Kural (poetic form)

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A large book of Tirukkural

The Kural is one of the most important forms of classical

Tiruvalluvar
, one of the greatest philosophical works in Tamil, is a typical example.

Structure

Prosodic background

The Tamil conception of metrical structure includes elements that appear in no other major prosodic system.[1] This discussion is presented in terms of syllables, feet, and lines (although syllables are not explicitly present in Tamil prosodic theory).

Similarly to classical

Greek, and Sanskrit prosody, a syllable is long if its vowel is (1) long (including diphthongs[2]) or (2) followed by two or more consonants.[3] Generally other syllables are short, though some syllables are considered "overshort" and ignored in the metrical scheme,[4] while "overlong" syllables are variously dealt with.[5]

Metrical structure

Veṇpā is a closely related family of very strict[6] Tamil verse forms. They differ chiefly in the number of standard lines that occur before the final short line. In kuṟaḷ-veṇpā (or simply "kural") a single 4-foot ("standard") line is followed by a final 3-foot ("short") line, resulting in a 7-foot couplet.[7] Syntactically, each foot normally consists of only a single word, but may also consist of two words if they are very closely linked (for example, in apposition).[3] Metrically, the first six feet are all identical, conforming to this structure:

(u)x (u)x (x)
u = 1 short syllable
x = 1 short or 1 long syllable (anceps in Western parlance)
( ) = the enclosed syllable is optional

This very flexible structure would generate 48 possible syllabic patterns, but two additional constraints apply: [8]

  1. The initial (u)x may not be realized by u alone.
  2. The final anceps is prohibited if the second (u)x is realized by u alone.

...leaving 30 possible syllabic patterns per foot, each realized with two to five syllables:

 –  u
 –  – (x)
 – uu (x)
 – u– (x)

uu  u
uu  – (x)
uu uu (x)
uu u– (x)

u–  u
u–  – (x)
u– uu (x)
u– u– (x)
= long syllable
(x) represents 3 possibilities: absent, u (short), or – (long)

The kural's final foot is essentially a much-shortened version. The structure of the entire couplet is thus:

(u)x (u)x (x) | (u)x (u)x (x) | (u)x (u)x (x) | (u)x (u)x (x)
(u)x (u)x (x) | (u)x (u)x (x) | (u)x
| = division between feet (and words)

In actual composition, syllabic patterns are limited further, because every realized foot places constraints upon the syllabic pattern of the following foot, thus:[9]

  • When the final optional anceps of a foot is PRESENT, the next foot must not begin with a short syllable.
  • When the final optional anceps of a foot is ABSENT AND …
    • The middle optional short syllable is PRESENT, the next foot must not begin with a short syllable.
    • The middle optional short syllable is ABSENT, the next foot must begin with a short syllable.

Ornamentation

One ornamental feature of Tamil versification is etukai, often translated "rhyme",[10][11] although it is distinct from typical Western rhyme. This occurs often in kural, but is not obligatory.[12] There is variance in Tamil practice, but in a kural couplet, etukai is usually more or less equivalent to the exact repetition of the initial line's second syllable as the final line's second syllable. An example (not in a kural, but in a four-line veṇpā) is:

vaȚIyērka ṇīrmalka vāṉporuṭkuc ceṉṟār
kaȚIyār kaṉaṅkuḻāy kāṇārkol kāṭṭuḷ
iȚIyiṉ muḻakkañci yīrṅkavuḷ vēḻam
piȚIyiṉ puṟattacaitta kai
[13]

Sometimes additional syllables, beyond the second, are also repeated.[11]

Notes

  1. ^ Niklas 1988, p. 165.
  2. ^ Rajam 1992, p. 42.
  3. ^ a b Pope 1886, p. xxv.
  4. ^ Niklas 1988, pp. 170, 194.
  5. ^ Niklas 1988, pp. 193–194.
  6. ^ Niklas 1988, p. 166.
  7. ^ Niklas 1988, pp. 180–181.
  8. ^ Niklas 1988, pp. 171.
  9. ^ Niklas 1988, pp. 180, 175.
  10. ^ Niklas 1988, pp. 178.
  11. ^ a b Pope 1886, p. xxvi.
  12. ^ Niklas 1988, pp. 181, 180.
  13. ^ Niklas 1988, p. 201.

References

  • Niklas, Ulrike (1988). "Introduction to Tamil Prosody" (PDF). Bulletin de l'École française d'Extrême-Orient. 77. London: W. H. Allen & Co.: 165–227. .
  • Pope, G. U. (1886). The 'Sacred' Kurraḷ of Tiruvaḷḷuva-Nâyanâr (PDF). London: W. H. Allen & Co.
  • Rajam, V. S. (1992). A Reference Grammar of Classical Tamil Poetry (150 B.C. — pre-fifth/sixth century A.D.). Philadelphia: American Philosophical Society. .

Further reading

External links