Olympic Theatre

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Coordinates: 51°30′47″N 0°07′07″W / 51.513056°N 0.118611°W / 51.513056; -0.118611
Source: Wikipedia, the free encyclopedia.
This article is about the Olympic Theatre in London. For the former theatre in New York, see
Olympic Theatre, New York. For the former theatre in Philadelphia, see National Hall
.
See also: Olympia Theatre

Olympic Theatre
1806 Olympic Pavilion
C. J. Phipps
1890 W. G. R. Sprague and Bertie Crewe
1820 architect's plans of the Olympic Theatre

The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian theatres (Opera Comique, Globe and Gaiety),[1] the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished.

1806-1849: Early days and Madame Vestris

The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House),[2] for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship Ville de Paris. It opened on 1 December 1806[3] as 'a house of public exhibition of horsemanship and droll.'[4] In 1813, Astley sold the theatre to Robert William Elliston, who refurbished the interior and renamed it the Little Drury Lane, reflecting its proximity to the large Drury Lane Theatre nearby. Elliston had the theatre substantially rebuilt and reopened it with William Thomas Moncrieff's comedy Rochester – or, King Charles the Second's Merry Days. John Scott purchased the playhouse at Ellison's bankruptcy auction in 1826 and gave the building gas lighting.[3]

Vestris as Pandora in Olympic Revels, 1831

In 1830, Lucia Elizabeth Vestris (1787–1856) leased the house,[5] becoming the first female actor-manager in the history of London theatre. She had already made her fortune as a singer, a dancer (of some repute) and an actor. Together with her business partner, Maria Foote, and later with her husband, the actor Charles James Mathews, who joined the company in 1835, Madame Vestris initiated several theatrical innovations, such as the use of historically correct costumes and more elaborate scenery, including a box set with ceiling, which she is said to have introduced in Britain.[4] Her stewardship began with a programme of four pieces including Olympic Revels,[6] and under her management the theatre continued to feature light comedies including music, which were legally styled burlettas and whose licence she had been granted by the Lord Chamberlain.[7] Many were written by J. R. Planché and Charles Dance, featuring Vestris in breeches roles, and the popular comedian of the day, John Liston. The plays often burlesqued classical themes: My Great Aunt – or, Relations and Friends; The Loan of a Lover; The Court Beauties; The Garrick Fever; Faint Heart Never Won Fair Lady; Olympic Revels – or Prometheus and Pandora; Olympic Devils – or Orpheus and Eurydice; The Paphian Bower – or Venus and Adonis; Telemachus – or The Island of Calypso.[8] While Vestris' licence only allowed the performance of extravaganzas and burlesques, the quality of the performance was paramount, with much time spent on rehearsal and selection of the company.[6]

The 1840s were a period of decline for the theatre. Madame Vestris gave her last performance in 1839 and left to join the

E. L. Blanchard, John Courtney, Thomas Egerton Wilks, and I. P. Wooler, have not met with posthumous fame.[8]

1850-1889: Comedy, melodrama and operetta

A photo of Tom Taylor by Lewis Carroll

The 1850s were a more successful decade for the theatre.

Francis Burnand, John Stirling Coyne, John Oxenford, Mrs Alfred Phillips, John Palgrave Simpson, Tom Taylor, and Montagu Williams.[8] The theatre was managed by the actor-manager Alfred Wigan from 1853 to 1857. The staples of the repertoire in the 1850s and 1860s continued to be comedies, many featuring the great actor and comedian Frederick Robson.[9] A notable exception was Tom Taylor's celebrated 1863 social melodrama, The Ticket-of-Leave Man, based on a French dramatic tale, Le Retour de Melun. It starred Henry Neville, who went on to play in over 2000 performances of the work. Nellie Farren
spent two productive years at the theatre early in her career.

The Princess
, 1870

In 1863, the theatre closed for extensive alterations and improvements by

The Princess.[8] Later Gilbert plays at the Olympic were The Ne'er-do-Weel (1878) and Gretchen
(1879).

Henry Neville managed the theatre from 1873 to 1879.[10] The 1870s saw the staging of Wilkie Collins's dramatisations of his own novels, The Woman in White and The Moonstone; and Charles Collette in his own one-act musical farce with the striking title, Cryptoconchoidsyphonostomata, or While it's to be Had! (1875),[11] which had opened with Trial by Jury earlier that year at the Royalty Theatre. The Olympic of this period was described by Edward Walford, in his book Old and New London (1897), as having shown 'principally melodramas of the superior kind.' From time to time, operas and operettas were also presented, including Quite an Adventure, and Claude Duval or Love and Larceny by Edward Solomon and Henry Pottinger Stephens,[12] and the rival production of H.M.S. Pinafore mounted in 1879 by Richard D'Oyly Carte's erstwhile partners.[13]

1889-1900: New building and final closure

The building was demolished in 1889 and a new, much enlarged theatre was constructed in 1890 by

Charles Manners, in 1892.[14]

The last manager of the Olympic was

Major Wilson's Last Stand was shown in 1900.[16] The theatre closed permanently in 1900 and was demolished in 1904.[4]

Notes

  1. ^ Aldwych Theatre history, accessed 23 March 2007.
  2. ^ 1850 Ordnance Survey map
  3. ^ a b Victorian Web site, accessed 23 March 2007.
  4. ^ a b c City of London, accessed 23 March 2007.
  5. ^ Pearce, Charles E. Madame Vestris and her times, New York, Brentano's, pp. 161–63
  6. ^ a b c Theatre Museum (PeoplePlay), accessed 23 March 2007.
  7. ISBN 978-0-19-861411-1
  8. ^ a b c d Victorian Plays, accessed 23 March 2007.
  9. ISBN 0854300295
    .
  10. ^ "The Olympic Theatre: Static Information – list of managers", accessed 21 May 2009
  11. ^ The Templeman collection, University of Kent, Theatre Collections, accessed 23 March 2007.
  12. ^ The Musical Theatre Guide, accessed 23 March 2007.
  13. ^ C20th site, accessed 23 March 2007.
  14. ^ The Music with Ease, accessed 23 March 2007.
  15. ^ Emory University's Shakespeare site Archived 10 September 2006 at the Wayback Machine, accessed 23 March 2007.
  16. ^ "Theater Royal Timaru". Timaru Herald. LXIV (3220). New Zealand: 1. 26 March 1900.

References

External links

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