Martinengo Altarpiece

Martinengo Altarpiece
Martinengo Altarpiece
Artist	Lorenzo Lotto
Year	1513–1516
Medium	Oil on panel
Dimensions	520 cm × 250 cm (200 in × 98 in)
Location	Santi Bartolomeo e Stefano, Bergamo

The Martinengo Altarpiece is a painting by the Italian

Santi Bartolomeo e Stefano in Bergamo

in northern Italy.

History

On 15 May 1516, Lotto was in Bergamo to sign a contract for a large altarpiece for the high altar of the church of San Bartolomeo, funded by Alessandro Martinengo Colleoni, who had chosen the church as the family's new burial place (the outstanding

ducats

.

The painting, the largest ever painted by Lotto, was once accompanied by a series of minor panels, which were dispersed in the following centuries and have been only partially identified - one is The Entombment of Christ (now in Bergamo).

Description

The subject of the painting is a

Bramante style. In the center, where the dome should be, is the tholobate, whose pendentives decorated with Mark and John the Evangelists. Two angels are watching from a balustrade, perhaps inspired by Mantegna's Camera degli Sposi

. Two other angels fly over Mary holding her crown.

The interpretation of the numerous symbols of the picture is disputed. Some of the objects could be taken from Francesco Colonna's Hypnerotomachia Poliphili, alluding to the rule of Venice in Bergamo, of which Martinengo was a supporter. The inscription in the upper part, saying Divina Suave, would be a reference to Venice.

In the lower part, the Virgin sits on a throne having a zoomorphic base, whose lion paws are a reference to

St. Mark's Lion

, symbol of Venice. The lion is also peeping from behind the throne, on the left. There is a total of ten saints, including St. Alexander, eponymous of the donor, portrayed with a scintillating armor and, perhaps, with the face of Martinengo himself. His wife Barbara is also portrayed next to him, as the saint with the same name.

The two child angels in the low foreground are a typical element in Lotto's works.

The work is signed and dated "Laurentius / Lotus / M.D.XVI".

Secondary panels

The following panels, located in other places, are usually associated with the work:

Angel with Sceptre and a Globe (
Museum of Fine Arts, Budapest
Martyrdom of St. Stephen (predella), 51x97 cm, Accademia Carrara, Bergamo
Deposition of Christ (predella), 51x97 cm, Accademia Carrara, Bergamo
Miracle of St. Dominic (predella), 51x97 cm, Accademia Carrara, Bergamo
Martyrdom of St. Alexander (tondo, canvas), 16.8 cm diameter, North Carolina Museum of Art, Raleigh
Pietà (tondo, tela), 16.8 cm diameter, North Carolina Museum of Art, Raleigh
St. Peter Martyr (from the pillars, canvas), 24x53 cm, Fondazione Longhi, Florence
Dominican Saint (from the pillars, tela), 24x53 cm, Fondazione Longhi, Florence

Sources

Pirovano, Carlo (2002). Lotto. Milan: Electa.