Loreto Vittori

Source: Wikipedia, the free encyclopedia.

Loreto Vittori (5 September 1600 (baptized) – 23 April 1670) was an Italian

papal chapel
in Rome.

Life

Vittori was born in Spoleto and educated in Rome. He then worked as a singer in

Urban VIII
. He died in Rome, aged 69.

Vittori sang at the premiere of Lo Sposalizio di Medoro et Angelica by Jacopo Peri and Marco da Gagliano in 1619, possibly as Angelica. He was Saint Ursula in La Regina Sant'Orsola by Marco da Gagliano in 1624. Back in Rome, the man was Falsirena in La Catena d'Adone by Domenico Mazzocchi in 1626. In 1628, Vittori took an unknown role in La Flora, ovvero Il natal de' fiori (Flora, or The Birth of Flowers), an opera composed by Marco da Gagliano and Jacopo Peri to a libretto by Andrea Salvadori. He also performed at the wedding festivities of Margherita de' Medici to Odoardo Farnese in Parma, probably as Galatea in the intermezzo Mercurio e Marte by Claudio Monteverdi.

In 1637, Vittori sang in

Clement IX
.

Bernardo Pasquini was among his pupils.

Works

  • In 1639 he wrote a spectacular opera entitled La Galatea, rediscovered and revived in 2005. La Galatea is peopled with multi-dimensional characters and contains moments of great dramatic intensity, the reason, perhaps, for the unusually warm praise it received from music historians in the early part of the twentieth century.[1]
  • He composed the sacred drama Sant'Ignazio di Loyola, which is lost; two sacred dramas entitled Santa Irene (1644) and La Pellegrina Costante (1647);[2]
  • the play La Fiera di Palestrina; a comedy Le Zittelle Cantarini, a collection of monodies and Dialoghi Sacri e Morali.
  • A
    Eugenius IV
    .

References

  1. ^ La Galatea, melodrama by Vittori. Archived 2011-05-25 at the Wayback Machine
  2. ^ La Pellegrina Costante is based on Parthenia, a novel by Jean-Pierre Camus, translated into Italian by the Venetian M. Bisaccioni (1582-1663).