Neil Ardley

Source: Wikipedia, the free encyclopedia.
Not to be confused with Neal Ardley.

Neil Ardley
Background information
Birth nameNeil Richard Ardley
Born(1937-05-26)26 May 1937
Wallington, Surrey, England
Died23 February 2004(2004-02-23) (aged 66)
Bakewell, Derbyshire, England
GenresJazz
Occupation(s)Pianist, composer, author
Instrument(s)Piano
Years active1960–2004
Websiteneilardley.com

Neil Richard Ardley (26 May 1937 – 23 February 2004) was a prominent English jazz composer and pianist, who also made his name as the author of more than 100 popular books on science and technology, and on music.[1]

Early years

Neil Ardley was born in

Bristol University, where he also played both piano and saxophone in jazz groups, and from which he graduated in 1959 with a BSc.[2]

Career

Music

Ardley moved to London and studied arranging and composing with

Mike Gibbs, Don Rendell, and Trevor Tomkins
.

In the late 1960s, encouraged by record producer and impresario Denis Preston, Ardley began composing in earnest, combining classical and jazz methods. The New Jazz Orchestra album Le Déjeuner sur l'Herbe (1969), taking some inspiration from the orchestral jazz of Gil Evans, is now considered a classic of British jazz.[4] While it includes intricate arrangements of Nardis by Miles Davis and Naima by John Coltrane, the rest of the pieces on the album tend to look beyond the dominant African-American influences and were composed by young writers associated with the orchestra - including Ardley himself on the extended title track, Michael Garrick, Mike Gibbs, Howard Riley and Mike Taylor. Although not issued under the New Jazz Orchestra name, Ardley's subsequent releases Greek Variations and Other Aegean Exercises (1970) and Symphony of Amaranths (1972) continued the orchestra and its aesthetic in all but name, and were critically acclaimed.[5]

His rich orchestrations were augmented in the 1970s by the addition of

New Musical Express top 24 albums of 1976.[7] Duncan Heining judges it to be "his masterpiece".[5] However, as he began work on an all-electronic album in 1980, Ardley's recording contract was suddenly terminated, and he fell back on his writing and publishing career. He continued to play and compose, especially with Zyklus, the electronic jazz group he formed with composer (and former student) John L. Walters, Derbyshire musician Warren Greveson and Ian Carr.[8]

Singing in local choirs in the later 1990s led Ardley to start composing

Nick Robinson
.

Writing

Ardley joined the editorial staff of the

Hamlyn, he became a freelance editor in 1968 (which enabled him to continue with his musical career). In the 1970s, he moved into writing introductory books, mostly for children, on natural history (especially birds), science and technology, and music, such as What Is It?.[9]

Just as his composing and performance had been moved forward by the introduction and development of technology, so too with his publishing career, as computers began to become more and more important. In 1984 Ardley began to write mainly for

Dorling Kindersley, producing a series of books which included the best-selling (over three million copies worldwide) and award-winning The Way Things Work (1988), illustrated by David Macaulay,[9]
as well as the Eyewitness volume Music, first published in 1989.

When he retired in 2000 Ardley had written 101 books, with total sales of about ten million.

Personal life

In 1960, Ardley married Bridget Gantley, and the couple had one daughter. With Bridget he acted as a researcher for the BBC television programme Mastermind. In 2003 he married Vivien Wilson.[10] He died in Milford, Derbyshire, where Vivien still lives. She published a full length biography of Neil Ardley in 2023.[11]

Works

Selected choral compositions include:

  • Creation Mass (2001), a setting of 11 poems by long-term collaborator Patrick Huddie
  • Cantabile (2003), commissioned by Bakewell Choral Society to mark its 25th anniversary

Discography

  • 1965: The New Jazz Orchestra, Western Reunion (Decca, 1965)
  • 1968: The New Jazz Orchestra, Le Déjeuner sur l'Herbe (Verve, 1969)
  • 1970?: Greek Variations & Other Aegean Exercises with Ian Carr & Don Rendell (Columbia, 1970)
  • 1970: The New Jazz Orchestra, Camden '70 (Dusk Fire, 2008) – live at the Camden Festival
  • 1971: A Symphony of Amaranths (Regal Zonophone, 1972)
  • 1971: The New Jazz Orchestra, On The Radio: BBC Sessions 1971 (Dusk Fire, 2017)
  • 1973: Mike Taylor Remembered with Jon Hiseman, Barbara Thompson, Ian Carr, Henry Lowther, Dave Gelly, Norma Winstone (Trunk, 2007)
  • 1975: Kaleidoscope of Rainbows - QEH, 20th October 1975 (Jazz In Britain, 2021)[2CD] – live at the Queen Elizabeth Hall
  • 1975: Will Power - includes Ardley's 'Shall I Compare Thee', Southwark Cathedral 27th April 1974 (Argo, 1975)
  • 1978: Harmony of the Spheres (Decca, 1989)
  • 1991?: Zyklus, Virtual Realities (AMP, 1991)
  • 2000: Creation Mass words by Patrick Huddie

References

  1. ISBN 0-141-00646-3
    .
  2. ^ "Biography". Neilardley.com. Retrieved 10 December 2015.
  3. ^ a b Chadbourne, Eugene. "Neil Ardley". AllMusic. Retrieved 10 December 2015.
  4. ^ Alyn Shipton. 'The New Jazz Orchestra: Dejeuner Sur L'Herbe', review in JazzWise
  5. ^ a b Heining, Duncan. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960-1975 (2012), pp. 369-371
  6. ^ "Neil Ardley - Kaleidoscope Of Rainbows". Discogs.com. 1976. Retrieved 7 August 2020.
  7. ^ "Rocklist.net...NME End Of Year Lists 1976..." Rocklistmusic.co.uk. Retrieved 7 August 2020.
  8. ISBN 9780312278700
    . Retrieved 10 December 2015.
  9. ^ a b Walters, John L. (4 March 2004). "Neil Ardley - Jazz composer who mixed rigorous composition with improvisation". The Guardian. Retrieved 10 December 2015.
  10. ^ "Neil Ardley". The Independent. 29 February 2004. Archived from the original on 18 June 2022. Retrieved 10 December 2015.
  11. ^ Neil Ardley: Kaleidoscopes and Rainbows, Jazz in Britain (2023)

Sources and external links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Neil_Ardley&oldid=1230037379"