Singeetam Srinivasa Rao
Singeetam Srinivasa Rao | |
---|---|
British India (now Andhra Pradesh, India) | |
Nationality | Indian |
Alma mater | University of Madras |
Occupations |
|
Awards | National Film Awards Nandi Awards Filmfare Awards South Karnataka State Film Awards |
Singeetam Srinivasa Rao (born 21 September 1931),[1] commonly known as Singeetam,[2][3] is an Indian film director, screenwriter, producer, composer, and actor. He is widely regarded as one of the most versatile filmmakers of India.[4][5] He is credited with having revolutionised the South Indian cinema with experimental films.[3][5] He has directed about sixty films in Telugu, Kannada, Tamil, Hindi, and English languages across multiple genres.[5][6][4] He has garnered two National Film Awards, five Nandi Awards, three Karnataka State Film Awards, and three Filmfare Awards South. In 2011, Rao was honored with Life Achievement Award from the Film Federation of India.[7]
Singeetam worked as an assistant to noted director
He went on to direct notable films like
He is particularly noted for his collaboration with two actors —
Early life
Singeetam Srinivasa Rao was born on 21 September 1931 in a Telugu family in Udayagiri of Nellore district, Andhra Pradesh. His father, Ramachandra Rao, was a headmaster and his mother, Sakunthala Bai, was a violinist.[2] As a school student, he showed glimpses of talent both in plays and music. He graduated with a Physics Degree from Presidency College, Chennai.[23][9] In college, he honed his skills in plays such as Windows under Harindranath Chattopadhyay.[2]
Career
Early career
After graduation his ambition was to get into films. As his attempts to meet the director K. V. Reddy failed, he took up the job of a teacher in Sullurupeta.[2] But he continued writing and wrote two experimental award-winning plays Bhrama and Anthyaghattam. He also wrote Chitrarjuna, a musical play adopted from Tagore's Chitra - Prince of the Dark Chamber. It was translated into English by Scottish dramatist Tom Buchan for an American television channel. He also worked as a journalist at the time writing for Telugu Swatantra.[2][9]
Telugu cinema
He continued his efforts to meet his favourite director K. V. Reddy and in 1954 he was finally able to meet him. K. V. Reddy gave him a copy of
In 1972, Srinivasa Rao ventured into film direction with Neethi Nijayithi, an offbeat Telugu film. The film won critical acclaim but was not commercially successful.[2] He then directed the social problem film Tharam Marindi (1977) which won the Nandi Award for Best Feature Film.[11]
He made other successful Telugu films like Zamindaru gari Ammayi (1975),
He made over half of his films in Telugu. He directed nearly 30 Telugu films across genres. His most recent film was
He is also roped in as a mentor for the upcoming Telugu science fiction film
Kannada cinema
Srinivasa Rao was the executive director of the 1970 Kannada movie
His other non-Rajkumar Kannada directorials include Anand (1986) and Chiranjeevi Sudhakara (1988) apart from Ksheera Sagara (1992),
Most of the films he directed in Kannada were produced by Parvathamma Rajkumar and all were critically and commercially successful. Of the seven films Srinivasa Rao directed with Rajkumar in lead roles, four movies were remade in Telugu. Singeetam's association with Rajkumar was a rare one where he not only directed cult classics and landmark movies but also co-wrote screenplay and composed music for movies produced by the actor even though they were not directed by him. This stands as a testimony for the faith Rajkumar had in the abilities of Rao and the admiration Srinivasa had for Rajkumar.[27] In 1988, when Rajkumar announced his desire to temporarily retire from acting, Singeetam decided to concentrate on Tamil movies where he mostly had Kamal Haasan in the lead roles.[28]
The Kannada Film Journalists Association has honoured Srinivasa Rao with a Special Biography. Srinivasa Rao received three Karnataka State Film Awards — two for Best Screenplay and one for Best movie.[4]
Lyricist and composer
He composed lyrics for films like Bhairava Dweepam (1994) and soundtracks for a few Kannada films. He edited many magazines in Telugu such as Bharati, and scripted plays like Brahma, Antya Ghattam, and Chitrārjuna. Chitrārjuna was also translated into English, and was telecasted in American Television.[29] A disciple of legendary composer S. Rajeswara Rao, he has also composed music for two Kannada movies of matinee idol Rajkumar's banner - Bhagyada Lakshmi Baramma (which was directed by him) and Samyuktha - (which was not directed by him).[30]
Innovative cinema
The 1984 Telugu biographical dance film, Mayuri, which won the National Film Award – Special Mention (Feature Film), was premiered at the 1985 International Film Festival of India, has also received several state Awards, including the State Nandi Award for Best Feature Film, and Filmfare Award South for Best Direction.[31] The film was later remade into Hindi as Naache Mayuri.
