John William Godward

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John William Godward
Academism
Patron(s)Lawrence Alma-Tadema

John William Godward (9 August 1861 – 13 December 1922) was an English painter from the end of the

Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art
.

Early life

Godward was born in 1861 and lived in Wilton Grove, Wimbledon. He was born to Sarah Eboral and John Godward (an investment clerk at the Law Life Assurance Society, London).[1]: 17–19  He was the eldest of five children. He was named after his father John and grandfather William. He was christened at St Mary's Church, Battersea on 17 October 1861. The overbearing attitude of his parents made him reclusive and shy later in adulthood.[1]: 22 

Career

He exhibited at the

Royal Academy from 1887.[2] When he moved to Italy with one of his models in 1912, his family broke off all contact with him and even cut his image from family pictures.[1]: 122  Godward returned to England in 1921, died in 1922, and is buried in Brompton Cemetery, West London.[2]

One of his best-known paintings is Dolce far Niente (1904), which was purchased for the collection of Andrew Lloyd Webber in 1995. As in the case of several other paintings, Godward painted more than one version; in this case, an earlier (and less well-known) 1897 version with a further 1906 version.[3]

He committed suicide at the age of 61 and is said to have written in his suicide note that "the world is not big enough for [both] myself and a Picasso".[4][unreliable source?]

His estranged family, who had disapproved of his becoming an artist, were ashamed of his suicide and burned his papers. Only one photograph of Godward is known to survive.[5]

Works

Godward was a Victorian Neo-Classicist, and therefore, in theory, a follower of Frederic Leighton. However, he is more closely allied stylistically to Sir Lawrence Alma-Tadema, with whom he shared a penchant for the rendering of Classical architecture – in particular, static landscape features constructed from marble.

The vast majority of Godward's extant images feature women in Classical dress posed against landscape features, although there are some semi-nude and fully nude figures included in his oeuvre, a notable example being In The Tepidarium (1913), a title shared with a controversial

Classical civilization, most notably that of Ancient Rome
(again, a subject binding Godward closely to Alma-Tadema artistically).

Given that Classical scholarship was more widespread among the potential audience for his paintings during his lifetime than in the present day, meticulous research of detail was important in order to attain a standing as an artist in this genre. Alma-Tadema was an

archaeologist
as well as a painter, who attended historical sites and collected artifacts he later used in his paintings: Godward, too, studied such details as architecture and dress, in order to ensure that his works bore the stamp of authenticity.

In addition, Godward painstakingly and meticulously rendered other important features in his paintings, animal skins (the paintings Noon Day Rest (1910) and A Cool Retreat (1910) contains examples of such rendition) and wildflowers (Nerissa (1906) and Summer Flowers (1903) are again examples of this).

The appearance of beautiful women in studied poses

Pre-Raphaelite, particularly as his palette is often a vibrantly colourful one. The choice of subject matter (ancient civilization versus, for example, Arthurian legend) is more properly that of the Victorian Neo-classicist. In common with numerous painters contemporary with him, Godward was a 'High Victorian Dreamer', producing images of an idealized and romanticized world that, in the case of both Godward and Alma-Tadema, came to be criticized as a world-view of 'Victorians in togas'.[citation needed
]

Godward "quickly established a reputation for his paintings of young women in a classical setting and his ability to convey with sensitivity and technical mastery the feel of contrasting textures, flesh, marble, fur and fabrics."[1]: 91  Godward's penchant for creating works of art set in the classical period probably came from the time period in which he was born. "The last full-scale classical revival in western painting bloomed in England in the 1860s and flowered there for the next three decades."[7]

Gallery

  • John William Godward's works
  • Far Away Thoughts, 1892
    Far Away Thoughts, 1892
  • Idle Moments, 1895
    Idle Moments, 1895
  • The Signal, 1899
    The Signal, 1899
  • Idleness, 1900
    Idleness, 1900
  • The Jewel Casket, 1900
    The Jewel Casket, 1900
  • Youth and Time, 1901
    Youth and Time, 1901
  • With Violets Wreathed and Robe of Saffron Hue, 1902
    With Violets Wreathed and Robe of Saffron Hue, 1902
  • When the heart is young, 1902
    When the heart is young, 1902
  • Summer Flowers, 1903
    Summer Flowers, 1903
  • The Old Old Story, 1903
    The Old Old Story, 1903
  • In the Days of Sappho, 1904
    In the Days of Sappho, 1904
  • Dolce far Niente, 1904
    Dolce far Niente, 1904
  • Sweet Dreams, 1904
    Sweet Dreams, 1904
  • Flabellifera, 1905
    Flabellifera, 1905
  • The quiet pet, 1906
    The quiet pet, 1906
  • Violets, sweet violets, 1908
    Violets, sweet violets, 1908
  • A Classical Beauty
    A Classical Beauty
  • Standing poses
  • A Pompeian Bath, 1890
    A Pompeian Bath, 1890
  • A Priestess 2 1893
    A Priestess 2 1893
  • A Priestess, 1894
    A Priestess, 1894
  • He Loves Me, He Loves Me Not, 1896
    He Loves Me, He Loves Me Not, 1896
  • Venus Binding Her Hair, 1897
    Venus Binding Her Hair, 1897
  • Idle Thoughts, 1898
    Idle Thoughts, 1898
  • The Mirror, 1899
    The Mirror, 1899
  • Nerissa (1906)
    Nerissa (1906)
  • The Tambourine Girl, 1906
    The Tambourine Girl, 1906
  • Drusilla, 1906
    Drusilla, 1906
  • Athenais, 1908
    Athenais, 1908
  • An Offering to Venus, 1912
    An Offering to Venus, 1912
  • In the Tepidarium, 1913
    In the Tepidarium, 1913
  • A fair reflection, 1915
    A fair reflection, 1915
  • Lesbia with the Sparrow, 1916
    Lesbia with the Sparrow, 1916
  • At the Window, 1920
    At the Window, 1920

List of works by the artist

References

  1. ^
    ISBN 978-1-85149-270-1
    .
  2. ^ a b Barrow, Rosemary (2011), "Godward, John William (1861–1922)", Oxford Dictionary of National Biography (online ed.), Oxford University Press, retrieved 23 August 2015 (subscription or UK public library membership required)
  3. ^ "John William Godward, R.B.A." Sothebys. Archived from the original on 24 September 2015. Retrieved 23 August 2015.
  4. ^ "John William Godward". Heritage Auctions. Retrieved 23 August 2015.
  5. ISBN 978-1851499038
    .
  6. ^ Calinski, Tobias. Catull in Bild und Ton (2021). Darmstadt: WBG. 158-183
  7. ^ Gaines, Charles (1985). "Art: Those Victorian Ladies". Architectural Digest. 42: 125.
  8. ^ "Godward, john william, r.b.a. At ||| figures ||| sotheby's l18133lot9zj5sen". Archived from the original on 15 December 2018. Retrieved 11 December 2018.

External links

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