Million Dollar Quartet
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"Million Dollar Quartet" is a recording of an impromptu jam session involving Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash made on December 4, 1956, at the Sun Record Studios in Memphis, Tennessee. An article about the session was published in the Memphis Press-Scimitar under the title "Million Dollar Quartet". The recording was first released in Europe in 1981 as The Million Dollar Quartet with 17 tracks. A few years later more tracks were discovered and released as The Complete Million Dollar Session. In 1990, the recordings were released in the United States as Elvis Presley: The Million Dollar Quartet. This session is considered a seminal moment in rock and roll.
Recording session
The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with "
After chatting with Phillips in the control room, Presley listened to the playback of Perkins's session, which he pronounced to be good. Then he went into the studio and some time later, the jam session began. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hit records on the country charts, arrived as well. (Cash wrote in his autobiography Cash that he had been first to arrive at the Sun Studio that day, wanting to listen in on the Perkins recording session.) Jack Clement was engineering that day and remembers saying to himself "I think I'd be remiss not to record this," and so he did. After running through a number of songs, Elvis and his girlfriend Evans slipped out as Jerry Lee pounded away on the piano. Cash wrote in Cash that "no one wanted to follow Jerry Lee, not even Elvis." Whatever Elvis's feelings may or may not have been in regard to "following" Lewis, Presley was clearly the "star" of the impromptu jam session, which consisted largely of snippets of gospel songs that the four artists had all grown up singing. The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950s.
During the session, Phillips called a local newspaper, the
Releases
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
MusicHound Rock | 5/5[4] |
Rough Guides | [5] |
The Village Voice | B+[6] |
In 1969,
Several years later, additional material was discovered. This resulted in the release of the 1987 "Charly/Sun" two-LP set #CDX 20 The Complete Million Dollar Session, together with their simultaneous issue in
In 2006, RCA used a copy of the session recordings owned by Presley to create a 50th-anniversary issue of the session. The new release placed the titles in the original recorded sequence and contained about twelve minutes of previously unavailable material.
According to Ernst Jorgensen, an authority on Elvis who consults for RCA, the published material contains about 95 percent of the master recordings. "We found three reels", he says, "You could always argue that there were more. But in the first you can hear Elvis arriving and in the last you can hear him leaving. I doubt that there are more."[7]
In his liner notes to
The released albums contain 46 musical tracks, most of which are incomplete and are interspersed with chatter between the participants. They are not pristine, well rehearsed studio recordings, which were meant for commercial release, but rather the sound of a group of friends gathered to play old favorites and share the pleasure of making music. Bob Johnson described it as "an old fashioned barrel-house session with barber shop harmonies resulting."
Songs
Jerry Lee Lewis can be heard more frequently, often singing in duet with Presley and at the end of the session, when Presley got up to leave, he swiftly took over the piano and whipped off five piano ravers in rapid succession, including a rousing "Crazy Arms" (his debut Sun single) and a soulful make-over of Gene Autry's "You're the Only Star in My Blue Heaven".
Colin Escott, author of the sleeve notes for Elvis Presley: The Million Dollar Quartet, reported that according to Sun employee and session participant Charles Underwood, Presley and Phillips went into the control room while Lewis was playing and Presley commented to Bob Johnson that "[Lewis] could go. I think he has a great future ahead of him. He had a different style and the way he plays piano gets inside me."[9]
Johnny Cash's voice does not seem to appear on any of the released tracks. Since his voice is not obvious on the tracks, the point at which Cash arrived at the studio has been a matter of discussion. Carl Perkins and others[10][11][12] have stated that Cash was already at the studios when Presley arrived, with Perkins adding that Cash had stopped into the studios to "get some money".
