The Man That Got Away
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"The Man that Got Away" is a torch song, published in 1953 and written for the 1954 version of the film A Star Is Born. The music was written by Harold Arlen, and the lyrics by Ira Gershwin. In 1954, it was nominated for the Academy Award for Best Original Song.[1] In 2004, Judy Garland's performance of the song was selected by the American Film Institute as the eleventh greatest song in American cinema history.
Composition
"The Man That Got Away" was one of several songs composed by Harold Arlen and Ira Gershwin for the 1954 film
Ira Gershwin had not wanted any of the songs he and Arlen wrote for the film to be "leaked" prior to the score being finished and made Arlen promise to respect this, a request Gershwin reiterated when Arlen mentioned he would be visiting
Judy Garland performance and recording
"The Man that Got Away" | |
---|---|
Single by Judy Garland | |
from the album A Star Is Born: The Original Motion Picture Soundtrack | |
B-side | "Here's What I'm Here For" |
Released | June 1954 |
Recorded | September 3, 1953 |
Studio | Warner Bros. Studios, Burbank |
Genre | Traditional pop |
Length | 3:39 |
Label | Columbia |
Songwriter(s) | Harold Arlen, Ira Gershwin |
Judy Garland recorded "The Man That Got Away" with the Warner Bros. orchestra under the direction of Ray Heindorf using an arrangement by Skip Martin. Garland's performance of the song in A Star is Born is unusual for being filmed in one continuous shot. In the finished take, Garland (as Esther Blodgett) performs the song in a nightclub during a musicians-only session after closing time. The chairs are up on the tables for floor cleaning, the air is filled with cigarette smoke, and Garland's character, without an audience other than her musician friends, is encouraged by the pianist to rise from her seat on the piano bench and "take it from the top."
"The Man That Got Away" is arguably the most important single musical sequence in the entire film. As one of the first segments filmed for the movie, it was photographed in three costumes on three occasions, in over forty partial or complete takes. Judy Garland recorded the song on September 3, 1953, and the number was first filmed on Wednesday, October 21, 1953.
Due to technical limitations of the medium at the time, the cameraman could not give director George Cukor what he wanted: "low light levels, the impressionistic feeling of the musical instruments, Garland moving in and out of pools of light," so he was fired. Cukor realized later that the film stock itself was the problem, not the cinematographer, and re-employed him in a number of other films later on.
Changes were then made to the costume and set and the number was filmed a second time the following Thursday, October 29. Art director Gene Allen said, "The first time it looked as if we had painted a set to look like a bar. So to give it a slightly impressionistic look I...put a scrim between the musicians and the back bar. If you look very carefully at that scene you can see the scrim nailed down on the floor..."
According to sound man Earl Bellamy: "When Judy sang to playback, you could never hear anything...She wanted me to start off at a full blast and then she topped that...her huge voice carrying out over the rafters. You could hear Judy clear as a bell, and she sang right with it..."
Garland did 27 takes of the number over three days, both partial and complete, but according to Allen, "Cukor had her doing all sorts of different bits of business before the song. All of that action didn't really fit the song though — it was just too busy. Plus, she didn't look good — her costume was wrinkled, and didn't fit right...." If that weren't enough, the color was too brown for her complexion as well.
Four months later it was filmed for a third time in February 1954, with new hairstyle and costume and a totally brand new set. Cukor felt this time they had finally got it right: "I think we've generated a lot of sex...She looks perfectly charming in a new Jean-Louis dress, and I know that this too is an enormous improvement over the way we first did it — it has fun and spirit."
Main principal photography for the film began in earnest around the first week of February, 1954. Ten days later, the number was filmed in Technicolor and CinemaScope. As a result of the fabulous color renditions and faithful representations of the sweeping views,
Garland later sang this song as a regular part of her concert repertoire for the rest of her career as well as on the Sammy Davis Jr. Show in 1966.
2019 dance version
In November 2019,
Chart positions
Chart (2019) | Peak position |
---|---|
U.S. Billboard Dance Club Songs[5] | 10 |
Covers
- The song has occasionally been sung as "The Gal That Got Away" by male singers such as Frank Sinatra, Tony Bennett, Sammy Davis Jr. and Bobby Darin.
