Pour le piano
Pour le piano | |
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Piano suite by L. 95 | |
Composed | 1894–1901 |
Dedication |
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Performed | 11 January 1902 |
Published | 1901 |
Pour le piano (For the piano),
Regarded as Debussy's first mature piano composition, the suite has frequently been recorded. Bärenreiter published a critical edition in 2018, on the occasion of the centenary of Debussy's death.
History
Pour le piano marked a turning point in Debussy's creative development, who now turned to a prolific production of piano music.[4]
On the occasion of the centenary of Debussy's death, Bärenreiter published in 2018 a critical edition of some of his piano music, including Pour le piano.[8] The publisher remarked that the "improvisational and fugitive" parts of Debussy's compositions were "governed by a precisely calibrated formal design" that left "little room for chance".[8]
Structure and music
Pour le piano has been regarded as Debussy's first mature piano work.[9] The suite consists of three movements:[3]
- Prélude
- Sarabande
- Toccata
The first movement, called
Sarabande is marked "Avec une élégance grave et lente" (With a slow and solemn elegance).[10] Debussy said it should be "rather like an old portrait in the Louvre".[5] Émile Vuillermoz described Debussy's playing of the movement as "with the easy simplicity of a good dancer from the sixteenth century".[5] Hewitt calls it "antique and modern at the same time".[5] The movement has been regarded as "among the most intimate music for the keyboard",[10] showing an affinity to Erik Satie such as his 1887 three dances called Sarabandes.[10]
The last movement is a toccata, marked "Vif" (Lively).[10] It has been described as "poised and energetic, extroverted and graceful" and shows influences from Scarlatti's sonatas.[10] Hewitt notes about the virtuoso writing that speed alone wasn't Debussy's goal, but rather clarity.[5]
A reviewer described the suite as "possibly foreshadowing the neo-classical Debussy that emerged in his last years".[9]
Recordings
Pour le piano has been recorded often,[10] sometimes in recordings of all piano music by Debussy, such as by Walter Gieseking in the 1950s and by Noriko Ogawa in the 2010s.[9] Angela Hewitt recorded it, along with other music by Debussy, in 2011.[5] Several pianists' recordings were published in 2018, the year of the centenary of the composer's death, including Jörg Demus, Peter Frankl, Rafał Blechacz and Samson François within recordings of the composer's complete piano works.[10]
References
- ^ a b c d Lesure, François (1984), "Preface", Pour le piano, Urtext, Munich, Germany: G. Henle Verlag
- ^ Images oubliées (IMSLP)
- ^ French National Library. 2018. Retrieved 23 August 2018.
- ^ ISBN 978-0-52-165478-4.
- ^ a b c d e f g h i Hewitt, Angela (2012). "Pour le piano, L. 95". Naxos Records. Retrieved 22 August 2018.
- ^ Eugène Fromont (BnF)
- ^ "Debussy, Claude / Pour le piano". Bärenreiter. 2018. Retrieved 22 August 2018.
- ^ a b "Claude Debussy / Piano music". Bärenreiter. 2018. Retrieved 22 August 2018.
- ^ a b c Howell, Christopher (2012). "Pour le piano, L. 95". musicweb-international.com. Retrieved 22 August 2018.
- ^ a b c d e f g h Keillor, John (2018). "Claude Debussy / Pour le piano, suite for piano, L. 95". AllMusic. Retrieved 22 August 2018.
External links
- Pour le piano: Scores at the International Music Score Library Project
- Pour le piano (recording) The Piano Society
- Mary Jeanne van Appledorn: An Analysis of Claude Debussy's Suite Pour Le Piano
- Prelude (Suite pour le piano, 1901) stevedebussy.wordpress.com
- T is for Toccata – Debussy’s Toccata, from Pour Le Piano notesfromapianist.wordpress.com 2012
- Pour le piano jochenscheytt.de