Colin Escott reports that according to attendee Bob Johnson (whose article was published in the Memphis Press-Scimitar the day after the session), Cash joined Presley, Perkins and Lewis on "
Cash himself, in his 1997 book Cash: The Autobiography commented, "I was there—I was the first to arrive and the last to leave, contrary to what has been written—but I was just there to watch Carl record, which he did until mid-afternoon, when Elvis came in with his girlfriend. At that point the session stopped and we all started laughing and cutting up together. Then Elvis sat down at the piano, and we started singing gospel songs we all knew, then some Bill Monroe songs. Elvis wanted to hear songs Bill had written besides "Blue Moon of Kentucky", and I knew the whole repertoire. So, again contrary to what some people have written, my voice is on the tape. It's not obvious, because I was farthest away from the mic and I was singing a lot higher than I usually did in order to stay in key with Elvis, but I guarantee you, I'm there."[13]
Other reports, including one in a very detailed account in Peter Guralnick's book, Last Train to Memphis: The Rise of Elvis Presley, suggest that Cash stayed for only a short time and then left, possibly to do some Christmas shopping. Colin Escott also reports that Cash might have been brought in for the last part of the session, after Sam Phillips had decided to call the Memphis Press Scimitar.
Cash's presence for the entire session might be confirmed, or denied, by four pieces of "chatter" caught on the tapes. In the first, another Sun artist, Smokey Joe Baugh, came by and his gravelly voice can be heard after "I Shall Not Be Moved", saying "You oughta get up a quartet", which could either mean that they should add a fourth, or could also mean that the four of them should become an official quartet. In the second, a female voice can be heard asking if "This Rover Boys Trio can sing 'Farther Along'?", which could imply that only three (trio) were present at that point. (Elvis' then-girlfriend, Marilyn Evans, confirmed in 2008 that the voice was not hers, though she is later heard requesting the song "End of the Road".)[14] Yet on the track prior to this Elvis can be heard saying "take it easy, boy" as someone exits the session. In the third piece of chatter, Elvis is plainly heard mentioning Cash by name on the track "As We Travel Along the Jericho Road", at the 0:07 mark, although the form of the reference leaves it ambiguous as to whether Cash was on premises at that point. Finally, Elvis can also be heard saying goodbye to someone named Johnny during the "Elvis Says Goodbye" track that closes the 50th anniversary release which seems to indicate that Presley was present when Cash left the session.
In addition, Presley previewed material that he was considering for up-coming RCA Victor sessions in January and February 1957. He sang "Is It So Strange", "Peace in the Valley", and "That's When Your Heartaches Begin", which he acknowledges on the tape as having been one of the songs he recorded for Sun during his demo session a couple of years earlier, and which he would record again for RCA Victor a month later. In the case of "Is It So Strange", he comments, "Ol' Faron Young wrote this song sent to me to record."
The title which most critics seem to highlight is Presley's rendition of "
Presley describes Jackie Wilson tearing up Las Vegas audiences with a house-on-fire rendition of "Don't Be Cruel". He goes on to say that, "He tried so hard until he got much better, boy, much better than that record of mine.... I went back four nights straight and heard that guy do that," he says, imitating Wilson's bluesy smolder and big finish.
"He sung the hell out of the song," Elvis can be heard saying with admiration, adding with a laugh, "I was on the table lookin' at him, 'Get 'im off, get 'im off!'" Obviously on a roll, Presley, then ripped into a slower, sassier version of "Paralyzed", a song recorded for his second album and also released on an extended play 45. He was backed up by Perkins and his trio.
According to the Rolling Stone review of the album, "'The Complete Million Dollar Session' provides a rare post-Sun glimpse of Elvis Presley momentarily free of the golden shackles of stardom and the
Colin Escott has said, "They mixed and matched their disparate styles – and their innate musicality ensured that what emerged had the rarest of all musical qualities: originality."[citation needed]
The surviving members of the Quartet session would reunite several times in years to come, with Cash, Lewis and Perkins uniting in 1982 for the concert album
Reunions
- In 1977, Cash, Perkins, Lewis, and Roy Orbison performed "This Train is Bound for Glory", in tribute to Elvis, on the televised Johnny Cash Christmas Special.[15]
- The Survivors Live - a 1982 live album featuring Johnny Cash, Jerry Lee Lewis, and Carl Perkins during Johnny Cash's 1981 tour of Europe.
