The Conspiracy and Tragedy of Charles, Duke of Byron
The Conspiracy and Tragedy of Charles, Duke of Byron, Marshall of France is a
Genre
The two plays that comprise the larger work, The Conspiracy of Byron and The Tragedy of Byron, can also be described as "contemporary history;" they form the second and third installments in a series of dramas that Chapman wrote on French politics and history in his time, from Bussy D'Ambois through The Tragedy of Chabot, Admiral of France.
Date and performance
In all likelihood, Chapman composed both parts of Byron in 1607–8; his primary source on the political events portrayed in the plays, Edward Grimeston's A General Inventory of the History of France,[1] was first published in 1607. The plays were first acted by the Children of the Chapel (by 1608 known as the Children of the Blackfriars), one of the troupes of boy actors popular in the first decade of the 17th century.
Suppression
The original production offended the French Ambassador to the Court of King
The plays were duly suppressed; but when the Court left London in the summer, the boys performed the plays again, in their original versions with the offending material included. James was incensed when he learned of this, and swore that he would punish the players severely. He stopped all dramatic performances in London for a time; three of the Children of the Blackfriars were sent to prison, and the troupe was ejected from the
Publication
The Conspiracy and Tragedy of Byron were entered into the
Thorpe issued a second quarto in 1625. King Charles I owned a copy of this edition, and filled it with notes that compared the political situation in the plays with that of England in the 1630s.[4]
Synopsis
Chapman's Byron, a formidable soldier and commander, is marred by one major fault, his overweening pride. He loves to compare himself to the heroes of antiquity—Hercules, Alexander the Great, Marcus Curtius, even Orpheus. His vanity leaves him deeply vulnerable to manipulation by enemies of the King of France, who want to exploit Byron for their own schemes; and Byron allows himself to be drawn in. The King becomes aware of Byron's treason; yet valuing his past service and his great potential, the King attempts to reform Byron, even sending him to England so that the Marshall can witness firsthand a properly functioning monarchical state. At the end of The Conspiracy, Byron manages to curb his pride and submit to the King. Yet his ego is too great to remain restrained indefinitely; Byron returns to plotting, and in the conclusion of The Tragedy he is apprehended, tried, convicted, and executed.
As is usual with Chapman, the two parts of Byron are rich with allusions to classic literature. In addition to those noted above, the French courtier and plotter Picoté uses the rebellion of Catiline as a precedent for Byron's planned uprising against his king. References to Augustus, Nero, and other ancient figures abound.
Later scenes in The Tragedy twice compare Byron's plotting with the rebellion of the
Notes
References
- Auchter, Dorothy. Dictionary of Literary and Dramatic Censorship in Tudor and Stuart England. Westport, CT, Greenwood Press, 2001.
- Braunmuller, Albert Richard. Natural Fictions: Chapman's Major Tragedies. Newark, DE, University of Delaware Press, 1992.
- Chambers, E. K.The Elizabethan Stage. 4 Volumes, Oxford, Clarendon Press, 1923.
- Gurr, Andrew. The Shakespearian Playing Companies. Oxford, Clarendon Press, 1996.
- Hadfield, Andrew. Shakespeare and Republicanism. Cambridge, Cambridge University Press, 2005.
- Halliday, F. E. A Shakespeare Companion 1564–1964. Baltimore, Penguin, 1964.
- Jacquot, Jean. George Chapman (1559–1634), sa vie, sa poésie, son théâtre, sa pensée. Paris: Les Belles Lettres, 1951.
- Logan, Terence P., and Denzell S. Smith, eds. The New Intellectuals: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, NE, University of Nebraska Press, 1977.
- Munro, Lucy. Children of the Queen's Revels: A Jacobean Theatre Repertory. Cambridge, Cambridge University Press, 2005.
- Sukic, Christine. Le Héros inachevé : éthique et esthétique dans les tragédies de George Chapman (1559 ?-1634). Berne: Peter Lang, 2005.
External links
- New International Encyclopedia. 1905. .