The Bronx is Next

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The Bronx is Next is a play by Sonia Sanchez, written and published in 1968.[1] Set in an immediate future where the Revolution has broken out[2] in the slums of New York and residents set their own tenements on fire,[3] the play presents a "portrait of Black people who must face certain truths about themselves in terms of their relationships to each other, to the revolution, and to ‘the others’."[2]

Characters

  • Charles – the leader of the revolutionaries
  • Old Sister – an old woman who lives in the apartment buildings in Harlem
  • Larry – a revolutionary
  • Roland - a revolutionary
  • Jimmy – a revolutionary
  • White Cop – a white cop
  • Black Bitch – his mistress[4]

Plot

The play begins at night in a dingy

running while black".[8][9] Finally a woman in a red wig, known only as “Black Bitch”, is dragged in front of them already roughed up. Charles and Roland verbally humiliate her for sleeping with a white man, but when she is impervious to their words and claims she is done with black men who don’t respect her and only think about revolution, Charles forces her to kiss him. She hits him and he knocks her to the ground. While Jimmy helps her up to get things from her apartment,[10] Charles tries to make the white cop come with him to apologize to her. The cop just wants to forget everything that’s happened and go home. When he tries to run, they knock him out and leave him there as the buildings are set on fire.[11]

Performances

The Bronx is Next was performed by Theater Black in October 1970 at the University of the Streets. It was presented as part of a trilogy of new plays by black playwrights; the other plays were Knock, Knock – Who Dat? by Richard Wesley and Death List by Ed Bullins. All three plays were directed by Anadoula.[2]

Political message

The Bronx is Next reflects Sonia Sanchez’s belief that urban cities wiped out generations of blacks.[3] She felt that there was a need for blacks to leave the urban centers and leave "that which is killing them and wiping them out".[12] The literal burning of the decaying buildings in the play is a symbol of people “destroying that which was destroying them."[12]

References

  1. ^ "Black Revolutionary Theatre", TDR: The Drama Review, 12 no. 4:29-124 (1968), The School of the Arts, New York University, New York, NY, 1968.
  2. ^ a b c "Black Playwrights Present New Plays." New York Amsterdam News (1962–1993): 20. October 17, 1970. ProQuest. Web. May 28, 2014.
  3. ^ a b Melhem, D. H. Heroism in the New Black Poetry: Introductions & Interviews. Lexington, KY: University of Kentucky, 1990. Print. p. 161.
  4. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), p. 2.
  5. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), p. 3.
  6. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), p. 4.
  7. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), p. 5.
  8. ISBN 9780810136953
    .
  9. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), pp. 6–12.
  10. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), pp. 13–15.
  11. ^ "Black Revolutionary Theatre", TDR, 12 no. 4:29-124 (1968), pp. 16–18.
  12. ^ a b Melhem, Heroism in the New Black Poetry, 1990, p. 162.
  • Sonia Sanchez, "The Bronx is Next (1968)", in Annemarie Bean (ed.), A Sourcebook of African-American Performance: Plays, People Movements, Routledge, 1999, pp. 46–54.
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