Talia Or

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Talia Or
Musikhochschule München
Websitewww.talia-or.com

Talia Or is an Israeli-born operatic and concert soprano based in Germany. Her repertoire ranges from concert and

Musikhochschule München
.

Early life and education

Born in Jerusalem, Or grew up in Germany

Stadttheater Aachen at the age of ten.[3] She studied at the Musikhochschule Hamburg.[1][4]

Career

While still a student Or made her debut at

Il Barbiere di Siviglia, among others. Internationally she performed as a guest in Turin, Valencia, Sao Paulo and Tokyo. Her repertoire further includes Marzelline in Beethoven's Fidelio, Rosalinde in Die Fledermaus by Johann Strauss, and Tatjana in Tchaikovsky's Eugene Onegin.[4]

In 2010 she appeared as Lisa in Weinberg's

Die lustigen Weiber von Windsor.[8] Reviewer Lena Dražic of the Wiener Zeitung noted:

The incessantly scheming Frau Fluth, as embodied by Talia Or, not only holds all the strings in terms of content, but with her noble soprano is also vocally the undisputed ruler of the scenery. (Die unablässig Ränke schmiedende Frau Fluth hält in der Verkörperung durch Talia Or nicht nur inhaltlich alle Fäden in der Hand, sondern ist mit ihrem edlen Sopran auch stimmlich unangefochtene Herrscherin über die Szenerie.)[8]

In concert she performed Mahler's

Hessisches Staatsorchester conducted by Johannes Schröder.[11][12]

In 2008 Or recorded the soprano solo for Bach's cantata

Weinberg's Three Palms, a setting of Lermontov's Three Palms for soprano and string quartet, Op. 120. A reviewer noted her "heartfelt passion".[15] She recorded two works by Simon Mayr, the dramatic cantata L'Armonia and the Cantata for the Death of Beethoven, with the Simon Mayr Choir and the Ingolstadt Georgian Chamber Orchestra, conducted by Franz Hauk.[16]

Other work

Or is a lecturer of singing at the

Musikhochschule München.[17]

References

  1. ^ a b c d "Talia Or" (in German). Salzburger Landestheater. Retrieved 4 October 2022.
  2. ^ Wagner, Renate (16 June 2013). "Talia Or: Vor allem Freude an der Arbeit" (interview). Online Merker. Retrieved 4 October 2022.
  3. ^ "Talia Or, Biographie, CV". taliaor (in German). Retrieved 12 November 2022.
  4. ^ a b c "Talia Or" (in German). Bavarian State Opera. Retrieved 4 October 2022.
  5. ^ "Talia Or" (in German). Stuttgarter Philharmoniker. 2015. Retrieved 8 January 2023.
  6. ^ Kaplaner, Werner (2 August 2010). "Geld regiert die Welt". Wiener Zeitung. Retrieved 5 October 2022.
  7. ^ "Die Frau ohne Schatten". Schott Music. 2022. Retrieved 4 October 2022.
  8. ^ a b Dražic, Lena (9 July 2013). "Nuancierter Ausdruck und Situationskomik". Wiener Zeitung. Retrieved 4 October 2022.
  9. ^ "Paweł Łukaszewski". University of Southern California. 2015. Retrieved 4 October 2022.
  10. ^ "St.-Michaelis-Kirche Lüneburg / Chorsinfonisches Konzert: "Leben und Sterben"" (PDF). vdkc.de (in German). 4 June 2016. Retrieved 4 October 2022.
  11. ^ "Chorkonzert: Requiem von Giuseppe Verdi" (in German). St. Bonifatius, Wiesbaden. September 2022. Retrieved 4 October 2022.
  12. ^ Stern, Dietrich (5 October 2022). "Wiesbaden: Verdis "Requiem" in St. Bonifatius". Allgemeine Zeitung. Retrieved 5 October 2022.
  13. ^ "Bloch / Avodat Hakodesh; Bach / Cantata BWV 140". heliconclassics.com. 2022. Retrieved 4 October 2022.
  14. ^ "Cantata BWV 140 / Wachet auf, ruft uns die Stimme / Discography – Part 7". Bach Cantatas Website. 2021. Retrieved 4 October 2022.
  15. ^ Bycantion (March 2012). "Mieczyslaw Weinberg (1919–1996) / Weinberg Edition – vol.5". musicweb-international.com. Retrieved 4 October 2022.
  16. ^ "Simon Mayr / L'Armonia (Dramatic Cantata) / Cantata for the Death of Beethoven" (PDF). Chandos Records. Retrieved 4 October 2022.
  17. Musikhochschule München
    . Retrieved 5 October 2022.

External links

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