Niagara Falls, from the American Side
Niagara Falls, from the American Side | |
---|---|
Artist | Frederic Edwin Church |
Year | 1867 |
Medium | oil on canvas |
Dimensions | 257 cm × 227 cm (101 in × 89 in) |
Location | Scottish National Gallery, Edinburgh |
Niagara Falls, from the American Side is a painting by the American artist Frederic Edwin Church (1826–1900). Completed in 1867, it is based on preliminary sketches made by the artist at Niagara Falls and on a sepia photograph. It is Church's largest painting.[1] The painting is now in the collection of the Scottish National Gallery.[2] Church was a leading member of the Hudson River School of painters.[3]
Painting
The painting depicts the view from the east side of Niagara Falls – the American side. A rainbow is visible in the spray of the waterfall in the lower right of the canvas. The painting has been described as giving the impression of the water being in constant motion, rushing down, roaring.[4][5]
History
Church made his first painting of the falls in 1857. He had visited the falls several times in July and late August the previous year, making a number of pencil and oil sketches from different points of view. He elected to paint the scene from the Canadian side, choosing unconventional dimensions for the painting that emphasized the panoramic effect.[6]
This first painting was an immediate success, attracting over 100,000 visitors within the first fortnight of its premiere at a New York gallery. Following this, it was exhibited at major cities on the Eastern seaboard, toured Britain twice and was selected for the
Niagara Falls, from the American Side was commissioned from Church by the American art dealer Michael Knoedler in 1866. It was the third painting of the series and may have been originally destined for the Exposition. Like many of Church's works of the 1850s and 1860s, it was exhibited in New York City, and then sent to London, where a
Style
The canvas is painted in the
The Sublime view of nature was as something of a large scale dramatic subject, an expression of the sublime – defined by Edmund Burke as the strongest emotion that can be felt.[13][14][15]
See also
- List of paintings by Frederic Edwin Church
- An East View of the Great Cataract of Niagara, 1762 painting
References
- ISBN 9780300095364.
- ^ a b c "Niagara Falls, from the American side". nationalgalleries.org. National Galleries Scotland. Retrieved 8 October 2014.
- ISBN 0071415246.
- ISBN 978-0-889-20433-1]
- ^ "Great Works: Niagara Falls, from the American Side, 1867 (260cm x 231cm), Frederic Edwin Church". The Independent. Archived from the original on 18 June 2022. Retrieved 11 November 2014.
- ^ a b "Niagara". National Gallery of Art. Retrieved 26 November 2015.
- ^ "Neither land nor water:Martin Jonson Heade, Frederic Edwin Church and American landscape painting in the nineteenth century" (PDF). WRLC. pp. 23–26, 36–38, 40. Archived from the original (PDF) on 13 October 2014. Retrieved 8 October 2014.
- ^ "The University of Chicago: beautiful, sublime". csmt.uchicago.edu. Retrieved 11 November 2014.
- ^ "Metropolitan Museum of Art". www.metmuseum.org. Retrieved 1 November 2014.
- ^ [Neoclassicism]
- ^ "American Sublime". www.tate.org.uk. Retrieved 11 November 2014.
- ^ "Romanticism". www.metmuseum.org. Retrieved 11 November 2014.
- ^ "American Sublime: Landscape Painting in the United States 1820–1880 (exhibition in 2002)". tate.org.uk. Tate Press Office. Retrieved 8 October 2014.
- ^ "Encyclopædia Britannica article on Romanticism". britannica.com. Encyclopædia Britannica, Inc. Retrieved 8 October 2014.
- ^ Burke, Edmund. "On the Sublime and Beautiful". bartleby.com. Bartleby. Retrieved 8 October 2014.
Further reading
- Johnstone, Christopher, "Niagara Falls from the American Side 1867", National Galleries of Scotland, 1980