Talk:The Lord of the Rings: The Rings of Power/Archive 9
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Critic's Score (Rotten Tomatoes) appears uniquely odd for Rings of Power!
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Out of casual curiosity I examined the current critic's score of RoP on Rotten Tomatoes. Currently it stands at 85%. There were only 4 Critical Reviews linked on the site and each was lacklustre with 1 tomato and 3 rotten. One thing however that did catch my eye was that the average score calculated amongst the critics was reported as 2/10 (20%) from 466 reviews total. When calculating the Tomatometer Rotten Tomatoes does its own assessment of a review (Good vs Bad) and then calculates the percentile to provide the Tomatometer (% good). It also maintains a score (presumably that of the original Reviewers) which it then averages. If I understand this correctly - the average rating of the Reviewers is 2/10 and yet Rotten Tomatoes has assessed the majority of those Reviews (398 of 466) as positive/fresh - thus coming up with its 85% rating (398/466)x100%. There is obviously a huge discrepancy between these scores as it appears the average critic is marking the show as poor and yet the Tomatometer appears to say the opposite. From just a casual browse this appears to be unique to RoP. For example, a comparison with some other shows (Tomatometer / Average Score(%) [Difference] ): Rings of Power(S1) - 85 / 20 [ 65 ] Star Wars: Rise of Skywalker - 52 / 61 [9] Wonder Woman 1984 - 58 / 61 [3] LoR: Return of the King - 93 / 87 [6] Wednesday(S1) - 71 / 68 [3] The variance between the Tomatometer and the average critic score appears in reasonable agreement (<10%) for all these shows, excepting for the RoP instance (65%). Can somebody please provide a cogent explanation as to why there might be such a huge discrepancy between the two scores in RoP? In the absence of such an explanation I think it reasonable to suggest that the Rotten Tomatoes score for RoP is suspect! It would of course be interesting to see if this apparent phenomenon spills over to other rating sites! 144.134.150.203 (talk) 07:51, 3 January 2023 (UTC)
It is interesting that Rotten Tomatoes is majority owned by NBC Universal - guess what News Channels & Publications were running the prep. work for the reimagining of Tolkien's world (and carrying promos and direct advertising for Rings of Power ... a degree of access that should be mutually profitable for many years to come should they play nice with their Paymaster) ... a tiny, tiny conflict of interest (10's of millions of dollars tiny for NBC and other media companies and 100's of millions (billions?) tiny for Amazon)! This is not the first article that I have seen in Wikipedia that may be surreptitiously (some no doubt will argue the opposite) carrying promotional / buttress material for the content-creator. I have seen it done in several other articles most notably that of the author/historian Caroline Elkins which quoted and cited 'glowing' reviews which, it transpired on closer inspection, were actually written by the Publishers of her books! This is not unique to Wikipedia and media sources such as The Guardian are well known for disguising 'advertising' as authoritative commentary! It is however a corrosive problem for a source that claims to be an encyclopaedia! 2001:8003:70F5:2400:7DDD:A9C4:602A:8A16 (talk) 02:56, 4 January 2023 (UTC)
It is certainly a happy accident that the benefits of review aggregator "error" like what you have observed here consistently go in one direction. Of course this is an issue far larger than any one topic - certainly far larger than this vanity television project watched by so few that the corporate invention of there being some organized 'racist cabal' of rabid lore purists angered by Amazon's "modern" interpretation of Tolkien's world would be giving the series's reach too much credit - but it finely illustrates why Wikipedia, at the tail-end of the access media process, will never be considered a reliable source. These issues are simply the latest of many to highlight the need at the page level for vigilance against UPE, sponsored content, and all industry givens that make reliable sources demonstrably unreliable and article slop like this one inevitable. 1-jVX-9 (talk) 19:14, 6 January 2023 (UTC)
Helpful as ever, cheers. 1-jVX-9 (talk) 20:29, 6 January 2023 (UTC)
Some severe last word syndrome going on with the Upwork editors today, whew. Intervention is absolutely needed at this point. There is no way for a neutral editor to contribute to the article or engage in civil discussion without attracting the toxicity of the same handful of bad apples. 1-jVX-9 (talk) 18:42, 11 January 2023 (UTC) |
Critics Score (Rotten Tomatoes) Part 2 - Yes it is problematic!
OK had some spare time and did a perusal of some Reviews (only 16) and while I am no cinematic expert, the scoring method a rough approximation of the Rotten Tomatoes method and the sample set small I think it’s fairly easy to come to some tentative conclusions:
I typed in Rings of Power reviews on Google search and knocked them off as I found them. I did not include some (either reviews of other reviews or, those requiring a subscription to view). I make no claim to their accreditation or worth … simply that they were the first ones to come back from a Google Search.
