Juliette Nesville
Juliette Nesville was the stage name of Juliette-Hortense Lesne (30 July 1869 – 26 July 1900), a French singer and actress in operetta and musicals, who made most of her short career in London, after early success in Paris and Brussels.
After training at the
Life and career
Nesville was born in Paris, daughter of the proprietor of the
Nesville's success in Paris led the director of the
In November 1891 Nesville married an Englishman, James Jeffrey Cooke. Their London residence was in Bloomsbury;[2] she maintained a home in France at Le Vésinet.[9] She said later in the decade that she thought of herself as an Englishwoman.[2]
Nesville had a succession of roles in London productions of the 1890s. In 1892 and into 1893 she starred in the English adaptation of Ma mie Rosette, which did far better at the box-office than the original French production had done.[10][11] From reviewers there was much praise for her acting and charm, and on the whole for her singing, although the critic in The Pall Mall Gazette thought that nature did not intend her to be a singer.[12][13] She returned to the Criterion in to play Clairette in La fille de Madame Angot and was then engaged by George Edwardes to play Mina, the French maid, in A Gaiety Girl (1893).[14]
In 1894 Nesville appeared with the Gaiety Girl company in New York and then toured the US;[2] on her return to England she played her first non-musical role, Sally Lebrune, in Henry Arthur Jones's The Triumph of the Philistines, which George Alexander produced at the St James's Theatre in 1895.[15] The critic of London Society dismissed the play but judged Nesville – "a really excellent actress" – its only redeeming feature.[16] In the same year Nesville took over the role of Madame Amélie in An Artist's Model at Daly's Theatre.[17] That was another Edwardes musical comedy, as was the long-running The Geisha (1896), in which she played Juliette Diamant. Illness obliged her to leave the cast for a while during the run, but she recovered so well that on her return she managed the unusual feat of playing in two different West End productions at the same time. While playing Juliette Diamant at Daly's she also played Gilberte Picard, a French singer, in the farce My Friend the Prince at the Garrick Theatre.[18] She told an interviewer that she found it "rather good fun, but awful hard work: it leaves you little time to get out of one stage costume into another, and then back to the first theatre again."[2][n 2]
Another American trip took place in 1897. After a two-week try-out at the Garrick, Edwardes sent a company to New York to play
In July 1900 Nesville was in Paris to play the role of the Prince in Ernest Gillet's opéra bouffe Mariage princier, when she was taken ill. She died a few days later, aged thirty, and was buried at Le Vesinet.[9]
Notes, references and sources
Notes
- ^ Marie Tempest was reported in June to have been offered the title role.[6]
- ^ The distance between the two theatres was 158 yards (145 metres).
References
- ^ "Our Portraits", The Theatre, 1 September 1891, pp. 126–128
- ^ a b c d e f Valentine, A Henriques. "Miss Juliette Nesville at Home", The Ludgate, April 1899, pp. 477–481
- ^ Noël and Stoullig, 1891, p. 355
- ^ Noel and Stoullig, 1891, pp. 364–365, 367, 371 and 373
- ^ "Miss Decima", The Theatre, 1 September 1891, p. 132
- ^ "Stage and Song", The Pall Mall Gazette, 20 June 1891, p. 1
- ^ "Before the Footlights", The Saturday Review 1 August 1891, pp. 134–135
- ^ "Criterion Theatre", The Morning Post, 24 July 1891, p. 3
- ^ a b Obituary, Le Monde artiste, 5 August 1900, p. 495
- ^ Lamb, Andrew. 2002 "Lacome (Lacôme d’Estalenx), Paul(-Jean-Jacques) (opera)" Grove Music Online, Oxford University Press. Retrieved 2 December 2018 (subscription required)
- ^ "Our London Correspondence", Glasgow Herald, 1 March 1893, p. 9
- ^ "Ma mie Rosette", The Musical Standard, 26 November 1892, p. 422
- ^ Comic opera at the Globe", The Pall Mall Gazette, 18 November 1892, p. 2
- ^ "Prince of Wales' Theatre", The Standard, 16 October 1893, p. 3
- ^ "The London Theatres", The Era, 18 May 1895, p. 9
- ^ Little, Guy T. "The Dramatic Season 1894–5", London Society, September 1895, p. 317
- ^ "Theatrical Notes", The Pall Mall Gazette, 23 October 1895, p. 1
- ^ "The London Theatres", The Era, 20 February 1897, p. 10
- ^ "The London Theatres", The Era, 14 August 1897, p. 9
- ^ "American Amusements", The Era, 23 October 1897, p. 11
- ^ "Theatrical Gossip", The Era, 13 November 1879, p. 12
- ^ "Theatrical Gossip", The Era, 20 May 1899, p. 12,
- ^ "The Drama in Paris", The Era, 17 June 1899, p. 13
- ^ Noël and Stoullig, 1900, p. 309
- ^ "The Elixir of Youth", The Era, 16 September 1899, p. 13