Lou Grant

Source: Wikipedia, the free encyclopedia.

Lou Grant
Edie Grant (divorced)
ChildrenRuth (daughter)
Jane (daughter)
Sara (daughter)
RelativesAmy (granddaughter)
Abby (granddaughter)
Eric (grandson)
Matthew (grandson)[1]
Allen Stevens (nephew)
Bill Phelps (son-in-law)
(By 1979, he had begun referring to one of his daughters as "Ellen", and she had a young son named Nick.[2])

Lou Grant is a fictional character played by Ed Asner in two television series produced by MTM Enterprises for CBS. The first was The Mary Tyler Moore Show (1970–1977), a half-hour light-hearted situation comedy in which the character was the news director at fictional television station WJM-TV in Minneapolis. A spinoff series, entitled Lou Grant (1977–1982), was an hour-long serious dramatic series that frequently engaged in social commentary, featuring the same character as city editor of the fictional Los Angeles Tribune. Although spin-offs are common on American television, Lou Grant remains one of a very few characters played by the same actor to have a leading role on both a popular comedy and a popular dramatic series.

Fictional biography

Pre-WJM-TV

Although the setting of The Mary Tyler Moore Show might have implied that he was a native

Edie MacKenzie (Priscilla Morrill), at an age young enough to have four grandchildren before he turned 50.[1]

After marriage he became a

2nd Marine Division.[7] During another phase of his wartime service he was injured by a grenade in France, the last remnants of which were removed only in his late 40s.[8] He was also part of a unit that liberated an unknown town in Germany.[5] During the war he met and befriended Walter Cronkite.[9]

He attended college (although on several occasions he stated he never had the chance to attend), likely after the war.

San Francisco Call-Bulletin, and worked with Jack Riley (Eugene Roche).[13]

WJM-TV

At some point in his late 30s he made the transition to broadcast journalism, and by the time of the 1966 elections he was working on a radio news show, as he explained to

Murray Slaughter
as his head writer.

Of these relationships, the one with Richards was likely the closest. Except for one abortive attempt at romance, his general attitude towards Mary was

paternalistic. A typical display of his affection for Richards came when his nephew, Allen, tried to put the moves on Mary. Lou became infuriated and said "Listen you, let me remind you of something, and remember this forever. I think of this girl here as if she were my own daughter and that means she is your cousin, you get my drift?"[14]

Lou delivers the news to Sue Ann that her program has been cancelled.

He was a heavy drinker, with a penchant for hiding whole bottles of scotch in his desk drawers.[15] His personality was outwardly that of a tough loner and a workaholic man's man. The real Lou Grant was somewhat more complicated. He was quick to anger and had a violent streak, at times threatening the barely competent Ted Baxter and once causing him physical injury. However, those who understood him best, like Mary Richards, knew he was also painfully shy, with a particular awkwardness around women. With those few people he trusted, Lou was protective and could at times confide his emotional vulnerability. When he learned that Ted considered him his "best friend", he took pity on him, at least until Ted infuriated him again.

Lou's marriage began to slide as he and Edie both adjusted to life after parenthood. They briefly separated for the first time almost immediately after their youngest daughter got married and left the house.

Aunt Flo (Eileen Heckart) in Seasons 6 and 7; and even with Mary herself in the penultimate episode. He and Sue Ann Nivens
had a drunken one-night-stand.

Professionally, his career with WJM-TV ended in the final episode. Lou, along with Mary, Murray, and Sue Ann Nivens, was fired due to low ratings. Lou's sometime-nemesis, the vacuous Ted Baxter—the real cause for the ratings slide—was retained.[18]

Los Angeles Tribune

Grant with Mrs. Pynchon and Charlie Hume.

Lou Grant, a spin-off drama from the comedy show Mary Tyler Moore, opens with Grant relocating to Los Angeles, to work with as City Editor with an old buddy, Charley Hume, who is managing editor of the fictitious Los Angeles Tribune, His subordinates at that time included staff reporters Joe Rossi (Robert Walden); Billie Newman (Linda Kelsey); her predecessor, Carla Mardigian (Rebecca Balding); and photographer Dennis "Animal" Price (Daryl Anderson). His assistant city editor was Art Donovan (Jack Bannon). Charlie Hume was now his boss, who ultimately reported to publisher Margaret Jones Pynchon (Nancy Marchand). They, like those back at WJM, became his family. In the last episode of season one it is revealed that he has just turned 50, a continuity error from The Mary Tyler Moore Show; he would have turned 53 in 1978.[4] There is one character on Lou Grant, reporter Rosenthal, who is mentioned frequently but never seen.[19] Lou Grant was cancelled after the star, Ed Asner, publicly protested U.S. interventions into the politics of Latin American countries.[20]