1) Interestingly, the majority of Reviewers do not engage in scoring.
In the event no score was provided I provided my own simplified 4 star scoring system and marked any score >= 2* a tomato on the Tomatometer rating system.
- 4* amazing
- 3* good
- 2* average
- 1* poor
- abysmal
2) The ‘quality’ of Reviewers varied markedly from those that gave a superficial take on the series to those that delve into cinematic attributes and judge them individually.
3) There were two outliers in the reviews (amazing and abysmal) but most were of the general conclusion that it was an average TV series with judgement reserved for later seasons.
4) My rating system (average score) was more favourable than the RottenTomatoes (apparent) delivering more than 20% (55%).
5) The Tomatometer is not a good estimation of how good a show is: Rotten Tomatoes is going to rate high on even average shows because while the majority of Reviews were lackluster - only one was actively saying it was unwatchable or poor and so in my interpretation of how Rotten Tomatoes works for my sample set that would probably score 15/16 - 94% and yet with my rudimentary scoring system the average review score is 55%.
- TomatoMeter-LikeRating : 94 %
- My average score : 55%
The problem with the aggregation system in Rotten Tomatoes is that a show such as Rings of Power which has acknowledged problematic pacing, character development, etc. … is going to rate high because the spectacle alone of a Tolkien Work and $$$ of special effects is going to make such an enterprise eminently watchable by the Rotten Tomato metric regardless of any other attributes.
- CONCLUSION: You cannot generalise as to the critical 'quality' of a show based on the Rotten Tomatoes Tomatometer and any generalisation to the effect that it was "well received by critics" is not what the score conveys. Having read the individual reviews that made up the scoring 94% is not a fair reflection of the overall critical analysis - a lukewarm 55% is probably a better assessment.
I could not say the same for other aggregators (IMDB etc. but I suspect it’s going to be a similar story).
Data:
The list of the Reviews I examined is below (if someone knows how to tabulate, please do and I use the anglo? dating regime (dd/mm/yyyy)).
Review: Data: Score (percent) : “select commentary”
Forbes (18/10/2022) : 0 “This is not a good fantasy story even divorced from Tolkien’s work.“
The Review Geek (17/10/2022): 50 “Rings of Power is not just one of the most disappointing shows of the year, it’s shockingly also one of the worst written and produced”
LA Times (13/10/2022): - N/A
IGN: (29/10/2022) : 100% “The Rings of Power largely succeeds by staying faithful to J. R. R. Tolkien’s themes and tone, if not all the specifics of his canon. Some inconsistent plotting and unnecessary misdirection slows it down, but doesn’t derail the story, and when it reaches its climax in the sixth episode it all comes together brilliantly”
Slant (16/9/2022) : 62.5 “Given the lack of quests and central commanding figures, it often makes for less-than-gripping drama.”
IndieWire (17/10/2022) : 50 “The Rings of Power” characters are written to be effortlessly interpreted; ambiguity and discord aren’t part of the equation. (Even in the finale, when the major twists rest on two characters’ role reversals, one has to clarify who he really is by comically shouting, “I… am… GOOD!“)
TIME 31/10/2022) : 50 “Can Payne and McKay carve out a space for complexity and ambiguity in yet another Middle-earth story where good people of various humanoid species team up to fight shadowy, monstrous avatars of evil? It’s probably not impossible, but they haven’t done it yet.”
New York Times (1/11/2022) : 50 “Amazon’s pricey, gorgeous fantasy spectacle delivers what fans expect, but it could thrive by giving them what they don’t.”
Cultured Vultures (14/10/2022) : 75 “The Lord of the Rings: The Rings of Power overcomes a rocky start to set a solid foundation for Amazon Studios’ Middle-earth adaptation – although Tolkien purists will want to check out early.”
The Economist (2/9/2022) : N/A - Subscription required
The Corner (16/10/2022) : 50 “Now that the first season of The Lord of the Rings: The Rings of Power has ended, I find it difficult to make up my mind.”
Portalist (17/10/2022) : 50 “The Amazon show is mostly a mess, but there's redemptive potential.”
