Maurice Noble
Maurice Noble | |
|---|---|
| Born | Maurice James Noble May 1, 1911 La Crescenta, California, U.S. |
| Alma mater | Chouinard Art Institute |
| Occupation(s) | Animated filmmaker and cartoonist |
| Years active | 1934–2001 |
Maurice James Noble (May 1, 1911 – May 18, 2001) was an American
Early life and Disney years
Maurice Noble was born in
A
Snow White and the Seven Dwarfs was the first feature-length film Noble worked on. This was followed by background work on other Disney features, notably the Rite of Spring sequence in Fantasia. Noble also did story development for the Dance of the Hours in that film. For Dumbo, he did color coordination and character design, including work on the pink elephant sequence.
Noble joined the Disney animators' strike in 1941; it lasted five weeks and became bitter. When he returned after the strike was settled, his office was moved to an ex-broomcloset and he was left without assignments. Soon he was laid off and his career at Disney was at an end.
The outbreak of
The Warner Bros. years
Noble remained in St. Louis until 1950, when he was invited to come to Warner Bros. to do cartoon layout for Chuck Jones' group, beginning with the short Rabbit Seasoning. This was the first time he had done layout, which consists of designing the background environment and, for each shot, the particular viewpoint. The layout drawings and colorations are then used by the background artist (often Philip DeGuard) to paint the final backgrounds (see Chuck Amuck, p. 148 for an example).
At Warner Bros., Noble worked with Jones for a decade, over which time the team did over 60 cartoons. Turning away from the realism of Disney backgrounds, Noble grew into styles using shape and color to define the space. The graphic look of his backgrounds could vary widely from film to film; he tried to make the backdrop fit the mood of the film. Noble says:
- "I call it stepping into the picture. You look around and say, 'Gee, what's this all about, and does it feel right for this given picture?' And then you go ahead and design from that standpoint."[2]
The Jones unit worked with many of Warners characters:
A break of about a year came during this period, when Noble spent time working on industrial films for John Sutherland's studio in the wake of Warner Bros. shutting down their cartoon unit, and did not return immediately upon the studio re-opening. In this period, Jones had his layouts created first by former Disney artist Ernie Nordli, who used an even more abstract (albeit less consistent) style than Noble, and then later by Noble's predecessor, Robert Gribbroek, who largely discarded the styles used by Noble and Nordli, and reverted to the look of Jones' earlier cartoons. Eventually, Jones coaxed Noble into returning to Warner Bros., and the two men would work together for the next few decades.
In the early 1960s, Noble started receiving co-director credit on a number of the Jones-unit productions. This reflected his increased involvement in many phases of the creation process beyond just the layouts, pulling things together and ironing out rough spots.
MGM and Dr. Seuss
In 1963, after Chuck Jones was sacked by Warner Bros., Noble left Warner Bros. and joined Jones at Tower 12 Productions (also called Sib-Tower 12). This new company had a contract with MGM, and eventually became the animation unit of MGM.
The bread-and-butter work for the first couple of years was producing cartoons starring MGM's
Noble started working again with Ted Geisel for the first time since the war, responsible for the designs used in the TV feature (1973)).
Later years
In the late 1970s and most of the 1980s, Noble largely withdrew from work in the animation industry to pursue other interests. These included producing fine art, particularly hand-pulled
About 1989, Noble did development work on Steven Spielberg's Tiny Toon Adventures, and did writing and design for the "Duck Dodgers Jr." in an episode of "The Return of the Acme Acres Zone" (1990).
In the mid-1990s, Noble rejoined Jones at
While at the Jones studio, Noble began supervising, training, and mentoring young artists just out of (or still in) school. These artists came to be known as the 'Noble boys and girls'. Many of them became involved in "Noble Tales," a planned series of animated shorts based on folk tales. One such film was Al Tudi Tuhak (1999).
Noble continued to be active in a variety of animation projects, including consultation with Disney artists for their first watercolor backgrounds in half a century (for
Selected filmography
- The Old Mill (1937) (background artist) - Oscar nominee
- Snow White and the Seven Dwarfs (1937) (background artist)
- Pinocchio (1940) (development)
- Fantasia (1940) (development)
- Dumbo (1941) (character designs)
- Bambi (1942) (development)
- Rabbit Seasoning (1952) (layout artist)
- Duck Amuck (1952) (layout artist) - U.S. National Film Registry selection
- Duck Dodgers in the 24½th Century (1953) (layout artist)
- From A to Z-Z-Z-Z (1953) (layout artist)
- Sheep Ahoy (1954) (layout artist)
- Two Scent's Worth (1955) (layout artist)
- What's Opera, Doc? (1957) (layout artist) - U.S. National Film Registry selection
- Ali Baba Bunny (1957) (layout artist)
- Hare-Way to the Stars (1958) (layout artist)
- Robin Hood Daffy (1958) (layout artist)
- Gateways to the Mind(1958) (animation designer)
- Hopalong Casualty (1960) (layout artist)
- High Note (1960) (layout artist) - Oscar nominee
- Beep Prepared (1961) (co-director) - Oscar nominee
- Now Hear This (1962) (co-director) - Oscar nominee
- Martian Through Georgia (1962) (co-director)
- A Sheep in the Deep (1962) (co-director)
- Transylvania 6-5000 (1963) (co-director)
- The Iceman Ducketh (1964) (co-director)
- War and Pieces (1964) (co-director)
- The Incredible Mr. Limpet (1964) (production designer)
- The Dot and the Line (1965) (co-director) - Oscar winner
- How the Grinch Stole Christmas! (1966) (production designer)
- The Bear That Wasn't (1967) (co-director)
- The Phantom Tollbooth (1970) (production designer)
- Horton Hears a Who! (1970) (art director)
- The Cat in the Hat (1971) (art director)
- The Lorax (1972) (art director)
- Dr. Seuss on the Loose (1973) (art director)
- Tiny Toon Adventures (1990) (development, writer)
- Chariots of Fur (1994) (art director)
- Pullet Surprise (1997) (color consultant)
- Al Tudi Tuhak (1999) (narrator)
- Timber Wolf (2001) (co-art director)
- The Pumpkin of Nyefar (2004) (co-writer)
Legacy
- Several days after his death, Cartoon Network produced a memorial bumper that showed a brief clip of his recent television interview, his contribution to animation, and showing the memorable final scene of What's Opera, Doc?
Notes
- ^ Although some press releases give his birth year as 1910, it was actually 1911. That can be verified through the Minnesota birth index or the Social Security Death Index.
- ^ "An Interview with Maurice Noble".
References
- Adamson, Joe (Jan-Feb 1975). "'Well, for Heaven's sake! Grown men!'" Film Comment 11 (1), 18-20.
- Bergan, Ronald (23 July 2001). "Obituary: Maurice Noble: Animation artist filling in the background for cartoon hijinks." The Guardian (London, England), p20.
- Jones, Chuck (1994). Chuck Amuck: The Life and Times of an Animated Cartoonist. Farrar Straus Giroux. ISBN 0-374-12348-9.
- McKinnon, Robert J. (2008). Stepping into the picture : cartoon designer Maurice Noble. Jackson: University Press of Mississippi. ISBN 978-1934110430.
Bibliography
- Noble Boy by ISBN 0-9774715-0-0. A graphic board book about Noble and Morse.
External links
- Maurice Noble at IMDb
- Interview with Maurice Noble by Harry McCracken for Animato, 1991
- Interview with Maurice Noble by Karl Cohen for Animation World Magazine, 1998
- Interview with Tod Polson, author of Maurice Noble and the Zen of Animation Design Retrieved November 2012
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