In 1988, he co-produced, scripted and directed the first Indian dialogue-less film,
The
The Telugu science fiction film Aditya 369 was one of the highest grossing Telugu films of 1991, grossing ₹9 crore at the box office.[39] A sequel, entitled Aditya 999, was delayed indefinitely in July 2016.[40] Another science fiction in Tamil, Chinna Vathiyar was also an instant hit. The 1994, folklore Bhairava Dweepam garnered the state Nandi Award for Best Direction.
The 2003
Upcoming projects
Srinivasa Rao plans to make a sequel to Aditya 369 in the future.[3] He also expressed his wish to direct a pre-recorded experimental film — a musical in which he wants to use pre-recorded sequences and dialogues while shooting. He also wants to make a documentary on the making of Apoorva Sagodhararkal. He also wants to write a book on the making of Pushpaka Vimana, and his autobiography in the form of a screenplay.[6]
Collaborators
Srinivasa Rao is particularly noted for his collaboration with two actors - Dr. Rajkumar and Kamal Haasan - which resulted in commercially successful and critically acclaimed movies. With Kamal Haasan he made films such as Pushpaka Vimana (1987), Apoorva Sagodharargal (1990) and Michael Madana Kama Rajan (1991) among others,[19] He also directed Kamal Haasan in his 100th film Raja Paarvai / Amavasya Chandrudu (1981).[47]
He directed Rajkumar in seven Kannada films in the 1980s.[21] Notable among them are Haalu Jenu (1982),[20] Chalisuva Modagalu (1982), Bhagyada Lakshmi Baramma (1986),[22] and Rajkumar's 200th film Devatha Manushya (1988). He was also the first person to direct Dr. Rajkumar and all his three sons.[48] He directed Shiva Rajkumar and Raghavendra Rajkumar in their debut movies, Anand (1986) and Chiranjeevi Sudhakara (1988) respectively.[21][49] He had also directed Puneeth Rajkumar as a child artiste in Eradu Nakshatragalu in which he played dual role.[50] Most of his Kannada films were produced by Parvathamma Rajkumar whose ability to judge what would work with the audience and whose story-picking knack he believed in.[51] He was the only director to have worked with her on at least one film in each of the seven years during 1982 to 1988.[52]
Srinivasa Rao also collaborated with
Kannada actor Shivaram has been a part of all seven movies of Srinivasa Rao starring Rajkumar. B. C. Gowrishankar, a regular cameraman for Rajkumar movies, was selected as the cinematographer for Srinivasa Rao's later movies - Pushpaka Vimana [55] and Michael Madana Kama Rajan.[56] Another regular technician of Rajkumar movies - art director Peketi Ranga - was also selected as the art director for Srinivasa Rao's Michael Madana Kama Rajan.[57]
Influences
His favourite litterateurs are Vemana, Mark Twain, and P. G. Wodehouse.[58] He feels no one has expressed the truths of everyday life better than Vemana. He was introduced to Mark Twain by an American missionary when he was eight. He considers Robin Hood to be his favourite hero of fiction.[58]
Accolades
In 2010, Srinivasa Rao headed the Jury of the Indian Panorama at the 8th Chennai International Film Festival.