Cosmic Circus (19/10/2022): 75 “Overall, I was more than happy with season one of The Lord of the Rings: The Rings of Power. The Lord of the Rings trilogy “
Polygon (21/10/2022): 50 “None of these trips, however, are journeys, not in the Campbellian sense. And this, I would argue, is a big part of why The Rings of Power may feel so hollow: So few of its characters grow.“
The Gamer (19/10/2022): 50 “Ultimately, I think the series relied too much on referencing the Jackson trilogy when it could have been forging its own path. Too many moments are references rather than just doing something new.“
Tom’s Guide (21/10/ 2022): 75 “Unlike House of the Dragon, The Rings of Power is going for grandiose storytelling. And, so far, it's my favorite of the two.”
downthetubes.net (27/11/2022): 75 “There, I’ve said it; I enjoyed The Rings of Power, despite a tidal wave of YouTube channels telling me not to.”
The Escapist( 14/ 10 /2022): 25 “The result of all this convoluted plotting, driven by the need to cram at least two episodes of plot into a single episode to preserve a set of mystery boxes with obvious solutions, is that there is no space for actual character work.” 144.134.150.203 (talk) 13:56, 11 January 2023 (UTC)
- Honestly, "lukewarm" accords much better with my sense of reception as well as my own personal take (I watched the first episode and have yet to go back), and this is an interesting assessment, but we are still very much in WP:RSN for thoughts there. It would definitely bolster your argument if you could point to other reliable sources that said something like "hey, Rotten Tomatoes is full of it." For me, what you are doing is interesting, but not really Wikipedia-source stuff, if you'll forgive the terminology. That said, should a consensus here or at the noticeboard disagree, I will not complain. Cheers. Dumuzid (talk) 14:06, 11 January 2023 (UTC)
- My mind is thinking: "too much work for too little effect" but may take it up there or in a more comprehensive form on another platform! Will be leaving this page now - thanks for your input. 144.134.150.203 (talk) 14:12, 11 January 2023 (UTC)
- This is original research. Note also that the Tomatometer is not the average score of the collected reviews, but the proportion of collected reviews that are positive, so it will inevitably produce different results to your own experiment. Anywikiuser (talk) 11:01, 12 January 2023 (UTC)
Missing awards and nominations
Hello, any reason why the accolades list is missing key awards and nominations? The Rings of Power won two awards at the Movie Music UK Awards and one award at the LifeArt Festival. They were also nominated for one award at Camerimage. Is there a particular reason why these four awards and nominations specifically are excluded from the list? 2603:6080:8607:F22:64B4:4CB1:25A6:26C2 (talk) 22:34, 19 February 2023 (UTC)
- The article is updated by volunteers who don't always catch things, if you see something missing you should feel free to add it yourself. Note that there is nothing in the TV manual of style to prevent any of those awards from being added, but per MOS:FILMACCOLADES we generally avoid awards that do not have their own Wikipedia article and I think that is a good rule of thumb to be consistent with here. That rules out Movie Music UK and the LifeArt Festival, but looks like Camerimage can be added. If you have a reliable source supporting that one then feel free to add it in. - adamstom97 (talk) 23:33, 19 February 2023 (UTC)
- I have found sources for the Camerimage nomination so that is in the articles now. - adamstom97 (talk) 22:26, 25 February 2023 (UTC)
Season articles
Hi all, I have not been very active at this article since the show started airing, but I have come back to complete the work I had started on
This is really just a courtesy notice to say that I plan to move the season articles to the mainspace and will then be removing/summarising the season-specific information at this article. I don't think this move is going to be controversial but there may be some questions about what goes at the season articles versus this one. In that case I am happy to discuss. Thanks, adamstom97 (talk) 03:08, 26 January 2023 (UTC)
- Go for it! Glad to see some positive conversation on this talk page! TNstingray (talk) 17:55, 27 January 2023 (UTC)
- I have now made my changes. - adamstom97 (talk) 22:48, 27 January 2023 (UTC)
- @WP:CRYSTAL?) being made that the bizarrely affected Irish accents will be gone in season 2, and therefore the one thing every Irish critic noted about the show should only be discussed in the article on the first season? (Which season, I should note, is the entirety of the show for the foreseeable future.)
- On a separate note, is there a reason your overhaul of the article undid this edit? If it was conscious, then I would like an explanation, but if it was accidental (such as being the result of your having begun drafting your overhaul more than three months prior overlaying it on the live article, do you have any intention to go through the page history to restore any other good-faith, constructive edits that were lost?
- Hijiri 88 (聖やや) 23:11, 5 April 2023 (UTC)
- Criticism specifically regarding the first season belongs on the page for the first season. Criticism specifically regarding the second season belongs on the page for the second season. The House of the Dragon comparison currently concerns the show as a whole, and both shows will have multiple seasons. As both shows evolved over the next few years, perhaps its placement will need to be re-evaluated.
