Septimal major third
septimal minor sixth | |
---|---|
Name | |
Other names | Supermajor third, Septimal supermajor third |
Abbreviation | S3, SM3 |
Size | |
Semitones | ~4½ |
Interval class | ~4½ |
Just interval | 9:7[1] |
Cents | |
12-Tone equal temperament | 400 |
24-Tone equal temperament | 450 |
Just intonation | 435 |
In music, the septimal major third ⓘ, also called the supermajor third (by Hermann von Helmholtz among others[4][5][6]), septimal supermajor third, and sometimes Bohlen–Pierce third is the musical interval exactly or approximately equal to a just 9:7 ratio[4][7] of frequencies, or alternately 14:11.[7] It is equal to 435 cents,[4] sharper than a just major third (5:4) by the septimal quarter tone (36:35) (ⓘ). In 24-TET the septimal major third is approximated by 9 quarter tones, or 450 cents (ⓘ). Both 24 and 19 equal temperament map the septimal major third and the septimal narrow fourth (21:16) to the same interval.
This interval has a characteristic brassy sound which is much less sweet than a pure major third, but is classed as a
In the early
22 equal temperament has a very close match to this interval. In this temperament, four fifths minus two octaves equals a septimal major third, not an ordinary major third.
References
- ISBN 0-8247-4714-3. Septimal major third.
- JSTOR 833435.
- ^ Fonville (1991), p. 128.
- ^ ISBN 1-60206-639-6.
- .
- JSTOR 41335396.
- ^ ISBN 0-89579-507-8. "Super-Major Second".
- ^ ""Just Chord Tunings"". Archived from the original on 2013-11-12. Retrieved 2013-11-12.