Louis Calaferte

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Louis Calaferte (French pronunciation:

In his early teens, Calaferte worked as an errand boy in a battery factory and later began work as a general laborer.[2] During this time, he enjoyed reading books;^[1] subsequently, in 1947 he moved to Paris, where he got a job at Odéon - Théâtre de l'Europe (formerly the Théâtre de l’Odéon) as a theatre extra. It was then and there that he wrote his first plays. One of them was performed at a preview performance at Théâtre d'Angers, earning him a standing ovation at the age of twenty.^[2]

Career

With the support of his “literary hero”^[1] Joseph Kessel, he had Requiem des innocents published by Éditions Julliard in 1952.^[2] This work was a culmination of childhood memories in which Calaferte’s rebellious writing style began to emerge. This first book had great success and was soon followed by the publication of Partage des vivants (The Lot of the Living) in 1953.^[2] These two youthful works would be severely criticized by the author twenty five years later.^[3] He is quoted as saying : “If I had to name two of my books that I loathe, it would be the first two; I would gladly see them disappear”.^[3]

In 1956, he moved to Mornant in the Monts du Lyonnais, where he wrote Septentrion, a work accused of being pornographic, and which was consequently censored and banned from being sold.^[2] It was reprinted only twenty years later, on the initiative of Gérard Bourgadier at Éditions Denoël,^[2] a French publishing house. In this largely autobiographical and erotic novel, Calaferte uses first-person narrative to recount the wanderings of a novice writer, his time spent secretly reading while working as a laborer (as a child, the protagonist would hide in public toilets, reading there very happily),^[4] and his encounters with women. The most important female figure in the novel is without a doubt Nora, a Dutch woman who represents female emancipation and social success. Calaferte continued to regularly publish collections of poems and stories of an intimate and sensual nature; some of these were dreamlike and strange, and they were often linked to childhood. His plays explored the theme of family relations, using both a humorous and troubling tone. According to director Patrick Pelloquet, “ Louis Calaferte’s characters are more of a stereotype for certain behavior than characters in the strictest sense of the word”.^[5]

Until 1974, Calaferte worked for a Lyon radio station and at ORTF (Office de Radiodiffusion-Télévision Française).^[2] He spent the last years of his life near Dijon, in the village of Blaisy-Bas with his wife.^[6] Among his friends, he was closest to writer Georges Piroué^[7] and theatre director Jean-Pierre Miquel.^[8] Miquel described Calaferte’s work as “honest, harsh and capable of crazy rhetoric, [while] never straying away from the psychological reality of its characters.”^[8] He added that it was “a well-rounded work - perfect, precise, deeply moving and amusing.”^[8] Miquel said his friend Calaferte was a private and friendly person, someone who always spoke his mind and whose work was distinguished by its harshness.^[8] Calaferte’s notebooks also present his audience with another aspect of the author’s artistic personality, demonstrating his passion for painting^[8] and his literary inspiration, which derives from the works of numerous established thinkers, including Paul Léautaud and Franz Kafka.^[2]

Despite being often overlooked by his peers,^[9] Louis Calaferte produced powerful and personal works. Among them was The Way It Works with Women (1992) (La méchanique des femmes), an unclassifiable short novel^[10] he published two years before his death, which was adapted for the screen in 2000 by Jérôme de Missolz ; however, it did not experience great success.^[11] Calaferte reflected on his life as an author, saying:

“For having written so much between the ages of thirteen and twenty, having presented two plays in Paris, and having my first book published at age of twenty-two, I deem myself to be talented beyond my years...The development of my thoughts and my ability to understand only flourished as I gradually matured over the years.”^[2]

Over the course of his career, Calaferte produced hundreds of works, mainly poetry and short story collections, as well as plays and notebooks. Louis Calaferte died on 2 May 1994 in Dijon, France. His wife, Guillemette, has proposed to the municipality her willingness to donate Calaferte’s work to the city, provided that there is a place dedicated to him.^[6] She has continued to publish the previously unseen volumes of his notebooks.

Works

Novels

Requiem des innocents, 1952, publisher: Collection Folio (No 3388) (2000),

External links

• Louis Calaferte at
  IMDb
• (fr) Excerpts from Le Sang violet de l’améthyste / The Violet Blood of the Amethyst in the 3rd issue of The Black Herald, 2012, translated from the French by John Taylor