- Clare Fischer's novel arrangement (recorded June 1960, released February 1962), scored for strings, harp, and a jazz quartet led by vibraphonist Cal Tjader, was one of the highlights of Cal Tjader Plays Harold Arlen, the earliest recorded document of Tjader's and Fischer's longstanding association.[6]
- Jeff Buckley frequently performed the song (under its original title) on his last tour before his death in 1997. His live performance of the song at Great American Music Hall in San Francisco made it on to his posthumous album Mystery White Boy in 2000.
- Audra McDonald also sang a version, which is on her album How Glory Goes.
- Barbra Streisand sang a version on her 1993-94 concert tour, publicly dedicating her rendition to Garland's memory.
- The song was covered by Ella Fitzgerald Sings the Harold Arlen Songbook(1961).
- Jim Bailey sang the song as Garland on The Ed Sullivan Show in 1970 and retained the song in his repertoire.
- Rufus Wainwright performed it in his tribute revues of Garland's best known songs, recorded on the live album Rufus Does Judy at Carnegie Hall (2007).
- Maria Friedman covered the song on her self-titled album, which was reissued in the U.S. under the title Now & Then.
- Cher recorded the song for her album Bittersweet White Light (1973).
- Shirley Bassey recorded the song for her album The Fabulous Shirley Bassey (1959).
- No Strings(1993).
- Hilary Swank sings along with Garland while watching a DVD of the original movie during her lonely 30th birthday in the 2007 romantic comedy P.S. I Love You.
- In 2008 on the I'd Do Anything, a casting contest for Oliver!, eighteen-year-old unknown Jessie Buckley sang the song. In A Star Is Born (1954), the performance of the song by unknown Esther Blodgett (Judy Garland) in front of influential movie star Norman Maine (James Mason) is, in fact, the star-being-born moment of the story. Maine tells Blodgett, "You're a great singer...you've got that little something extra...star quality". After Buckley sang the song, head judge Andrew Lloyd Webberdescribed it as "the best performance by a girl your age I have ever heard". In later episodes, he referred to Buckley's "star quality". Before the final vote, when Buckley was one of the two finalists, Webber said, "Jessie has the sacred flame of star quality".
- Sid Luft) also sings the song on her album Songs My Mother Taught Me. She also sings it in concert from time to time.
- Courtney Love and her band Hole performed the song in concert on more than one occasion during their 2010 tour.[7][8]
- Sylvia Brooks recorded this song on her album Dangerous Liaisons (2009).
- Idina Menzel sang this song during her Spring 2009 tour promoting her album I Stand.[9]
- Raul Esparza sang a moving rendition without changing the gender, leaving the lyric as "man", at the February 22, 2010 Broadway Backwards 5 benefit for NYC's Lesbian & Gay Community Center AND Broadway Cares/Equity Fights AIDS.[10]
- On May 1, 2010, on the BBC TV show Over the Rainbow, Lauren Samuels sang this song. Andrew Lloyd Webber said she made the song her own.
- Kristin Chenoweth sang the song on her Coming Home Tour.
- Billy Porter sang the song on Pose while performing in an AIDS Cabaret, without changing the gender, leaving the lyric as "man" in 2018.
- Elizabeth Gillies sings the song on Dynasty while performing as a lounge singer in the imagined version of Liam Ridley’s dictated novel pitch in the episode “You See Most Things in Terms of Black & White” in 2020.
References
- ISBN 1-55859-715-8, p. 135.
- ^ Furia, Philip. Skylark: The Life and Times of Johnny Mercer.
- ^ ISBN 978-0252039461.
- ^ "Dance Club Songs". Billboard. November 9, 2019. Retrieved December 3, 2021.
- ^ "Judy Garland Earns First Top 10 on a Billboard Chart Since 1945 With 'The Man That Got Away'". Billboard.com. Retrieved 1 May 2021.
- ^ "Special Merit Albums: Jazz". Billboard. February 17, 1962. Retrieved 2013-02-07.
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