Draft:Christophe Ballard: Difference between revisions
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'''Christophe Ballard''' ({{interlanguage link|Christophe Ballard|fr}}) ([[Paris]], April 12, 1641 — Paris, May 28, 1715) was a Parisian [[Printer (publishing)|printer]], [[Bookselling|bookseller]], and [[Music publisher|music publisher]], from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th century. Christophe Ballard was the eldest son and only successor of [[Robert III Ballard]] and, like him, was the king's ''imprimeur ordinaire''<ref>Samuel F. Pogue and Jonathan Le Cocq, "Ballard. (5) Christophe Ballard", Stanley Sadie (ed.)</ref> active from 1673 until the end of his life.<ref name=":1">{{Cite journal |last=Guillo |first=Laurent |date=2001 |title=Les papiers à musique imprimés en France au XVIIe siècle: Un nouveau critère d'analyse des manuscrits musicaux |url=https://www.jstor.org/stable/947109 |journal=Revue de Musicologie |volume=87 |issue=2 |pages=307–369 |doi=10.2307/947109 |issn=0035-1601}}</ref> |
'''Christophe Ballard''' ({{interlanguage link|Christophe Ballard|fr}}) ([[Paris]], April 12, 1641 — Paris, May 28, 1715) was a Parisian [[Printer (publishing)|printer]], [[Bookselling|bookseller]], and [[Music publisher|music publisher]], from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th century. Christophe Ballard was the eldest son and only successor of [[Robert III Ballard]] and, like him, was the king's ''imprimeur ordinaire''<ref>Samuel F. Pogue and Jonathan Le Cocq, "Ballard. (5) Christophe Ballard", Stanley Sadie (ed.)</ref> active from 1673 until the end of his life.<ref name=":1">{{Cite journal |last=Guillo |first=Laurent |date=2001 |title=Les papiers à musique imprimés en France au XVIIe siècle: Un nouveau critère d'analyse des manuscrits musicaux |url=https://www.jstor.org/stable/947109 |journal=Revue de Musicologie |volume=87 |issue=2 |pages=307–369 |doi=10.2307/947109 |issn=0035-1601}}</ref> |
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Christophe Ballard (Christophe Ballard) (Paris, April 12, 1641 — Paris, May 28, 1715) was a Parisian printer, bookseller, and music publisher, from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th century. Christophe Ballard was the eldest son and only successor of Robert III Ballard and, like him, was the king's imprimeur ordinaire[1] active from 1673 until the end of his life.[2]
Around 1700, the printing house was at its highest point: he maintained four presses and employed nine helpers and two apprentices. Ballard still used antiquated movable type with diamond-shaped notes that were designed and cast for Robert Ballard and his son-in-law Adrien Le Roy (ca. 1520–1598) in the 1550s by Ballard’s father-in-law,[3] Guillaume Le Bé.[4] Pierre I Ballard directed the workshop on the Rue Saint-Jean de Beauvais from 1599 to 1639, followed from 1639 to 1673 by his son Robert III Ballard.[2] In 1713, Jean-Marie Leclair, François Couperin and other musicians obtained the privileges of printing music from engraved plates. Ballard brought the case to court, but lost: he was considered to have the exclusive right only to print music in movable type.
He published almost all the music of the time:
Ballard's son,
References
- ^ Samuel F. Pogue and Jonathan Le Cocq, "Ballard. (5) Christophe Ballard", Stanley Sadie (ed.)
- ^ ISSN 0035-1601.
- ^ ISSN 0027-4631.
- ^ Cawelti, Andrea. “It’s Good to Be the King: Head-Pieces in Ballard Folio Scores.” The Library Quarterly: Information, Community, Policy, vol. 84, no. 2, 2014, pp. 209–18. JSTOR, https://doi.org/10.1086/675333. Accessed 24 Feb. 2024.
- ^ François Moureau et Georges Grente (Dir.), Dictionn aire des lettres françaises : le xviiie siècle, Paris, Fayard/LGE, coll. « La Pochothèque » (no 4), 1995, 1371 p. (ISBN 2213595437, OCLC 878872844, BNF 35800081), p. 119.
- ^ Marc Vignal, « Ballard », dans Marc Vignal, Dictionnaire de la musique, Paris, Larousse, 2005, 1516 p. (ISBN 2-03-505545-8, OCLC 896013420, read online [archive]), p. 54.
- ^ GOUJON, Jean-Philippe. “Les ‘Recueils d’airs Sérieux’ et à Boire Des Ballard (1695-1724).” Revue de Musicologie, vol. 96, no. 1, 2010, pp. 35–72. JSTOR, http://www.jstor.org/stable/41637926. Accessed 19 Mar. 2024.
- ^ Massip, Catherine. “Airs Français et Italiens Dans l’édition Française 1643-1710.” Revue de Musicologie, vol. 77, no. 2, 1991, pp. 179–85. JSTOR, https://doi.org/10.2307/947420. Accessed 19 Mar. 2024.
- ^ Cammaert, Gustave. “Les Brunettes.” Revue Belge de Musicologie / Belgisch Tijdschrift Voor Muziekwetenschap, vol. 11, no. 1/2, 1957, pp. 35–51. JSTOR, https://doi.org/10.2307/3686321. Accessed 19 Mar. 2024.
- ^ Guillo, Laurent. “La Bibliothèque de Musique Des Ballard d’après l’inventaire de 1750 et Les Notes de Sébastien de Brossard (Première Partie).” Revue de Musicologie, vol. 90, no. 2, 2004, pp. 283–345. JSTOR, http://www.jstor.org/stable/4494913. Accessed 19 Mar. 2024.