- Class of '55 - a 1986 reunion of the surviving members of the "Million Dollar Quartet", this time adding another Sun Records alumnus, Roy Orbison; this was actually recorded at the original Memphis Recording Service building.
- Interviews from the Class of '55 Recording Sessions - an album featuring interviews and chatter during the recording of Class of '55, which won the Best Spoken Word Albumin 1987.
Members
- Elvis Presley – vocals, acoustic rhythm guitar, piano (1956; died 1977)
- Johnny Cash – vocals, acoustic rhythm guitar (1956, 1977, 1981, 1985; died 2003)
- Carl Perkins – vocals, lead guitar (1956, 1977, 1981, 1985; died 1998)
- Jerry Lee Lewis – vocals, piano (1956, 1977, 1981, 1985; died 2022)
- Roy Orbison – vocals (1977, 1985; died 1988)
Tracks, writers and duration
- "Instrumental" (Unknown) - 1:44
- "Love Me Tender - Instrumental" (Presley/Matson) - 1:02
- "Jingle Bells - Instrumental" (James Lord Pierpont) – 1:57
- "White Christmas - Instrumental" (Berlin) - 2:05
- "Reconsider Baby" (Fulsom) - 2:45
- "Don't Be Cruel" (Presley/Blackwell) - 2:20
- "Don't Be Cruel" (Presley/Blackwell) - 2:12
- "Paralyzed" (Presley/Blackwell) - 3:00
- "Don't Be Cruel" (Presley/Blackwell) - 0:36
- "There's No Place Like Home" (Payne/Bishop) - 3:36
- "When The Saints Go Marchin´ In" (Traditional) - 2:18
- "Softly and Tenderly" (Will Lamartine Thompson) - 2:42
- "When God Dips His Love in My Heart" (Derricks) - 0:23
- "Just a Little Talk with Jesus" (Derricks) - 4:09
- "Jesus Walked That Lonesome Valley" (Traditional) - 3:28
- "I Shall Not Be Moved" (Traditional) - 3:49
- "Peace In The Valley" (Dorsey) - 1:33
- "Down By the Riverside" (Traditional) - 2:26
- "I'm with a Crowd But So Alone" (Tubb/Story) - 1:16
- "Farther Along" (Fletcher/Baxter) - 2:08
- "Blessed Jesus (Hold My Hand)" (Traditional) - 1:26
- "On the Jericho Road" (Traditional) - 0:52
- "I Just Can't Make It By Myself" (Clara Ward) - 1:04
- "Little Cabin Home on the Hill" (Bill Monroe/Lester Flatt) - 0:46
- "Summertime Is Past and Gone" (Monroe) - 0:14
- "I Hear a Sweet Voice Calling" (Monroe) - 0:36
- "Sweetheart You Done Me Wrong" (Monroe) - 0:28
- "Keeper of the Key (Carl Lead)" (Stewart/Howard/Devine/Guynes) - 2:08
- "Crazy Arms" (Mooney/Seals) - 0:17
- "Don't Forbid Me" (Singleton) - 1:19
- "Too Much Monkey Business" (Berry) - 0:05
- "Brown Eyed Handsome Man" (Berry) - 1:14
- "Out of Sight, Out of Mind" (Hunter/Otis) - 0:37
- "Brown Eyed Handsome Man" (Berry) - 1:53
- "Don't Forbid Me" (Singleton) - 0:50
- "You Belong to My Heart" (Gilbert/Lara) - 1:10
- "Is It So Strange" (Young) - 1:21
- "That's When Your Heartaches Begin" (Hill/Fisher/Raskin) - 4:58
- "Brown Eyed Handsome Man" (Berry) - 0:17
- "Rip It Up" (Blackwell/Marascalco) - 0:23
- "I'm Gonna Bid My Blues Goodbye" (Snow) - 0:55
- "Crazy Arms" (Mooney/Seals) - 3:36
- "That's My Desire" (Loveday/Kresa) - 2:02
- "End of the Road" (Lewis) - 1:44
- "Black Bottom Stomp" (Morton) - 1:11
- "You're the Only Star in My Blue Heaven" (Autry) - 1:12
- Elvis Says Goodbye - 0:40
Musical
The stage musical Million Dollar Quartet, with a book by
The Broadway production opened at the Nederlander Theatre on April 11, 2010.[19] The Broadway production closed on June 12, 2011 after 489 performances and 34 previews, and then re-opened Off-Broadway at New World Stages.[20] Million Dollar Quartet then opened in the West End at the Noël Coward Theatre on February 28, 2011, with previews from February 8.[21][22] The production closed on January 14, 2012.[23]
The Broadway play was nominated for three
See also
- Elvis Presley's Sun recordings
- List of musicians of the 1950s
References
- ^ Carl Perkins interviewed on the Pop Chronicles (1969)
- ^ George, Jason (2008-11-11), "How the Tribune tracked her down", Chicago Tribune, Live!, page 4, archived from the original on 2008-12-08, retrieved 2008-11-11
- ^ "Johnny Cash / Jerry Lee Lewis / Carl Perkins / Elvis Presley The Million Dollar Quartet". AllMusic. Retrieved June 20, 2015.
