Skippy Adelman

Source: Wikipedia, the free encyclopedia.

Skippy Adelman
Born
Julius Edelman

March 29, 1924
Manhattan, New York
DiedMay 1, 2004(2004-05-01) (aged 80)
OccupationPhotojournalist
Known forJazz photography

Skippy Adelman (born Julius Edelman; March 29, 1924

jazz musicians, and for his contributions to the bygone New York City daily paper, PM, where he worked as a staff photojournalist.[1]

Adelman also worked as a

New York Age around 1950. Adelman stopped photographing jazz musicians in the late 1940s[2]
and seemingly disappeared, perhaps because he began using his real name in 1953.

Personal life

Julius Edelman's mother, Bessie Cohen (1896–1924), died 3 months after he was born.[

Edelman was married to Dorothy R. Langer (1925–2021) for 57 years, until his death. Dorothy died shortly after and was buried next to him at the New Montefiore Cemetery, West Babylon, Long Island, New York.[7]

Career

Adelman was a staff photojournalist at the New York City paper PM. He also contributed his photographic works to other publications such as Black Starr, Ebony and New York Age. Adelman began using his real name professionally in 1953.[citation needed] For the Jazzways photographs, Adelman used a Rolleiflex camera loaded with Super-XX film and Speed Graphic with Super Panchro Press, Type B. For flash, he used Wabash Press 25 bulbs, setting the stops down to f 22, and shot 1/200-second. With the Speed Graphic, he used Wabash Press 40 bulbs with the diaphragm set at f 32.[8]

From 1948 through 1952, Adelman wrote at least 24 short pulp magazine works (also under the name Skippy Adelman) that were published by the Chicago-based publisher Popular Publications.[9] He wrote the music and lyrics for six songs and co-composed five more from 1952 through 1953 using the pseudonym Jack Smiles. He had a one-time acting role as a mannequin factory owner in Stanley Kubrick's 1955 film, Killer's Kiss, in which he was credited as Julius Adelman. Sometime before 1962, Edelman became a member of the Screen Directors International Guild, which merged with the Directors Guild of America in 1965.

As Julius Edelman, he went on to become an executive in various film production and advertising agencies, including:

  • Executive Vice-President in Charge of Production (after a promotion from Assistant Film Editor in 1953) of Peter Elgar Productions, Inc. from 1953–1960.[10][11]
  • Production Group Supervisor for
    Ted Bates
    until about June 1963.
  • Cowriter with Paul Mazursky of a teleplay episode for The Rifleman (aired March 12, 1962) – "Tinhorn" (Season 4, Episode 24; Overall Episode No. 134), directed by Lawrence Dobkin.[8][12][13]
  • Vice-President, producer, and Director for Mickey Schwartz Productions, Inc., which produced films for TV beginning around June 1963.
  • Vice President & Executive Producer for Allegro Film Productions, Inc., from as early as 1965 to at least 1986, which produced of TV commercials.[14] The company was also known for its short scholastic-oriented science films, such as the Science Screen Report (trademarked filed October 20, 1971).[15] Allegro Film was a subsidiary of Sterling Communications,[16] a forerunner to HBO.

Disappearance

Adelman seemingly disappeared, perhaps because he began using his real name in 1953. In 1972,

postcards printed and write the whole world to try to find out whatever became of Skippy Adelman, the great photographer from the newspaper PM."[17]

Critical acclaim

A different camera and different film (not Adelman's) with a Wabash Press 40 bulb

Books

  • Rosenthal, George Sigmund; Zachary, Frank, eds. (February 27, 2024). Jazzways – A Year Book of Hot Music (snippet view only). Cincinnati: January 21, 1946; Jazzways, Cincinnati. Cover design by
    Bernice Abbott
    , and Sargent John Marsh (1916–2003).

Selected Articles

References

Bibliography

Books, journals, magazines, and papers

News media

Genealogical archives and government documents

Further reading

External links