Unofficial appearances

  • During the second season of the Lou Grant series, the Toronto Sun newspaper arranged a series of press conferences, interviews and announcements (with participation from Asner), stating that Lou Grant was joining the Sun as their new senior city editor. Asner (as Grant) ostensibly worked in the newsroom for a day, and the March 23, 1979 issue of the Sun newspaper actually formally named Lou Grant as city editor on their masthead. The publicity stunt concluded with Grant being "fired" from the Sun after one day, allegedly for being "too disruptive to the flow of the newsroom" due to of all the news organizations following him around with cameras.[21]
  • In a 1984 episode of Saturday Night Live, on which Asner was a guest, Lou hired a team of mercenaries to "rescue" Mary Richards after she got stuck in the '70s in syndicated reruns. But Mary refused rescue on the grounds that she never ages and never gains weight, and that people still like her. Mary Richards and the rest of the Mary Tyler Moore Show characters hadn't existed anywhere, except in reruns, for several years. (Lou Grant had been cancelled about 2 years previously.)
  • In a 2000 episode of the short lived Ellen Show, series regular Cloris Leachman reunites with Mary Tyler Moore. Cloris had played Phyllis on the Mary Tyler Moore show and its spinoff, Phyllis. Though the Mary and Cloris reunion was advertised well publicized, Ed Asner had a surprise cameo as Santa Clause. Mary called him "Mister Clause," in homage to the fact that her character had always called Lou Grant "Mister Grant."

Reception

Asner won five

Bravo ranked Lou 35th on their list of the 100 greatest TV characters.[22]

References

  1. ^ a b c d Writer (Elias Davis & David Pollock), Director (Jay Sandrich) (February 3, 1973). "What Do You Do When the Boss Says 'I Love You'". The Mary Tyler Moore Show. CBS.
  2. ^ Writer (Leonora Thuna), Director (Charles S. Dubin) (January 1, 1979). "Denial". Lou Grant. CBS.
  3. ^ Writer (Michele Gallery), Director (Gene Reynolds) (November 23, 1981). "Hometown". Lou Grant. CBS.
  4. ^ a b Writer (David Lloyd), Director (George Tyne) (December 22, 1973). "Happy Birthday, Lou!". The Mary Tyler Moore Show. CBS.
  5. ^ a b c d Writer (Treva Silverman), Director (Jay Sandrich) (November 27, 1971). "The Six-and-a-Half-Year Itch". The Mary Tyler Moore Show. CBS.
  6. ^ Writer (Treva Silverman), Director (Jay Sandrich) (January 22, 1972). "Baby Sit-Com". The Mary Tyler Moore Show. CBS.
  7. ^ Writer (Susan Silver), Director (Jay Sandrich) (February 20, 1971). "A Friend in Deed". The Mary Tyler Moore Show. CBS.
  8. ^ Writer (Elias Davis & David Pollock), Director (Jay Sandrich) (December 9, 1972). "Operation: Lou". The Mary Tyler Moore Show. CBS.
  9. ^ Writer (Ed. Weinberger), Director (Jay Sandrich) (February 9, 1974). "Ted Baxter Meets Walter Cronkite". The Mary Tyler Moore Show. CBS.
  10. ^ Writer (Lorenzo Music & David Davis), Director (Jay Sandrich) (September 25, 1971). "I Am Curious Cooper". The Mary Tyler Moore Show. CBS.
  11. ^ a b Writer (Seth Freeman), Director (Charles S. Dubin) (September 27, 1977). "Hostages". Lou Grant. CBS.
  12. ^ Writer (Treva Silverman), Director (John C. Chulay) (February 2, 1974). "Better Late . . . That's a Pun . . . Than Never". The Mary Tyler Moore Show. CBS.
  13. ^ a b c Writer (Leon Tokatyan), Director (Gene Reynolds) (September 20, 1977). "Cophouse". Lou Grant. CBS.
  14. ^ Writer (Bob Rodgers), Director (Jay Sandrich) (December 12, 1970). "He's All Yours". The Mary Tyler Moore Show. CBS.
  15. ^ a b Writer (James L. Brooks & Allan Burns), Director (Jay Sandrich) (September 19, 1970). "Love is All Around". The Mary Tyler Moore Show. CBS.
  16. ^ Writers (David Davis & Lorenzo Music), Director (Jay Sandrich) (February 13, 1971). "The Boss Isn't Coming to Dinner". The Mary Tyler Moore Show. CBS.
  17. ^ Writer (Treva Silverman), Director (Jay Sandrich) (October 6, 1973). "The Lou and Edie Story". The Mary Tyler Moore Show. CBS.
  18. ^ Writers (Bob Ellison, David Lloyd, Stan Daniels, Ed. Weinberger, James L. Brooks, and Allan Burns), Director (Jay Sandrich) (March 19, 1977). "The Last Show". The Mary Tyler Moore Show. CBS.
  19. ^ "DVD Talk". www.dvdtalk.com. Retrieved April 4, 2024.
  20. ^ "Edward Asner". Television Academy Interviews. October 22, 2017. Retrieved April 4, 2024.
  21. ^ "Mr. Lou Grant". January 2, 2007.
  22. ^ "The 100 Greatest TV Characters". Bravo. Archived from the original on October 15, 2007. Retrieved September 1, 2010.