Roderic O'Conor

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Roderic O'Conor
Self portrait (c. 1903)
Born17 October 1860
Died18 March 1940(1940-03-18) (aged 79)
NationalityIrish
EducationMetropolitan School of Art (Dublin), Royal Hibernian Academy (Dublin), Ampleforth College (Yorkshire), Académie Royale des Beaux-Arts (Antwerp)
Known forPainter, etcher

Roderic O'Conor (17 October 1860 – 18 March 1940) was an Irish painter who spent much of his later career in Paris and as part of the

Post-Impressionist influence.[1]

Early life and training

Born in Milltown,

Works

Self portrait c. 1923–1926

In 1892, O'Conor went to

Van Gogh.[8]

Relationship with Somerset Maugham

In the early twentieth century, O'Conor was one of a group of painters, writers and intellectuals who frequented the Chat Blanc, a restaurant in the rue d'Odessa near the Gare Montparnasse in Paris, a group that included

Somerset Maugham. O'Conor "took an immediate dislike to Maugham, who later recalled that his presence at the table seemed to irritate the Irishman and he had only to venture a remark to have O'Conor attack it."[9] Maugham had his revenge on O'Conor by using him as the basis for two fictional characters, O'Brien in The Magician and Clutton in Of Human Bondage. Both portraits are unflattering: O'Brien is "a failure whose bitterness has warped his soul so that, unforgiving of the success of others, he lashes out at any artist of talent", while Clutton is "a sardonic painter who is most cheerful when he can find a victim for his sarcasm".[9] However, it was through O'Conor that Maugham first became interested in Gauguin (Maugham travelled to Tahiti and based his novel The Moon and Sixpence on the life of Gauguin).[10]

Personal life and legacy

In 1933, O'Conor married his partner Henrietta (Renée) Honta, who had sometimes modelled for him.[11] The couple lived in France and Spain, until O'Conor's death at their home in France.[11] He died in Nueil-sur-Layon, France on 18 March 1940.[1]

In March 2011, a work by O'Conor sold for £337,250 (€383,993). Landscape, Cassis, an oil-on-canvas, was painted by O'Conor in the south of France in 1913 and sold at Sotheby's for significantly higher than the estimate price.[12]

Works in collections

Gallery

  • Works by Roderic O'Connor
  • Yellow landscape, 1892 (The Tate, London)
    Yellow landscape, 1892 (The Tate, London)
  • La Jeune Bretonne, 1895 (National Gallery, Dublin)
    La Jeune Bretonne, 1895 (National Gallery, Dublin)
  • Mixed flowers on pink cloth, c. 1916 (Te Papa, Wellington)
    Mixed flowers on pink cloth, c. 1916 (Te Papa, Wellington)
  • Nude seated on a green rug, circa 1925
    Nude seated on a green rug, circa 1925
  • Seated woman in a red dress, circa 1920
    Seated woman in a red dress, circa 1920
  • Seated nude with red hair, circa 1900
    Seated nude with red hair, circa 1900
  • Pont aven, circa 1895
    Pont aven, circa 1895
  • Lezaven, circa 1894
    Lezaven, circa 1894
  • "Les Korrigans sous la lune - The dance of the elves of Pont-Aven" (Moonlit landscape with tall trees) by Roderic O'Conor, ca. 1898-1900
    "Les Korrigans sous la lune - The dance of the elves of Pont-Aven" (Moonlit landscape with tall trees) by Roderic O'Conor, ca. 1898-1900

References

Notes

  1. ^ a b c d Milmo-Penny Fine Art 2015.
  2. ^ "Roderic O'Conor Biography". Tate Institution. Retrieved 3 May 2015.
  3. ^ Benington 1992, p. 19.
  4. ^ a b Dunne 2018.
  5. ^ Campbell 1984.
  6. ^ "Irish Paris - Roderic O'Conor". Irishmeninparis.org.
  7. ^ Benington & Rooney 2018.
  8. ^ Benington 1992, p. 16.
  9. ^ a b Calder 1990, p. 90.
  10. ^ Calder 1990, p. 136.
  11. ^ a b "Roderic O'Conor (1860 – 1940)". nationalgallery.ie. National Gallery of Ireland. Retrieved 22 November 2020.
  12. ^ "Landscape, Cassis by Roderic O'Conor". Sothebys. 29 March 2011. Retrieved 16 August 2012.

Sources