La gota fría

Source: Wikipedia, the free encyclopedia.

"La gota fría" (Spanish for 'The Cold Drop') is a 1938 Colombian vallenato song, composed by Emiliano Zuleta.[1] It has been proposed as an unofficial Colombian anthem. The song emerged from a musical controversy with Lorenzo Morales. Many artists had covered the song include Carlos Vives, Grupo Niche, Ray Conniff, Gran Pachanga, Los Joao, La Sonora Dinamita, Julio Iglesias, Tulio Zuloaga, and Alfredo Gutiérrez. The title of the song alludes metaphorically to the weather phenomenon, in which a cold front clashes with warm air, producing heavy storms and torrential rains; the cold drop is occasionally apparent near the Sierra Nevada de Santa Marta.

Lyrics and theme

The lyrics, based on an actual event, are narrated in the first person and deal with a past impromptu vallenato accordion competition between the narrator and his rival, Lorenzo Morales in the town of Urumita, gloating that the latter fled in anger the following morning. He explains that he (the narrator) is a more meticulous music writer, while Morales mostly freestyles. The narrator argues that Morales is an uneducated man and the competition devolves to mutual swearing and name-calling; he states that he is not above ultimately coming to blows with Morales, but that he is the better man and doesn't let himself get provoked. When the two are jamming together with the accordion, Morales is increasingly unable to keep up with the narrator and begins to get nervous, shedding cold sweat just like the title of the song; Morales ultimately makes a mistake and loses.

Carlos Vives version

"La gota fría"
Polygram
Songwriter(s)Emiliano Zuleta
Producer(s)Eduardo de Narvae
Carlos Vives singles chronology
"No Podrás Escapar de Mi"
(1989) 		"La gota fría"
(1993) 		"Alicia Adorada"
(1994)

In 1994, Colombian vallenato performer

signature songs
.

Background and composition

Before Clásicos de la Provincia, Vives was not considered a famous Colombian singer on the international stage. He began his career as a

synthpop style did little to differentiate himself from other musical artists of the era. It took a few years for Vives to find inspiration out of the limelight in Bogotá and back to his roots in Santa Marta.[2]

In 1991, when Carlos was approached to play the part of

Latin American music market.[3]

With Carlos's backing band, La Provincia, Carlos took a cue from his successful interpretations of Rafael Escalona, and decided to delve deeper into the famous artists of Colombia's vallenato past. The result would be Carlos's first true breakthrough hit Clásicos de la Provincia, in 1993 (1994 internationally).[3] As the title implies, the album consists of Colombia's vallenato classics, not only popular during its time, but in a new rock style, nearly turning the songs into new compositions. For example, the album opener "La gota fria", when compared to the original by Emiliano Zuleta, sounds like two distinct songs, if one were to ignore song lyrics.[4]

Reception

Upon its release, "La gota fría" received generally favorable reviews from

Allmusic praised the song because is different between the other song of the album and expressed "a witty tune that was a major hit for Vives", going on to select the song as one of the best tracks of the album.[7]

"La gota fría" became Vives's first record to attain commercial success. The song peaked at numbers 6 and 14 on the

Latin Pop Songs component charts. The song won for Tropical Song of the Year at the 1995 Lo Nuestro Awards.[8] In Chile the song was certified Platinum for selling over 25,000 copies.[9]

Music video

An image of Carlos Vives in the music video for "La gota fría".

The music video for "La gota fría" was shot in the

RCN TV). At 4:00 AM the next day, La Provincia and Carlos Vives, left Barranquilla because they needed to shoot some scenes of the music video in Santa Marta. The video of the song starts with Carlos singing live with La Provincia, during the video show scenes of the band members playing their instruments. There are other scenes that show the public and other that shows Carlos Vives playing football on the beach, a drop falling in the water, a cactus and other images.[10]

Track listings

12" maxi-single[11]
  1. "La gota fría"
CD Maxi Single[12]
  1. "La gota fría"
  2. "Alicia adorada"
  3. "Matilde Lina"
  4. "Honda herida"

Charts

Certifications

Country Provider Certification Sales
Chile
IFPI
 Platinum[9] 25,000

References

  1. ^ "Emiliano Zuleta". theguardian.com. 2005-11-14. Retrieved 2013-09-20.
  2. ^ a b c "Carlos Vives Biography". www.carlosvives.com. Sony Music Entertainment. Retrieved July 12, 2013.
  3. ^ a b "Biografía de Carlos Vives". Candela Stereo (in Spanish). Retrieved July 12, 2013.
  4. ^ "Carlos Vives: Ya está listo el último trabajo musical de Carlos Vives y la cosa pinta de alto turmequé". El Tiempo (in Spanish). Casa Editorial El Tiempo S.A. July 19, 1993. Retrieved July 13, 2013.
  5. About.com. Archived from the original
    on May 14, 2013. Retrieved July 12, 2013.
  6. About.com. Archived from the original
    on May 14, 2013. Retrieved July 12, 2013.
  7. Rovi Corporation
    . Retrieved July 12, 2013.
  8. ^ Lo Nuestro 1995 - Historia de Premio lo Nuestro Archived 2011-08-05 at the Wayback Machine Univision
  9. ^ a b Fernandez, Carmen Alicia (December 28, 1994). "Al son de bolero y vallenato". El Tiempo (in Spanish). Casa Editorial El Tiempo S.A. Retrieved July 12, 2013.
  10. ^ Silva Guzmán, Mauricio (December 10, 1993). "Vives: de local y de visitante". El Tiempo (in Spanish). Casa Editorial El Tiempo S.A. Retrieved July 13, 2013.
  11. ^ "Carlos Vives - LA Gota Fría (vinyl)". Discogs. Zink Media. Retrieved July 12, 2013.
  12. ^ "Carlos Vives - La Gota Fría (CD Maxi Single)". Discogs. Zink Media. Retrieved July 12, 2013.
  13. ^ "Carlos Vives Chart History (Hot Latin Songs)". Billboard. Retrieved April 28, 2011.
  14. ^ "Carlos Vives Chart History (Latin Pop Songs)". Billboard. Retrieved April 28, 2011.
  15. ^ "The Year in Music". Billboard. Vol. 106, no. 52. Prometheus Global Media. December 26, 1994. pp. YE-82. Retrieved July 12, 2013.
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