Master Hugo
Master Hugo (fl. c.1130-c.1150) was a Romanesque lay artist and the earliest recorded professional artist in England.
His documented career at
Mary and Saint John, for the Monk's Choir (probably a rood). He has been credited with having made the ivory Cloisters Cross (or "Bury St Edmunds Cross"), now at The Cloisters, New York.[2]
It is not known where Master Hugo was born or trained. According to the Fitzwilliam Museum, "the magnificent colour patterns of his paintings, the startlingly new Byzantine draperies and the deep-staring eyes of Moses, Aaron and the Jews suggest that he had travelled at least to southern Italy and probably also to Cyprus, Byzantium, and even the Holy Land."[3]
References
- ^ Elizabeth C. Parker, Master Hugo as Sculptor: A Source for the Style of the Bury Bible, GESTA, XX/1, 1981, JSTOR
- ^ Thomas Hoving, King of the Confessors: A New Appraisal. cybereditions.com. Christchurch, New Zealand: 2001
- ^ "The Bible and Its Study: From the Cloisters to the University". Fitzwilliam Museum.
Further reading
- ‘Gesta sacristarum’, Memorials of St Edmund's Abbey, ed. T. Arnold, 2, Rolls Series, 96 (1892), 289–96
- C. M. Kauffmann, ‘The Bury Bible’, Journal of the Warburg and Courtauld Institutes, 29 (1966), 60–81
- R. M. Thomson, ‘Early Romanesque book-illustration in England: the dates of the Pierpont Morgan Vitae sancti Edmundi and the Bury Bible’, Viator, 2 (1971), 211–25
- R. M. Thomson, ‘The date of the Bury Bible reexamined’, Viator, 6 (1975), 51–8
- Thomas Hoving, King of the Confessors. Simon & Schuster. New York, New York: 1981.ISBN 978-0345303707
- ISBN 978-0300064933
- Elizabeth C. Parker & Charles T. Little, The Cloisters Cross. The Metropolitan Museum of Art. New York, N.Y.: 1994.
- T. A. Heslop, ‘The production and artistry of the Bury Bible’, Bury St Edmunds: medieval art, architecture, archaeology, and economy, ed. A. Gransden (1998), 172–85 ISBN 9780901286888