Pool Sharks

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Pool Sharks
Directed by
Mutual Film Corporation
Release date
September 19, 1915 (U.S.)
Running time
15 min.
CountryUnited States
LanguageSilent

Pool Sharks (also sometimes known as The Pool Shark) is a

pool
.

Plot summary

Following a standard style of the era, the film is a

pool. Both of them are pool sharks, and after the game turns into a farce, a fight ensues. Fields throws a ball at his rival, who ducks. The ball flies through the window and breaks a hanging goldfish
bowl, soaking the woman they are fighting over and leaving goldfish in her hair. She storms into the pool hall and rejects both men.

Production

It was one of two short films Fields made for a company called Gaumont, distributed by Mutual. He and Ross made another short around the same time, His Lordship's Dilemma.

Casting

Fields helped make this film in

Janice Meredith
.

Fields wore his obviously fake moustache in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to Charlie Chaplin's, although the persona Fields later developed in his sound comedies is foreshadowed during the picnic scene, when Fields's character dumps a small child out of a chair so that he can steal it to get closer to the woman he is chasing.

Animation

The animators hands being seen in a poorly edited sequence in the Billiards scene

Fields was an expert juggler. As with his early films, Pool Sharks was intended to highlight a pool ball juggling act that featured in the actor's vaudeville show. In the final film, however, there is only a brief shot of Fields juggling several billiard balls, as his act was largely replaced with several poorly edited stop motion sequences depicting impossible shots, such as the balls jumping off the table and re-racking themselves on the wall. Though innovative for the time, they are poorly animated, with obvious edits, and the animator's hand can actually be seen moving the balls along in one of the frames.

Reaction

Today, Pool Sharks is best remembered as Fields' first film effort. Film historian William K. Everson critiques the film as an "auspicious debut", with Fields' routines and pacing already finely honed.

References

  • The Films of W.C. Fields, by Donald Deschner, The Citadel Press, New York, 1966.
  • The Art of W.C. Fields, by William K. Everson, Bonanza Books, New York, 1967.

External links