Prairie View Co-eds
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The Prairie View Co-eds were an all-female band that formed in the 1940s at the historically black
Beginnings
In the early 1940s, Prairie View College was one of the leading African American colleges in the country, and one of the only four-year public schools African Americans could attend in Texas. The band that dominated the campus was the Prairie View Collegians, an all-male group that played gigs on campus as well as some touring. When she arrived at the school, the exceedingly skilled Bert Etta Davis auditioned for the Prairie View Collegians and was accepted by the band leader. An extremely talented alto saxophonist, Davis ended up being turned away from the band by the Dean of Women who found the concept of a woman playing in an all men's band too scandalous to allow.
By 1943 though, the times had changed. The Prairie View Collegians had lost many members to the draft, and lacked the numbers to continue making strong performances. Will Henry Bennett
Growth
After its first year of popularity, the Prairie View Co-eds began to make a name for themselves. Through word of mouth, the tale of a skilled collegiate all-female band spread, and soon talented musicians were actively coming to Prairie View College in order to join the Co-eds. This marked a distinct shift from extracurricular activity performed casually to a greater focus on musicianship as a career for these women. The Co-eds went on more serious tours, often taking a teacher and a chaperone with them. Soon summer and winter tours were also established, and the Prairie View Co-eds were functioning like professionals. This group was championed by the Black press as symbols of successful, educated African American women who seemed to be representative of a patriotic spirit. The Prairie View Co-eds were even able to perform at
The Prairie View Co-eds also engaged in rather extreme tours during the summer months. They were constant professionals and worked with the Moe Gale Agency, Gale being the owner of the Savoy Ballroom. Touring was difficult during this time period as many problems were encountered with the rationing that occurred because of the war. Gas and rubber for tires were rationed, and oftentimes the only reason the Co-eds had access to ration coupons for these items was because of their work with the USO. Touring seemed to be worth it though, as the Prairie View Co-eds were able to perform at venues such as the Apollo Theater. The fact that they were listed as Co-eds was important too, as it confirmed them as symbols of educated African Americans, as well as being youthful and attractive.
Sources
- Tucker, Sherrie. "The Prairie View co-eds: Black college women musicians in class and on the road during World War II." Black Music Research Journal (1999): 93-126. (accessible via JSTOR at www
.jstor .org /stable /779276 ) - Tucker, Sherrie. Swing Shift: "All-Girl" Bands of the 1940s. Duke University Press, 2000.
- Berkeley Electronic Press(2002).
- Barry Dean Kernfeld(ed.).
- Scarecrow Press, 1998.
Notes and references
Notes
- Houston, Texas)
References
- OCLC 49731446.