Michel Puig

Source: Wikipedia, the free encyclopedia.

Michel Puig (born 1930) is a French composer. In 1953 he studied composition with René Leibowitz. In 1957 he published his Sonata for Piano and, the following year, Fantasia for Violin and Piano.[1] In 1975 he composed a chamber opera Stigmates, to a libretto by Jacques Pajak.[2] Among the composer's influences is jazz, and at the premiere of Stigmates the performers included the jazz guitarist Claude Barthélemy as well as classical musicians including Vinko Globokar.[3]

A considerable part of Puig's oeuvre is musical theatre. Sa Négresse Jésus, Op. 26, a one-act work for three actors and small instrumental ensemble (1974) was staged by

Semaines musicales internationales d'Orléans in 1979.[6] Puig composed the music for a 1965 adaptation of Molière's The School for Wives starring François Périer,[7] and set Lewis Carroll's The Hunting of the Snark for a cast of five actresses and eight actors and an instrumental ensemble of five players, premiered at the Festival d'Avignon in 1971.[8]

Puig was for some time a teacher; his former students include Michèle Bokanowski.[9]

Notes

  1. ^ La communication par le geste: actes des sessions organisées par le Centre de recherches du Sacre, a l'Arbresle, 1965$1968, Centre de Recherches du Sacre, Paris: Le Centurion, 1970, p. 41 (in French)
  2. ^ "Stigmates", British Library, retrieved 5 May 2018
  3. ^ "Stigmates", Centre de documentation de la musique contemporaine, retrieved 6 May 2018
  4. ^ "Sa Négresse Jésus", Centre de documentation de la musique contemporaine, retrieved 6 May 2018
  5. ^ "Miroirs", Centre de documentation de la musique contemporaine, retrieved 6 May 2018
  6. ^ "Monet ou la passion de la réalité", Centre de documentation de la musique contemporaine, retrieved 6 May 2018
  7. ^ "L'ecole des femmes", British Library, retrieved 6 May 2018
  8. ^ "La Chasse au Snark" Centre de documentation de la musique contemporaine, retrieved 6 May 2018
  9. ^ "Michèle Bokanowski", Centre de documentation de la musique contemporaine, retrieved 6 May 2018