Michael Finnissy

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Michael Peter Finnissy (born 17 March 1946) is an English composer, pianist, and

pedagogue. An immensely prolific composer, his music is "notable for its dramatic urgency and expressive immediacy".[1]

Although he rejects the label, he is often regarded as the foremost composer of the New Complexity movement.[1]

Biography

Early life

Michael Finnissy was born at 77 Claverdale Road in

née Parsonson) and George Norman Finnissy.[2] His father was employed at the London City Council
.

When he was four, he received his first piano lessons from his great aunt Rose Louise (Rosie) Hopwood, soon after writing his first compositions,

He attended Hawes Down Infant and Junior schools,

Beckenham and Penge Grammar School
, and excelled in graphic art, mathematics, and English literature.

Student years

Finnissy received the William Hurlstone composition prize at the Croydon Music Festival, a factor which assisted his parents' decision to let him apply to music college.

He was then awarded a Foundation Scholarship to study at the Royal College of Music where he then studied with Bernard Stevens and Humphrey Searle. Soon after, he received an Octavia travelling scholarship to study in Italy with Roman Vlad. Finnissy was then able to befriend Brian Ferneyhough.

In 1968, he wrote his first proper compositions.

Professional career

To earn money for his classes he took up a job as a répétiteur and freelanced at the London Contemporary Dance School and founded a department there, as well as working with numerous choreographers.

In 1972 he made his concert début in the Galerie Schwartzes Kloster in Freiburg im Breisgau. Meanwhile, he had been appearing around Europe.

Finnissy's first job as a composition teacher was at Dartington Summer School where he taught along with his colleague Ferneyhough and signed contracts with numerous publishers, including Oxford University Press.

He had been a member of the ensemble Suoraan (founded by James Clarke and Richard Emsley) and then its artistic director since the early 1970s, then joining Ixion (founded and still directed by Andrew Toovey) in 1987 - in both of these groups he not only played the piano but also conducted concerts.

Finnissy was invited to join by Justin Connolly to join the International Society for Contemporary Music and was president from 1990 to 1996. He is currently an Honorary Member.

He has attached to C.O.M.A. (initially known as the East London Late Starters Orchestra) since its inception, and is composer-in-residence

St. John's College, Cambridge. He won a competition to supply a violin solo test piece to the 1990 Carl Flesch International Violin Competition with Enek.[3]

Finnissy completed his Verdi Transcriptions for piano (which he started in 1972) in 2005.

He is

homosexual.[4]

Music

Works

For a listing of Finnissy's compositions, see List of compositions by Michael Finnissy.

Style

Finnissy is a profusely prolific composer, having written over 400 pieces for numerous ensembles, combinations, and instruments. His works for the piano are notable for their extreme demands on technique. They include his 36 Verdi Transcriptions, written between 1972 and 2005.

Finnissy is concerned with the political aspects of music, and he believes that all music is '

Stravinsky said) is a force for change. This engagement with political and social themes became more frequent as his career progressed. For example, the influence of homosexual themes and concerns began to enter his work; as in Shameful Vice in 1994, and more explicitly in Seventeen Immortal Homosexual Poets in 1997.[1]

See also

References

  1. ^ a b c d Cross 2001.
  2. ^ Finnissy, Michael. "Biography". Archived from the original on 1 July 2021.
  3. JSTOR 966427
    .
  4. ISSN 0261-3077
    . Retrieved 7 September 2023.

Sources

Bibliography

External links
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