Slon (album)

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Slon
Studio album by
ReleasedJanuary 20, 2004 (2004-01-20)
RecordedApril 27–30, 2003 in Chicago
GenreJazz
LabelThrill Jockey
ProducerBundy K. Brown
Chicago Underground Trio chronology
Flamethrower
(2000)
Slon
(2004)
Chronicle
(2007)

Slon is the third album from the

bass and Chad Taylor on drums. This is their last release with bassist Noel Kupersmith. Mazurek and Taylor have also combined as the Chicago Underground Duo[1] and with the Chicago Underground Orchestra.[2]

Overview

Slon combines the sounds of a traditional jazz combo with electronic overdubs. The songs were developed during their European No War Tour[3] and written over a one-month period[4] then recorded in Chicago.[3] The track "Palmero" includes recorded sounds from a Sicilian fish market.[3] This is their last release with bassist Noel Kupersmith, Jason Ajemian plays bass on their next release, Chronicle.[5]

Reception

Slon
Review scores
SourceRating
AllMusic[4]
Pitchfork[6]

In comparison to their earlier work, Gregory McIntosh of AllMusic writes that the combo is "more focused on an overall concept for the record as an atmospheric listen" and that the album "is a document of a band that has really hit its stride".[4] When commenting on the combo's use of computers John L. Walters of The Guardian wrote that they use them for "anything from ambient noise to throbbing riffs". He goes on to write that "Mazurek's inventive improvisations dance around Taylor's live, open-sounding kit, while Kupersmith's bass sound stays oddly, unfashionably low."[3]

Rex Butters of

CMJ New Music Report, Tad Hendrickson wrote that the production by Bundy K. Brown "helps bring the album into sharper focus" and calls the work "nicely done".[8]

Pitchfork's Mark Richardson noted: "although the Trio operate within a smaller sphere than many of their contemporaries, they remain open to possibility and produce inspired combinations of seemingly different sounds-- and the economical and engaging Slon is evidence that they're on to something."[6] Brian Baker of Paste called the musicians "phenomenal jazz talents interested in technological possibilities... as well as jazz's venerable heritage," and called the recording "an album of power, vision and conviction."[9]

John Schacht listed the album as one of his top twenty favorite albums of 2004 in Creative Loafing, calling the combo "the best jazz ensemble many jazz fans have never heard".[10]

Track listing

All tracks written by the Chicago Underground Trio

  1. "Protest" (6:29)
  2. "Slon" (4:56)
  3. "Zagreb" (6:39)
  4. "Sevens" (3:00)
  5. "Campbell" (6:57)
  6. "Kite" (4:35)
  7. "Palermo" (3:20)
  8. "Shoe Lace" (4:32)
  9. "Pear" (3:02)

Credits

Chart performance

Year Chart Peak
2004
CMJ Top 75
70[11]
CMJ Jazz Albums 6[12]

References

  1. Allmusic. Archived
    from the original on 5 February 2024. Retrieved 16 February 2011.
  2. from the original on 5 February 2024. Retrieved 16 February 2011.
  3. ^ a b c d Walters, John L (16 January 2004). "Full metal racket". The Guardian. Archived from the original on 12 September 2014. Retrieved 16 February 2011.
  4. ^
    Allmusic. Archived
    from the original on 5 February 2024. Retrieved 16 February 2011.
  5. from the original on 5 February 2024. Retrieved 16 February 2011.
  6. ^ a b Richardson, Mark (June 7, 2004). "Slon: Chicago Underground Trio". Pitchfork. Archived from the original on January 22, 2023. Retrieved January 22, 2023.
  7. ^ Butters, Rex (1 June 2004). "Chicago Underground Trio Slon". All About Jazz. Archived from the original on 7 July 2011. Retrieved 16 February 2011.
  8. CMJ New Music Report. 78 (849): 20. Archived
    from the original on 5 February 2024. Retrieved 16 February 2011.
  9. ^ Baker, Brian (February 1, 2004). "Chicago Underground Trio - Slon". Paste. Archived from the original on May 16, 2021. Retrieved January 22, 2023.
  10. ^ Schacht, John (29 December 2004). "List-O-Rama!". Creative Loafing. Charlotte, North Carolina. Archived from the original on 8 July 2011. Retrieved 16 February 2011.
  11. CMJ New Music Monthly (121): 40. 2004. Archived
    from the original on 5 February 2024. Retrieved 16 February 2011.
  12. CMJ New Music Report. 78 (11): 19. 16 February 2004. Archived
    from the original on 5 February 2024. Retrieved 16 February 2011.