Rigaudon
The rigaudon (French: Louis XIV.[1] Its hopping steps were adopted by the skillful dancers of the French and English courts, where it remained fashionable through the 18th century. By the close of the 18th century, however, it had given way in popularity as a ballroom dance (along with the passepied, bourrée, and gigue) to the minuet;[2] however, in the 20th century, Maurice Ravel would employ this baroque dance in his piano suite Le Tombeau de Couperin.
Sources
- ISBN 9780195170672.
- ^ Cunningham Woods, Francis. 1895–96. "A Brief Survey of the Dances Popular in England during the Eighteenth Century". Proceedings of the Musical Association, 22nd Session:89-109. p. 93.
Further reading
Wikimedia Commons has media related to Rigaudon.
- Anon. 1851. "Rigadoon". Encyclopædia Americana, 1851 edition, edited by Francis Lieber, 39. Philadelphia: Blanchard and Lea.
- Guilcher, Jean-Michel. 1984. "Le domaine du rigodon: Une province originale de la danse". Le monde alpin et rhodanien 12, nos. 1–2 (Chants et danses de tradition): 7–71. ISSN 0758-4431
- Hammond, Sandra Noll. 1992. "Steps through Time: Selected Dance Vocabulary of the Eighteenth and Nineteenth Centuries". Dance Research 10, no. 2 (Fall): 93–108. ISSN 0264-2875
- Mather, Betty Bang. 1987. Dance Rhythms of the French Baroque: A Handbook for Performance. Bloomington: Indiana University Press. ISBN 0-253-31606-5.
- Mazellier, Patrick. 2003. "Feldforschungen in der Dauphiné und im Vivarais und ihre Umsetzung im Musikschulunterricht". In Musikpädagogik und Volksmusikforschung: Chancen einer Zusammenarbeit—Symposion zum 70. Geburtstag von Josef Sulz, edited by ISBN 3-85145-085-X.
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