The Public Eye (film)
The Public Eye | |
---|---|
Directed by | Howard Franklin |
Written by | Howard Franklin |
Produced by | Sue Baden-Powell |
Starring | |
Cinematography | Peter Suschitzky |
Edited by | Evan A. Lottman |
Music by | Mark Isham |
Production company | |
Distributed by | Universal Pictures |
Release dates |
|
Running time | 99 minutes |
Country | United States |
Language | English |
Budget | $15 million |
Box office | $3,067,917[1] |
The Public Eye is a 1992 American
The film is loosely based on
Plot
In the 1940s, Leon "Bernzy" Bernstein is a freelance crime and street photographer for the New York City tabloids, dedicated to his vivid and realistic work and his unique ability to capture shots that nobody else can. He is very confident of his skills, declaring at one point, "Nobody does what I do. Nobody".
With a police radio under the dashboard of his car and a makeshift darkroom in his trunk, he quickly races to the scene of horrific crimes and accidents in order to snap exclusive photographs. He is so good at his job that he becomes known affectionately as the "Great Bernzini".
Bernzy meets a sultry widow, Kay Levitz, who owns a fancy nightclub. It seems the mob is muscling in on her due to some arrangement with her late husband. Kay asks if Bernzy could investigate an individual she considers troublesome. Generally unsuccessful with women, Bernzy agrees to help Kay, and he slowly begins to fall in love with her.
After talking to his contacts, including journalist friend Arthur Nabler, he tracks down Kay's man, only to find him murdered. But when he calls the police, he becomes a suspect in the man's death. The police and the FBI are also very interested in this case. Bernstein makes a connection with a local gangster, Sal, uncovering a conspiracy involving a mob turf war about illegal gas rationing, and the Federal government. His activities get Sal killed and place Bernzy's life in great danger as he waits in hiding at an Italian restaurant where a mob hit is about to take place.
Cast
- Joe Pesci as Leon "Bernzy" Bernstein
- Barbara Hershey as Kay Levitz
- Stanley Tucci as Sal
- Jerry Adler as Arthur Nabler
- Dominic Chianese as Spoleto
- Richard Riehle as Officer O'Brien
- Richard Schiff as Thompson Street Photographer
- Christian Stolte as Ambulance Attendant
- Jack Denbo as Photo Editor
- Timothy Hendrickson as Richard Rineman
- Del Close as H.R. Rineman
- Lisa Christakis as Young Bride With Soldier Husband
Production
Joe Pesci took this role right after his
Director and writer Howard Franklin was unable to secure the rights to Arthur "Weegee" Fellig's story. Franklin, then, wrote the story of a Weegee-like photographer who smokes cigars and he named him Leon "Bernzy" Bernstein. In the film, like Weegee, cops wonder if Bernzy uses a
According to journalist Doug Trapp, Franklin was inspired to write the screenplay after seeing a show of Fellig's photos in the 1980s at the International Center of Photography in New York City. And Weegee did, in real life, have a "soul-mate" named Wilma Wilcox, who was the woman in charge of his estate. But, Franklin has always denied that the film was about their relationship.[3]
As the film is loosely modelled on Weegee, but the story is not, several photographers' pictures, along with some by Weegee, stand in for his work, including those of Lisette Model, Mickey Pallas, Wilbert H. Blanche, Irving Haberman, Ray Platnick, Roger Smith and Charles Steinheimer. Director Franklin says he was looking for "edgy, modern, high-contrast 40's" lighting and compositions with the “stark, rather lurid effects of flash, which pick out the central subject while everything around falls off rapidly into darkness”[4]
Filming
The Public Eye began filming on July 24, 1991 and completed October 28, 1991.
Even though the film takes place in
Release
The producers used the following tagline when marketing the film:
- Murder. Scandal. Crime. No matter what he was shooting, "The Great Bernzini" never took sides he only took pictures ... Except once.
The film premiered at the Toronto Festival of Festivals in September 1992.[5] The film also was shown at the Venice Film Festival and the Valladolid International Film Festival in Spain.
It opened on October 14, 1992 in
The film's box office performance was a disappointment. The film grossed $1,139,825 for the weekend and the total receipts after 12 days were $3,067,917.[1]
Home media
The film was released in
In September 2007 an
It was released on DVD on January 31, 2011 in the Universal Vault Series. It was released on Blu-ray from Kino Lorber on July 28, 2020.
Reception
Critical response
Chicago Sun-Times film critic, Roger Ebert, was especially complimentary of the film and of actor Joe Pesci, and wrote, "One of the best things about the movie is the way it shows us how seriously Bernzy takes his work. He doesn't talk about it. He does it, with that cigar stuck in his mug, leading the way with the big, ungainly Speed Graphic with the glass flashbulbs. In the movie's big scene of a mob assassination, he stares death in the face to get a great picture."[7] Ebert said the film made him "think" a little bit of Casablanca (1942).
Desson Howe, film critic for
Rotten Tomatoes gives the film a rating of 61% from 18 reviews.[10]
Soundtrack
The original score for the film was written and recorded by Jerry Goldsmith, but he was replaced by Mark Isham at a late stage. As such, Isham had a lot of work to do and in a short time. He later noted that he found working with director Franklin a wonderful and educational experience.[11]
A motion picture original soundtrack was released on October 13, 1992 under the
While originally thought lost or incomplete,[12] Jerry Goldsmith's original score was later released by Intrada Records in 2021.[13] Goldsmith's score features 22 tracks and a run time of just over 40 minutes, proving its completion prior to the change.
References
- ^ a b The Public Eye at Box Office Mojo
- ^ Gallagher, Sean. Suite 101, film review.
- ^ Trapp, Doug. Cincinnati CityBeat, Fellig article, July 24, 2002.
- ^ Goldberg, Vicki. (1992). FILM; Cinema's Lens Sees the Photographer as Lonely Voyeur.(Arts & Leisure Desk). The New York Times, p. The New York Times, Oct 11, 1992
- ^ Levy, Emanuel. Film Review.
- ^ "The Public Eye (1992)". The Numbers. Retrieved January 11, 2020.
- The Chicago Sun-Times. Retrieved April 13, 2021.
- ^ Time Out Film Guide. Time Out-New York, film review. Last accessed: November 29, 2007.
- ^ Howe, Desson. The Washington Post, film review, October 16, 1992.
- ^ https://www.rottentomatoes.com/m/public_eye
- ^ Score Magazine interview with Mark Isham, by Miguel Ángel Ordóñez and Pablo Nieto, 2005.
- ^ The Public Eye reviewed on Movie-Wave.net.
- ^ THE PUBLIC EYE (UNUSED SCORE) on the Intrada Records official store.
External links
- The Public Eye at IMDb
- The Public Eye at the TCM Movie Database
- The Public Eye at Letterboxd
- The Public Eye at Rotten Tomatoes
- The Public Eye shooting screenplay draft for educational purposes
- The Public Eye film trailer on YouTube