Jean-Joseph Mouret

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Jean-Joseph Mouret (11 April 1682 in

Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece and is a popular musical choice in many modern weddings.[citation needed
]

Life

Erigone and Bacchus in Act 5 of Jean-Joseph Mouret's Le triomphe des sens

Jean-Joseph was the son of Jean Bertrand Mouret, a silk merchant, who gave his son a good education and, noting his early gifts for music, supported his musical studies. Mouret sang and composed with success and, around the age of twenty-five, settled in

Anne, Duchess of Maine, whose salon at Sceaux was a center of courtly society in the declining years of the reign of Louis XIV. He was able to secure the Duchess's patronage, and she made him her Surintendant de la musique at Sceaux shortly thereafter. At Sceaux Mouret produced operas and was in charge of the sixteen bi-weekly Grandes nuits in the season of 1714–15. In this capacity, he produced intermèdes and allegorical cantatas in the court masque
tradition, and other music, in the company of the most favoured musicians, for the most select audience in France.

Mouret's

Thalia, the muse of Comedy, triumphs over Melpomene, the muse of Tragedy. This dramatic conceit resulted in a succès de scandale, obliging La Font to immediately prepare a revised opening entitled "La critique des fêtes de Thalie" (presented on 9 October 1714). In the 1720 edition the title was changed to Les fêtes de Thalie, and in 1722 a new opening was added, "La provençale," which featured regional costumes, instruments, and well-known melodies sung in the Provençal dialect. The 1722 version proved to be very popular, and continued to be performed up until 1778.[1][2]

In 1714, Mouret also received an appointment as the director of the orchestra of the Opéra, a post which he held until 1718. From 1717 to 1737 he directed the

Nouveau Théâtre Italien for which he composed divertissements that accompanied, for example, the tender comedies of Marivaux, and which, printed, fill six volumes. At court Mouret maintained a post as singer, and directed the grand divertissements offered by the Regent, the duc d'Orléans at his château of Villers-Cotterêts on the occasion of Louis XV's coming-of-age in 1722. Concurrently, he was director of the concert series established by the orchestra of the Opéra, the Concert Spirituel
(1728–1734), positions which provided a public outlet for his own music and which permitted him to live in affluence.

Mouret married Madeleine Prompt de Saint-Marc in Versailles on October 23, 1711, and had one daughter, Françoise Louise, born in Paris on October 21, 1722. However, his later years were overshadowed by financial and social disappointments. Sinking into poverty, Mouret was committed to the insane asylum at Charenton on 14 April 1738 and died there on 10 December.[3] The location of his grave is unknown.

Works

Mouret composed mainly for the stage. He contributed to the emergence of the distinctively French genres of

opera-ballet but his jealousy of the rising star of Jean-Philippe Rameau
led to the bitterness and madness in which he ended his days:

Mouret also wrote

Louis XV
.

References

  1. ^ Anthony, James R. "Fêtes de Thalie, Les" and "La Font, Joseph de" in Sadie, ed. (1992) The New Grove Dictionary of Opera 2: 174–175, 1080.
  2. ^ Anthony, James R. "Mouret, Jean-Joseph" in Sadie, ed. (1992) The New Grove Dictionary of Opera 3: 488.
  3. ^ Renée Viollier, Jean-Joseph Mouret: Le Musicien des Graces (Paris: Floury, 1950), 39.

Sources

  • Anthony, James R. (2001). "Mouret, Jean-Joseph". In
    ISBN 978-1-56159-239-5
    .    ‎

External links
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