Kii-Ming Lo

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Kii-Ming Lo, Taipei, National Concert Hall, Chiang-Kai-Shek Cultural Center, Taipei / Taiwan, R.O.C. (2013)

Kii-Ming Lo (

musicologist
.

Life

Kii-Ming Lo was born on November 4, 1954, in

Fu-Jen Catholic University / Taipei; in 1999 she was made "full professor of musicology". From 2002 until her retirement in 2020, she taught as professor of musicology at the Music Department of the National Taiwan Normal University (NTNU) in Taipei.[1]

Musicology

Kii-Ming Lo’s research and teaching activities at NTNU brought about a gradual professionalization of the discipline of

music theater
and contemporary music in Taiwan.

Publications

Books

Scholarly articles in English

  • 1991 In Search for a Chinese Melody — Tracing the Source of Weber's »Musik zu Turandot«, op. 37, in: Tradition and its Future in Music. Report of SIMS 1990 Osaka, edd. Tokumaru Yosihiko, Ohmiya Makoto, Kanazawa Masakata, Yamaguti Osamu, Tukitani Tuneko, Takamatsu Akiko & Shimosako Mari, Tokyo/Osaka (Mita Press) 1991, 511–521.
  • 1993 New Documents on the Encounter of European and Chinese Music, in: Report of IMS 1992 Madrid, published as Separata de la Revista de Musicología, Volumen 16, 1993, No 4, pp. 1896-1911.
  • 1997 Giacomo Puccini’s »Turandot« in two Acts — The Draft of the first Version of the Libretto, in: Giacomo Puccini. L’uomo, il musicista, il panorama europeo. Proceedings of the International Congress, Lucca 25–29 November 1994, ed. by Gabriella Biagi Ravenni & Carolyn Gianturo. (Studi Musicali Toscani, 4), Lucca (LIM) 1997, 239–258.
  • 1999 Some Functions of Music in Chinese Classical Literature, in: Walter Bernhart, Steven Paul Scher, Werner Wolf (eds.), Word and Music Studies: Defining the Field. Proceedings of the First International Conference on Word and Music Studies at Graz, 1997, Amsterdam (Rodopi) 1999, 221- 235.
  • 2007 Elements of East Asian Music as Exoticism in Twentieth-Century European Opera: The Case of Isang Yun, in: Paolo Amalfitano & Loretta Innocenti (edd.), L'Oriente. Storia di una figura nelle arti occidentali (1700 2000), 2 vols., Roma (Bulzoni) 2007, vol. 2, 487–500.
  • 2019 Staging Wagner after Chereau: The Search for Continuous Innovation at Bayreuth Festival, 1986–1993, in: Marco Brighenti/Marco Targa (edd.), Mettere in scena Wagner. Opera e regia fra Ottocento e contemporaneità, Lucca (LIM) 2019, 175–188.

References

External links