Sam Hague
Sam Hague (1828 – 7 January 1901) was a
Hague was born in
Sam Hague's Slave Troupe of Georgia Minstrels included both white and black performers, though at each venue they put on separate all-white and all-black performances.[2] In England, Hague eventually counted stars such as Bob Height and Charles Hicks among his troupers. Hague's overseas success lent black minstrelsy a new credibility in the United States, although at least one critic maintained their rise had damaged minstrelsy, and that white blackface minstrels were better at representing black Americans than black Americans were themselves.[3] By the mid-1870s, most successful American black troupes had been bought by white owners who had followed Hague's lead. When the Slave Troupe returned to the United States, Charles Callender purchased the company.
Five years after Hague sold the troupe, on an expedition to the Minstrel Troupe Owners Symposium in October 1879, he was introduced to his future wife, Clare Thiele.
By 1881, Hague owned a white minstrel troupe composed of British players, Sam Hague's Operatic British Minstrels. The British had a reputation in America for not being as apt at portraying caricatured black roles or performing comedy bits. In response, Sam Hague's British Minstrels stressed their musical abilities and their refined costumes and sets. Only the endmen wore blackface, and the troupe did no base comedy. George Primrose and William H. West adopted Hague's idea and sparked a new trend in minstrelsy.
The twice-married Hague died January 7, 1901, at home in Liverpool, leaving a wife and adopted daughter.
Notes
References
- Toll, Robert C. (1974). Blacking Up: The Minstrel Show in Nineteenth-century America. New York: Oxford University Press.
- Watkins, Mel (1994). On the Real Side: Laughing, Lying, and Signifying—The Underground Tradition of African-American Humor that Transformed American Culture, from Slavery to Richard Pryor. New York: Simon & Schuster.