Monsieur Hulot

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Monsieur Hulot
Jacques Tati as Hulot, c. 1959
First appearanceLes Vacances de Monsieur Hulot (1953)
Last appearanceTrafic (1971)
Created byJacques Tati
Portrayed byJacques Tati
In-universe information
GenderMale

Monsieur Hulot

Bed & Board
(1970).

He is recognized by his overcoat, pipe and hat, and his distinctive lurching walk. He is clumsy and somewhat naive of the evolving world around him, but still has a friendly, well-meaning, and good-natured persona. His escapades usually involved clashes with technology and the problems of living in an increasingly impersonal and gadgetized world. In Trafic, Hulot, the designer of a new camper-car, "struggles valiantly... against the perpetual roadblocks of cars, policemen, bureaucrats and just people".[1]

The name of "Monsieur Hulot" is believed to echo "Charlot," the French name for

Homburg, although the striped socks are borrowed from Keaton."[2]

Of Hulot, Jacques Tati remarked that he is "tall, and he cannot hide – he cannot conceal himself behind a lamppost or anything else – whereas Chaplin could hide behind a small trash can, leave his hat on the can, then sneak behind another small can, while making people believe that he was still in back of the first one, whereupon he would come back to grab his hat. Hulot, by contrast, has the stature of a rather steady or stand-up guy; he behaves exactly like any man from Paris or even from the provinces.”[3]

Film critic Michel Chion has written that:

Hulot is the guy you recognize because he was in the same barracks as you, even though he never became a close friend. He gives you the illusion of familiarity, which really doesn't exist. He develops into a real person only when you bump into him by accident one night... By creating Hulot, Tati aims to re-establish a distance. From the start, Hulot is someone who exists only in the eyes and mouths of the beholder. He is someone who awakens suspicion or amused attention... Hulot is a blurred man, a passer-by, a Hulotus errans.[4]

This view is shared by Roger Ebert, who, in his review of Les Vacances de Monsieur Hulot, states that Hulot "is friendly to a fault, but he is the man nobody quite sees. The holidaymakers are distracted by their own worlds, companions, and plans, and notice Hulot only when something goes wrong, as it often does."[5]

English comedian Rowan Atkinson has cited Hulot as an influence for his character, Mr. Bean.[6] The Kids in the Hall recurring character M. Piedlourde ("Mr. Heavyfoot") has also been compared to Hulot.[7][8]

References

  1. ^ Crist, Judith (11 December 1972). "A Honey of a Jam". New York Magazine. Vol. 5, no. 50. Archived from the original on 15 March 2023. Retrieved 13 March 2023.
  2. ^ from the original on 15 March 2023.
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  7. ^ Dunn, Jamie (18 December 2017). "Discovering John Paizs' lost comic gem Crime Wave". The Skinny. Retrieved 13 March 2023.
  8. ^ Holman, Curt (2 February 2010). "Restored M. Hulot's Holiday showcases klutzy grace". Creative Loafing. Retrieved 13 March 2023.