Robert Breer
Robert Breer | |
|---|---|
Post-Modernism, Modernism |
Robert Carlton Breer (September 30, 1926 – August 11, 2011) was an American experimental filmmaker, painter, and sculptor.[1]
Life and career
"A founding member of the American avant-garde,"[2] Breer was best known for his films, which combine abstract and representational painting, hand-drawn rotoscoping, original 16mm and 8mm film footage, photographs, and other materials.[3]
After experimenting with cartoon animation as a child, he started making his first abstract experimental films while living in Paris from 1949 to 1959, a period during which he also showed paintings and kinetic sculptures at galleries such as the renowned Galerie Denise René.[4][5][6]
Breer explained some of the reasons behind his move from painting to filmmaking in a 1976 interview:[4]
This was 1950 or '51... I was having trouble with a concept, a very rigid notion about painting that I was interested in, that I was involved with, and that was the school of Mondrian. [...] The notion that everything had to be reduced to the bare minimum, put in its place and kept there. It seemed to me overly rigid since I could, at least once a week, arrive at a new 'absolute.' I had a feeling there was something there that suggested change as being a kind of absolute. So that's how I got into film.
— Robert Breer, transcription of Screening Room with Robert Breer (1976)
Breer also taught at Cooper Union in New York from 1971 to 2001.[7] He received a Guggenheim Fellowship in 1978.[8]
Breer died on August 11, 2011, at his home in Tucson.[9][10]
Influences
His aesthetic philosophy and technique were influenced by an earlier generation of abstract filmmakers that included
Legacy
Scholarly publications on Breer's work and interviews with the artist can be found in Robert Breer, A Critical Cinema 2: Interviews with Independent Filmmakers by Scott MacDonald, An Introduction to the American Underground Film by Sheldon Renan, Animation in the Cinema by Ralph Stephenson, and Film Culture magazine.[11][12][13][14][15]
Breer won the 1987 Maya Deren Independent Film and Video Artists' Award, presented by the American Film Institute.[16]
His film Eyewash was included in Treasures IV: American Avant-Garde Film 1947-1986.[17][18]
Archives
The following films were preserved by Anthology Film Archives:[19]
- Form Phases I (1952)
- Form Phases II (1953)
- Form Phases III (1954)
- Form Phases IV (1956)
- Un Miracle (1954)
- Recreation (1956)
- Motion Pictures No. 1 (1956)
- Jamestown Baloos (1957)
- A Man and His Dog Out for Air (1957)
- Le Mouvement (1957)
- Eyewash (1959) – both versions
- Blazes (1961)
- Breathing (1963)
- Fist Fight (1964)
- 66 (1966)
- 69 (1969)
- 70 (1971)
- 77 (1970)
- Fuji (1974)
- Swiss Army Knife with Rats and Pigeons (1981)
- Bang! (1986)
The following films were preserved by the Academy Film Archive:[20]
- Form Phases #4 (1954, preserved 2019)
- Sunday Morning Screenings (1960, a trailer for Cinema 16)
- Time Flies (1997, preserved 2018)
- Atoz (2000, preserved 2018)
References
- ^ William Grimes, "Robert Breer, Pioneer of Avant-Garde Animation, Dies at 84", The New York Times, August 17, 2011, [1].
- ^ a b Harvard Film Archive
- ^ Carnegie International Museum of Art Website, Artist's bio.
- ^ YouTube, "Screening Room with Robert Breer (1976)"
- ^ Australian Center for the Moving Image, "Robert Breer: Master of the 4 inch x 6 inch."
- ^ Animation World Network Website, Artist's Bio.
- ^ a b The Film Gallery, Artist's Bio.
- ^ The New York Times, "Guggenheim Foundation Announces 1978 Awards."
- ^ Frameworks Listserv
- ^ Movie City News, "Experimental Filmmaker Robert Breer Dies at 85."
- ^ Wetzel, Roland, Laurence Sillars, Ute Holl, Andres Pardey, and Laurence Sillars. Robert Breer. Bielefeld: Kerber, Christof, 2011. Print.
- ^ MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. Berkeley: University of California Press, 1992. Print.
- ^ Renan, Sheldon. An Introduction to the American Underground Film. New York: Dutton, 1967. Print.
- ^ Stephenson, Ralph. Animation in the Cinema. London [u.a.: Zwemmer Limited] u.a., 1967. Print.
- ^ Jonas Mekas and P. Adams Sitney, "Interview with Robert Breer," Film Quarterly, 56-57 (Spring 1973), p. 44.
- ^ [2], "Maya Deren," SensesOfCinema.com
- ^ Zorn, John, Martin Scorsese et al. Treasures IV: American Avant Garde Film, 1947-1986. San Francisco, Calif: National Film Preservation Foundation, 2009.
- ^ 10 Weirdest Avant-Garde Films Of The 50s, Ranked|ScreenRant
- ^ Anthology Film Archives Collections
- ^ "Preserved Projects". Academy Film Archive.
Further reading
- Uroskie, Andrew V. "Visual Music After Cage: Robert Breer, Expanded Cinema and Stockhausen's Originals (1964)". Organised Sound: An International Journal of Music Technology 17, no. 2 (August 2012): 163–69.
- Burford, Jennifer Lou. "Robert Breer". Bilingual French-English. Preface by Christian Lebrat. Paris: éditions Paris Expérimental / RE:VOIR Vidéo éditions, 1999. 146 pages.
External links
- Performing A Traumatic Effect: The Films of Robert Breer
- The Estate of Robert Breer is represented by gb agency, Paris
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
