Pinxit

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Attributed to Cristofano dell'Altissimo or Leonardo da Vinci - Portrait of a man, signed Pinxit Mea

Pinxit (from Latin: 'one painted') is a stylized amendment added to the signature depiction of the name of the person responsible for a work of art, found conventionally in the Late Middle Ages and the Renaissance. It is sometimes abbreviated P, PIN, or PINX, as in some paintings by Raphael.[1] The locution me pinxit is found on a 12th-century crucifix, not in a sense connected to individual authorship but rather as a more impersonal devotional statement, a "pious [formula] appropriate for liturgical gifts".[2]

Its use by

fecit ("made by") was frequently used by Titian) or fingere ("to conceive").[4][5]

In 18th century New Spain, artists increasingly included pinxit Mexici (painted in Mexico) on works bound for the European market as a sign of pride in their artistic tradition.[6]

Latin

colour
; I portray.

References

  1. JSTOR 1483734
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  6. ^ "Painted in Mexico, 1700–1790: Pinxit Mexici". www.metmuseum.org. The Metropolitan Museum of Art. This expression eloquently encapsulates the painters' pride in their own tradition and their connection to larger, transatlantic trends.
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