Mystic Marriage of St. Francis (Sassetta)
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| Mystic Marriage of St. Francis | |
|---|---|
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| Artist | Sassetta |
| Year | c. 1450 |
| Medium | Tempera on panel |
| Dimensions | 95 cm × 58 cm (37 in × 23 in) |
| Location | Musée Condé, Chantilly |
The Mystic Marriage of St. Francis is a painting by the Italian Renaissance artist Sassetta, now in the Musée Condé of Chantilly, France.
Description
The painting by Stefano di Giovanni di Consolo, known as il Sassetta (ca.1392–1450 or 1451) was originally part of a polyptych at Sansepolcro, where it was seen by Piero della Francesca.
It portrays
Alternatively, the painting illustrates the public pronouncement of St. Francis's vows according to the evangelical counsels of Poverty, Chastity, and Obedience. Poverty, barefoot, is central of the three female figures, the ring being slipped on her finger as Francis makes his vow of poverty, or perfect charity; Chastity is in white, and Obedience in red. As the three women leave, Poverty glances back, her bare feet more evident. Obedience, who stood with her arms crossed during the marriage ceremony, bears away a rood cross, both symbols of the cross of Christ and that which Francis will bear as token of his obedience. Chastity bears away the lilies of purity. Poverty carries (what appears to be) a palm frond, emblematic of entry into monastic order, and the victory of spirit over flesh.
The scene is set in an idyllic landscape, between hills, castles and cultivated fields, without any attention to perspective and realism as in other Renaissance works. Sassetta was in fact one of the last painters of the Sienese Gothic school, as shown by the use of elongated figures, the delicate colors and the courtly atmosphere.
Sources
- Zuffi, Stefano (2004). Il Quattrocento (in Italian). Milan: Electa.