- Life Time Achievement Award (2021)
- Life Time Achievement Award (2011)
- 1973 - National Film Award for Best Feature Film in Tamil - Dikkatra Parvathi
- 1988 - National Film Award for Best Popular Film Providing Wholesome Entertainment - Pushpaka Vimana
- 1985 - Best Screenplay Writer - Mayuri
- 1985 - Best Director - Mayuri
- 1992 - Best Screenplay Writer - Brundavanam
- 1994 - Best Director - Bhairava Dweepam
- 2012 - BN Reddy National Award for Life Time Achievement[64]
- 1982 - Karnataka State Film Award for First Best Film - Haalu Jenu
- 1985 - Karnataka State Film Award for Best Screenplay - Bhagyada Lakshmi Baramma
- 1986 - Karnataka State Film Award for Best Screenplay - Anand
- 1974 - Filmfare Award for Best Film – Tamil - Dikkatra Parvathi[4]
- 1985 - Filmfare Best Director Award (Telugu) - Mayuri
- 1987 - Filmfare Award for Best Director - Kannada - Pushpaka Vimana[65]
Filmography
Year | Film | Language | Director | Producer | Writer | Notes |
---|---|---|---|---|---|---|
1972 | Neeti-Nijayiti | Telugu | Yes | Directorial debut in Telugu cinema | ||
1974 | Dikkatra Parvathi | Tamil | Yes | Yes | Yes | Directorial debut in Filmfare Award for Best Film - Tamil
|
1975 | Zamindaru gari Ammayi | Telugu | Yes | |||
1976 | Oka Deepam Veligindhi | Telugu | Yes | |||
1976 | America Ammayi | Telugu | Yes | Yes | Yes | |
1977 | Tharam Marindi | Telugu | Yes | Yes | Yes | Nandi Award For Best Feature Film |
1977 | Andame Anandam | Telugu | Yes | Yes | Yes | |
1977 | Panthulamma | Telugu | Yes | Yes | Yes | Also actor |
1977 | Niraparayum Nilavilakkum | Malayalam | Yes | Directorial debut in Malayalam cinema. | ||
1978 | Raamachilaka | Telugu | Yes | Remake of Annakili | ||
1978 | Gammathu Goodacharulu | Telugu | Yes | |||
1979 | Sommokadidhi Sokokadidhi | Telugu | Yes | Yes | Starring Kamal Haasan | |
1979 | Mangala Thoranalu | Telugu | Yes | |||
1980 | Triloka Sundari | Telugu | Yes | |||
1980 | Gandara Golam | Telugu | Yes | |||
1980 | Pilla Zamindar | Telugu | Yes | Yes | ||
1981 | Raja Paarvai Amavasya Chandrudu |
Tamil Telugu |
Yes | Starring Kamal Haasan | ||
1981 | Jegantalu | Telugu | Yes | |||
1982 | Thrilok Sundhari | Hindi | Yes | |||
1982 | Haalu Jenu | Kannada | Yes | Yes | Yes | Directorial debut in Kannada Karnataka State Film Award for Best Film
Starring Rajkumar |
1982 | Chalisuva Modagalu | Kannada | Yes | Yes | Starring Rajkumar | |
1983 | Eradu Nakshatragalu | Kannada | Yes | Yes | Starring Rajkumar and Puneeth Rajkumar | |
1983 | Andhra Kesari | Telugu | Actor | |||
1983 | Raju Rani Jackie | Telugu | Yes | Yes | ||
1984 | Shravana Banthu | Kannada | Yes | Starring Rajkumar | ||
1984 | Vasantha Geetam | Telugu | Yes | Yes | ||
1984 | Sangeeta Samrat | Telugu | Yes | |||
1984 | Mayuri | Telugu | Yes | Yes | Nandi Award for Best Feature Film Filmfare Award South For Best Direction Nandi Award for Best Screenplay | |
1985 | Jwaalamukhi | Kannada | Yes | Yes | Starring Rajkumar | |
1986 | Bhagyada Lakshmi Baramma | Kannada | Yes | Karnataka State Film Award for Best Screenplay Also Music director Starring Rajkumar | ||