- ISBN 1-57859-061-2.
- ISBN 1-84353-417-7.
- ^ Christgau, Robert (February 23, 1988). "Consumer Guide". The Village Voice. Retrieved March 1, 2019.
- ^ "Interview with FTDs Ernst Jørgensen | Elvis Articles". www.elvis.com.au. Retrieved 2021-03-29.
- The Survivors Live (Columbia RecordsFC 37961, 1982)
- ^ "Scotty Moore - The Million Dollar Quartet". www.scottymoore.net. Retrieved 2021-03-29.
- ^ Elvis Presley: The Million Dollar Quartet by June Moore, published 4 June 1999
- ^ a b Fricke, David, Complete Million Dollar Session review, Rolling Stone (520). Archived from the original.
- ^ Carl Perkins interview with Rockville International on February 27, 1972,
- ISBN 0-06-251500-4
- ^ George, Jason (2008-11-11), "Elvis Mystery Solved!", Chicago Tribune, Live!, page 4: "she quickly nixed the popular theory that she's the one who requested the song 'Farther Along.' 'That's not me,' she said, as the female voice on the recording speaks with an obvious drawl. 'I wouldn't pick up a Southern accent that fast,' she said, chuckling."
- ^ "Johnny Cash & Friends - A Song for Elvis Presley". YouTube.
- ^ Berson, Misha."On Broadway: Village co-stars catch 'Million Dollar' ride to Broadway" The Seattle Times, June 12, 2010
- ^ Jones, Kenneth."Perkins, Elvis, Cash and Lewis Are Chicago's Hot Million Dollar Quartet, Opening Nov. 5" Archived 2012-10-18 at the Wayback Machine November 5, 2008
- ^ Official website for the musical milliondollarquartetlive.com
- ^ Hetrick, Adam."Million Dollar Quartet Will Be New Tenant of Broadway's Nederlander Theatre" Archived 2009-11-07 at the Wayback Machine playbill.com, November 3, 2009
- ^ BWW News Desk. "MILLION DOLLAR QUARTET to Close on Broadway 6/12; Opens in July at New World Stages". BroadwayWorld.com.
- ^ "Million Dollar Quartet Rocks London Beginning Feb. 8" Archived 2011-03-16 at the Wayback Machine playbill.com, February 8, 2011.
- ^ Gans, Andrew and Hetrick, Adam."'Million Dollar Quartet' to Open at London's Noël Coward Theatre in February 2011" Archived 2011-02-20 at the Wayback Machine playbill.com, November 19, 2010
- ^ "Million Dollar Quartet to Close at Noël Coward, 14 Jan". WhatsOnStage. 7 October 2011. Retrieved 17 September 2022.
- ^ "Colin Escott | Open Road Media". Open Road Media. Retrieved 19 October 2016.
Further reading
- Elvis Presley: The Million Dollar Quartet (RCA CD #2023-2-R), sleeve notes by Colin Escott of Showtime Music, Toronto
- Rachlis, Kit (3 March 1981). "Rockabilly White Lightning". The Boston Phoenix. Retrieved 26 February 2024.