- I would also argue that you are equally assuming that the alleged problems with the Irish accents will continue into the second season, so I don't really know how to break this down other than the above methodology.
- I would assume the edit regarding Tolkien's letters was to more accurately explain what these letters are for the average reader. That's my assumption derived from basic context clues, but Adam can respond for himself if further justification is needed. Both options seem fine to me.
- TNstingray (talk) 21:39, 6 April 2023 (UTC)
- I am open to having a better summary of the season info here and have had a brief discussion about that same issue at User talk:Debresser. We just need to be very careful, considering how sensitive this topic is, that we accurately reflect the information contained at the season article. I think we will struggle to provide an accurate summary that is both concise and doesn't rile up the editors who have strong opinions about the show (either way). - adamstom97 (talk) 23:11, 23 April 2023 (UTC)
- In response to the Easter Egg thing, I have reviewed that and will make an update to address both our concerns. - adamstom97 (talk) 23:27, 23 April 2023 (UTC)
Anti-Irish Claims
Why is there nothing regarding the concerns of anti-Irish depictions in the series? 2A00:23C8:172B:3101:7425:E368:83F3:B727 (talk) 11:37, 2 August 2023 (UTC)
- I am not aware of these; could you provide reliable sources to this effect? Cheers. Dumuzid (talk) 16:53, 2 August 2023 (UTC)
- This is covered at The Lord of the Rings: The Rings of Power (season 1)#Critical response. - adamstom97 (talk) 01:30, 3 August 2023 (UTC)
The Stranger or the stranger?
There was a short conversation in the archives that did not really go anywhere regarding the capitalization of the "s" in "stranger", of course referring to Daniel Weyman's character in the show. Does anyone have any input here? Personally, I feel that it should be capitalized, as it makes the cast lists and plot summaries jarring to read. Also, it appears that the vast majority of sourcing refers to him with the capital "S". And most notably, he is referred to with the capital "S" on the website for Amazon Studios.[1] TNstingray (talk) 13:21, 27 August 2023 (UTC)
- Hey, sorry for the delayed response as I have been busy off-wiki. MOS:FILMCAST says to "avoid capitalizing common nouns in roles" which I felt made sense to apply here as well. His name is not literally "The Stranger" and he is never called that in the show, it is just the term being used for crediting until they reveal his actual name. It is common for studios to capitalize generic names like "The Woman in Red" when they are referring to characters / listing credits but our style guidelines should generally take precedence over that. - adamstom97 (talk) 03:02, 10 September 2023 (UTC)
- Tellingly, you should probably have said "the woman in red", without capitals. Debresser (talk) 17:29, 10 September 2023 (UTC)
- That's what I'm saying. - adamstom97 (talk) 23:11, 10 September 2023 (UTC)
- I understand where you are coming from, but I would argue that this is a different situation than what is discussed at MOS:FILMCAST. It makes sense for common nouns to be presented in lowercase: security guard, police officer, bystander, bank teller, etc. I just feel that this is an example where the name is more of a temporary title rather than a common noun. He's not just a stranger (like the two human hunters in the first episode); he's the Stranger, a role with greater importance in the narrative. Like the Blue Wizards or some other parallel. Capitalizing the name also helps make it stand out in plot summaries, which would be an aid to the reader. TNstingray (talk) 12:42, 11 September 2023 (UTC)
- That's what I'm saying. - adamstom97 (talk) 23:11, 10 September 2023 (UTC)
- Tellingly, you should probably have said "the woman in red", without capitals. Debresser (talk) 17:29, 10 September 2023 (UTC)
- The source reference, https://www.polygon.com/23403120/rings-power-who-is-stranger-wizard-actor-daniel-weyman, uses "The Stranger", and Wikipedia should follow its sources. "The Stranger" is a proper name. It is not a common noun. SmokeyJoe (talk) 12:55, 11 September 2023 (UTC)
Critical response should also mention Audience (User) Score
The subheading "Critical response" should also have a paragraph about the Audience (user) score which is much lower than the critics. For example on Rotten Tomatoes the Audience score is 38%. On Metacritic the user score is 2.8 out of 10 (Based on 5,882 User Ratings) which is generally unfavorable. On IMDB they've hidden the average user score. Artanisen (talk) 05:12, 8 January 2024 (UTC)
- Please visit the talk page archives on this topic; it's been discussed many times. You will, however, find more information at 05:23, 8 January 2024 (UTC)