1986 | Anand | Kannada | Yes | Yes | Karnataka State Film Award for Best Screenplay Starring Shiva Rajkumar in his debut | |
1986 | Naache Mayuri | Hindi | Yes | |||
1987 | America Abbayi | Telugu | Yes | Yes | ||
1987 | Shruthi Seridaaga | Kannada | Yes | Co-screenplay writer Starring Rajkumar | ||
1987 | Pushpaka Vimana | Silent | Yes | Yes | Yes | National Film Award for Best Popular Film Providing Wholesome Entertainment Filmfare Award for Best Director – Kannada Starring Kamal Haasan |
1988 | Devatha Manushya | Kannada | Yes | Starring Rajkumar ( his 200th movie) | ||
1988 | Chiranjeevi Sudhakara | Kannada | Yes | Starring Raghavendra Rajkumar in his debut | ||
1988 | Samyuktha | Kannada | Yes | Co-Screenplay writer and Music Director Starring Shiva Rajkumar | ||
1989 | Apoorva Sagodharargal | Tamil | Yes | Starring Kamal Haasan | ||
1990 | Michael Madana Kama Rajan | Tamil | Yes | Starring Kamal Haasan | ||
1991 | Aditya 369 | Telugu | Yes | Yes | Starring Nandamuri Balakrishna | |
1992 | Ksheera Sagara | Kannada | Yes | Yes | Starring Kumar Bangarappa | |
1992 | Belliyappa Bangarappa | Kannada | Yes | Starring Kumar Bangarappa | ||
1992 | Brundavanam | Telugu | Yes | Nandi Award for Best Screenplay | ||
1993 | Phool | Hindi | Yes | Yes | ||
1994 | Magalir Mattum | Tamil | Yes | |||
1994 | Bhairava Dweepam | Telugu | Yes | Yes | Nandi Award for Best Director Nandi Award for Best Feature Film Also Lyric writer for Virisinadhi Vasantha Gaanam Starring Nandamuri Balakrishna | |
1994 | Madam |
Telugu | Yes | Yes | ||
1995 | Chinna Vathiyar | Tamil | Yes | |||
1996 | Sri Krishnarjuna Vijayam | Telugu | Yes | Yes | Starring Nandamuri Balakrishna | |
1998 | Raja Hamsa | Telugu | Yes | Yes | ||
1998 | Kaathala Kaathala | Tamil | Yes | Starring Kamal Haasan | ||
1999 | Tuvvi Tuvvi Tuvvi | Kannada | Yes | Starring Raghavendra Rajkumar | ||
2001 | Little John | English Hindi Tamil |
Yes | Yes | ||
2001 | Akasa Veedhilo | Telugu | Yes | Yes | ||
2002 | Make-up |
Kannada | Yes | Starring Jaggesh | ||
2003 | Vijayam |
Telugu | Yes | |||
2003 | Son of Aladdin |
English | Yes | Yes | Special Mention in the Competition section at the 2003 International Children's Film Festival | |
2005 | Mumbai Xpress | Hindi Tamil |
Yes | Starring Kamal Haasan | ||
2008 | Ghatothkach | Hindi | Yes | Yes | Animation Film | |
2010 | Varudu | Telugu | Actor | |||
2013 | Chinni Chinni Aasa | Telugu | Actor | |||
2013 | Welcome Obama | Telugu | Yes | Yes | Remake of Marathi movie Mala Aai Vhhaychy! | |
2015 | Kanche | Telugu | Actor | |||
2022 | Pratibimbalu | Telugu | Yes | The film was shot in 1982, but released in 2022[citation needed] |
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With an amazing display of mastery over a wide range of subjects from comedies to experimental socials to folklore to mythological to 3D animation films that no other contemporary filmmaker has attempted, Singeetham Srinivasa Rao completes half a century of film career this year.
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External links
- Singeetam Srinivasa Rao at IMDb