children – Is it not a pity, that so fruitful a mother has not a consideration from Government, who has made so much food for gunpowder! Mr H___, poor gentleman, is all in the fuds upon this melancholy elopement.’[15]
In 1775, Lessingham began a relationship with Sir William Addington. In that same year, he granted her land in Gibbet Hill, Hampstead, where she employed a builder to construct a house. Another builder, Henry White, protested that Lessingham wasn't entitled to the grant by filling in the excavations which had begun. In 1776, Lessingham built Heath Lodge in the centre of Hampstead Heath; an Italian villa-style property designed by James Wyatt. It was described as ‘a small, but elegant villa, situate[d] on the most elevated part of the north side of Hampstead Heath, with about two acres of land laid out with distinguished taste in pleasure grounds, shrubberies and kitchen garden’ in 1783 by the estate agent selling the property after her death.[16] Upon her death, the property was left to Harris, however he did not attempt to claim the property until a year later. Instead, it was bought by public auction on 7 June 1783 by William Byron, 5th Baron Byron for £560.[17]
Taylor remarked that this property was built for Lessingham by Harris before she began her relationship with Addington.[18] He also noted that Lessingham later left Addington for a ‘teapot’ actor (named as such for frequently holding his hand on his hip). This is concurred by Warren Oakley in his book Thomas Jupiter Harris: Spinning Dark Intrigue at Covent Garden Theatre, 1767-1820.
On 13 March 1783, Lessingham died. She was buried four days later at Hampstead Churchyard, with a gravestone bearing her maiden name. In her will, Lessingham left her estate to Harris, in trust for their four sons Thomas, Charles, Edwin and William Frederick.[1] The document was signed Jane Hemet and verified by Harris a year later.[1] No mention was made of the daughter she bore whilst married to Stott.[1]
In 1802, her son William Frederick replaced her gravestone with a new inscription reading: ‘MRS JANE LESSINGHAM, late of the Theatre Royal, Covent Garden Obt 13 March 1783, [sic] aet 44. Her grateful and affectionate son WILLIAM FREDERICK, caused this tomb to be repaired, anno 1802, as a last token of respect to her memory’.[1]
Cibber, Colley, The refusal; or, the ladies' philosophy. A comedy. By Colley Cibber, Esq. Adapted for theatrical representation, as performed at the Theatres-Royal Drury-Lane and Covent-Garden. Regulated from the prompt-books, By Permission of the Managers (London: printed for the proprietors, under the direction of John Bell, British Library, Strand, Bookseller to His Royal Highness the Prince of Wales, 1792).
Cibber, Colley, The tragical history of King Richard III. Altered from [sic] Shakspeare by Colley Cibber, Esq; Marked with the variations in the manager's book, at the Theatre-Royal in Drury-Lane (London: T. and W. Lowndes, W. Nicoll, and S. Bladon, 1784).
Civilian, Trials for Adultery: or, The History of Divorces. Being Select Trials at Doctors Commons, For Adultery, Fornication, Cruelty, Impotence (London: Printed for S. Bladon, No. 13, Paternoster Row, 1780).
Dibdin, Charles, A Complete History of the English Stage By Mr Dibdin (London: printed for the author, and sold by him at his warehouse, 1800).
Farquar, George, ‘The Beaux Stratagem. A Comedy. Written by Mr Farquar. Marked with the variation in the manager's book, at the Theatre Royal in Covent-Garden’, The New English Theatre, Vol. 5 (1776).
Farquar, George, ‘The inconstant; or, the way to win him. A comedy. Written by Mr. George Farquhar. Marked with the variations in the manager's book, at the Theatre-Royal in Covent-Garden’, The New English Theatre, Vol. 9 (1777).
Garrick, David, The guardian. A farce in two acts. Written by David Garrick, Esq. As performed at the Theatres Royal, Drury-Lane and Covent-Garden (London: J. Jarvis, for J. Parsons, No. 21, Paternoster-Row, 1793).
Johnson, Charles, The country lasses; or, the custom of the manor. A comedy, by Mr. Charles Johnson. Adapted for theatrical representation, as performed at the Theatre-Royal, in Covent-Garden. Regulated from the prompt-books, by permission of the managers (London: printed for the proprietors, under the direction of John Bell, 1791).
Rubenhold, Hallie, The Covent Garden Ladies; Pimp General Jack and the Extraordinary Story of Harris's List (London: Tempus Publishing, 2005).
Sheridan, Richard Brinsley, The rivals, A comedy. As it is acted at the Theatre Royal in Covent-Garden (Dublin: Printed by M. Graisberry, for the Company of Booksellers, 1788).
Vanbrugh, John, Sir, The city wives confederacy. A comedy. By Sir John Vanbrugh. Marked with the variations of the manager's book, at the Theatre-Royal in Covent-Garden (London: printed for J. Rivington and Sons, L. Davis, W. Nicoll, and S. Bladon, 1777).
Walford, E. ‘A Summer Day in Hampstead’, Once a Week; London, Vol. 11. Iss. 267 (1864).
Born Jane Hemet, 1738 or 1739 Died 13 March 1783 Burial place Hampstead Churchyard, London, United Kingdom Occupation Stage Actress Years active 1756- 1782 Spouse John Stott (m. 1753- div. 1765) Partner Samuel Derrick (1765)
Children 5, Amelia Stott, Thomas Charlton Harris, Charles Harris (b. 1 June 1769), Edwin Harris (b. 2 February 1771) and William Frederick Career
Theatreography
Year
Title
Role
Venue
1756
Othello
Desdemona
Unknown
1762
The Recruiting Officer
Silvia
Theatre Royal, Covent Garden
1762
Jane Shore
Jane Shore
Unknown
1765
The Guardian. A Farce in Two Acts
Clackit
Theatre Royal, Covent Garden or Drury Lane
1768
Cymbeline
Imogene
Theatre Royal, Covent Garden
1768
The Merchant of Venice
Nerissa
Theatre Royal, Covent Garden
1772
Hamlet
Ophelia
Theatre Royal, Covent Garden
1776
The Beaux Stratagem
Mrs Sullen
Theatre Royal, Covent Garden
1777
The Inconstant
Oriana
Theatre Royal, Covent Garden
1777
Clarissa
Theatre Royal, Covent Garden
1779
She Would and She Would Not
Flora
Theatre Royal, Covent Garden
1782
The Suspicious Husband
Jacintha
Theatre Royal, Covent Garden
Unknown
The Deuce is Him
Madame Florival
Theatre Royal, Covent Garden
Unknown
The Tragical History of King Richard III
Lady Anne
Theatre Royal, Drury Lane
Unknown
The refusal; or the ladies' philosophy
Sophronia
Theatre Royal, Covent Garden
Unknown
The Country Lasses
Flora
Theatre Royal, Covent Garden
Likenesses of Jane Lessingham
Personal life
Death
Further reading
References