Palladium Ballroom

Coordinates: 40°45′48″N 73°58′58″W / 40.76333°N 73.98278°W / 40.76333; -73.98278
Source: Wikipedia, the free encyclopedia.
Palladium Ballroom

The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street.[1]

Big Three

In 1948, the Palladium Ballroom gained in stature because of the Big Three acts:

Dámaso Pérez Prado's "Mambo No. 5
" (1952) was a cross-over hit.

Dancers and dances

The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the

. These became as popular as the mambo.

At its height, the Palladium attracted Hollywood and Broadway stars, especially on Wednesday nights, which included a free dance lesson. Dance instructors such as "Killer Joe" Piro — who briefly served as master of ceremonies when Federico Pagani was not available — Augie and Margo were featured dancers there. Pedro Aguilar, better known as Cuban Pete, and Millie Donay appeared internationally. Carmen Marie Padilla offered mass dance lessons.

Jazz musicians, celebrities and Latin bands

The Palladium was near jazz clubs on West

jazz-fusion group Weather Report. The song appears on their album Heavy Weather
, and features a driving Latin rhythm.

Mambo declines

By the early 1960s, tastes had shifted, ending the Palladium's run in 1966. Dancers' and music fans' enthusiasm for the music was not diminished. The

Bronx. These venues hosted "the scene" after the Palladium. Pagani was an advisor for Nuestra Cosa (Our Latin Thing ) at the Cheetah and The Red Garder with Symphony Sid Torrin.('Mambo Kings'). Pagani produced and was responsible for all the Latin concerts In Madison Square Garden
.

References

  1. ^ New York Post, March 14, 1946; p. 35

Further reading

  • Conzo, Joe (October 9, 2004). "The Palladium Ballroom, home of the mambo and cha-cha". Times Herald-Record.
  • García, David F. (Spring 2004). "Contesting that Damned Mambo: Arsenio Rodríguez, Authenticity, and the People of El Barrio and The Bronx in the 1950s" (PDF). Centro Journal. Vol. XVI, no. 1. pp. 154–175.
  • García, David F. (2006). Arsenio Rodríguez and the transnational flows of Latin popular music. Philadelphia: Temple University Press. . Cf. p. 64 and various (see book index).
  • Hutchinson, Sydney (2004). "Mambo On 2: The birth of a new form of dance in New York City". Centro Journal. Vol. 16, no. 2. pp. 109–137.
  • "Mambonicks: The Palladium & its Dancers ( Hour 1, Chapter 5". Latin Music USA.
    Public Broadcasting Service
    : WGBH. October 2009.
  • Rondón, César Miguel (2008). The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City. Translated by Aparicio, Frances R.; White, Jackie. University of North Carolina Press. . Cf. pp. 1–6 and various (see book index)

40°45′48″N 73°58′58″W / 40.76333°N 73.98278°W / 40.76333; -73.98278