Marianne de Pury
Marianne de Pury | |
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Born | Yale School of Drama (composer-in-residence) | 3 April 1935
Known for | Translator for French playwright Jean Genet |
Notable work |
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Marianne de Pury (born 3 April 1935)
De Pury studied piano and composition at the
In 1965 she began a collaborative project with playwright and director Megan Terry who was working on a devised performance piece for the La MaMa Experimental Theatre Club protesting the Vietnam War.[6] Their ensemble improvisations at the Open Theatre laboratory resulted in Viet Rock, widely recognized as the first rock musical written and produced in the United States. De Pury followed the production as an accompanist when it premiered at the Yale Repertory Theatre in 1966 and later transferred to the Off-Broadway Martinique Theatre on 10 November 1966.[3]
During her time in the United States, de Pury also served as composer-in-residence for the
De Pury is founder of the Santa Fe Ensemble Theatre in New Mexico and has directed free-lance productions in Basel, Bern, Bonn, Dublin, Sarajevo, Melbourne, New York and Cameroun. Upon returning to Switzerland, she became the administrative director of the Theatre de Carouge, a three-stage performing space in Geneva, Switzerland.[7]
References
- ^ "de Pury, Marianne (1935- )". Kent State Open Theatre Archives. Retrieved 4 June 2012.
- ^ a b c Rubin, Marcela Eagle (9 May 2009). "Marianne de Pury invita a 'Morir ... o no' en Perú." ["Marianne de Pury invited to 'die ... or not' in Peru]". SwissInfo.ch. Retrieved 4 June 2012.
- ^ ISBN 0313299080.
- ^ ISBN 0679754792.
- ^ ISBN 978-0060937966.
- JSTOR 1125282.
- ^ a b "Fulbright Scholar in Theater to Visit Silver". Western New Mexico University Expressive Arts Theater Discipline. Retrieved 15 July 2012.
External links
- Listings concerning Marianne de Pury - Kent State University Special Collections and Archives
- Catalogue of Marianne de Puty's Letters with Joseph Chaikin and Jean Genet - Kent State Open Theatre Archives
- Kathrina Erizar (2005). "Marianne de Pury". In Andreas Kotte (ed.). OCLC 62309181.