Too Hot to Handle (1960 film)
| Too Hot to Handle | |
|---|---|
 Theatrical release poster | |
| Directed by | Terence Young |
| Screenplay by | Herbert Kretzmer |
| Story by | Harry Lee |
| Produced by | Phil C. Samuel |
| Starring |
|
| Cinematography | Otto Heller |
| Edited by | Lito Carruthers |
| Music by | Eric Spear |
Production companies |
|
| Distributed by | Metro-Goldwyn-Mayer |
Release dates |
|
Running time | 90 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £250,000[1] |
Too Hot to Handle (released in the United States as Playgirl After Dark) is a 1960 British
Plot
Johnny Solo, the owner of the Pink Flamingo club in London's Soho area, battles with rival club owner Diamonds Dinelli and the police. When Johnny receives threats and demands for protection, he fights back.
Johnny's girlfriend Midnight Franklin, one of the club's headliners, wants him to leave the business. In the background are a sadistic client, an underage chorus girl, a wisecracking siren who is not averse to rough trade, a visiting journalist and a dancer who guards her past.
The journalist becomes involved in the strip scene while writing a story on the clubs. The competition between the two clubs intensifies. Johnny unknowingly plays a part in the death of the chorus girl. Midnight informs on him to save him from the violent blackmailers who are pursuing him.
Cast
- Jayne Mansfield as Midnight Franklin
- Leo Genn as Johnny Solo
- Carl Boehm as Robert Jouvel
- Christopher Lee as Novak
- Danik Patisson as Lilliane Decker
- Patrick Holt as Inspector West
- Kai Fischer as Cynthia
- Barbara Windsor as Ponytail
- Martin Boddey as Mr. Arpels
- Sheldon Lawrence as Diamonds Dinelli
- John Salew as Moeller
- Tom Bowman as Flash Gordon
- Larry Taylor as Mouth
Production
Too Hot to Handle was Mansfield's first film away from
The film was billed as "an exposé of 'sexy, sordid Soho, England's greatest shame'."[3]
Mansfield's risqué see-through clothing and the film's racy musical numbers caused some controversy that delayed the American release until January 1961, and the sexiest frames were displayed in Playboy magazine. The US posters called it "The Sizzler You Read About in Playboy Magazine!"
For its American release, Too Hot to Handle was retitled Playgirl After Dark and was edited to meet censor requirements. Famously, this included animating clothing on Jayne Mansfield during the title song (along with frame enlargements and cuts to the audience which showed less of Jayne generally). This was released by a smaller company, Topaz, and only released in black and white, with 8 minutes of plot cut out toward the end. The original color UK version has not had a home video release to date. It was originally rated X by the BBFC.
The film was released in France uncensored. Many scenes were shot twice, where the dancers wear more or less clothing, and the French version used the takes with less clothing (and a different edit of Jayne's title song). The German color version is a mix of both takes, along with additional censor cuts, including the deletion of most of Jayne's song "You Were Made For Me" (a parody of Marilyn Monroe).[4]
The film was shot in England from 10 August until around October 1959.[5]
Filming was temporarily halted at the order of Actors' Equity when £100,000 of the budget failed to materialize, partly because of the illness of Sydney Box, who was slated to produce.[1]
Critical reception
The Monthly Film Bulletin wrote: "Purporting to lift the lid off the strip-club underworld, it does so (in so far as the film bears any but the most general relation to its subject) only to give the audience a titillating glimpse of nudity and brutality. The attempts to work a moral into the action, or environmental cause and effect into the characterisation, are patently insincere. Such convenient dual morality is nothing new. But one expects that at the very least it should be competently presented. A contrived plot, some atrocious acting, and a script that is almost a parody of the thick-ear genre prevent even that minor satisfaction. Apart from some lavishly staged cabaret numbers, only two things relieve the tedium. One is the extreme realism of sequences showing tired businessmen lecherously inspecting the strip-tease shows. The other occurs when Lilliane is confirmed as a cut above the other strippers by the discovery that in her spare time she reads Havelock Ellis, Krafft-Ebing and Sigmund Freud."[6]
Halliwell's Film & Video Guide described the film as a "[r]otten, hilarious British gangster film set in a totally unreal underworld and very uncomfortably cast."[7]
References
- ^ a b "Work on Film Resumed". The Daily Telegraph. No. 32486. 26 September 1959. p. 8.
- ^ "Too Hot to Handle". British Film Institute Collections Search. Retrieved 30 December 2023.
- ISBN 978-1-8476-5994-1.
- ^ https://orangecow.org/board/viewtopic.php?f=4&t=358
- Weekly Variety. 2 September 1959. p. 22.
- ^ "Too Hot to Handle". The Monthly Film Bulletin. 27 (312): 153. 1 January 1960 – via ProQuest.
- ISBN 978-0-0065-3165-4.
External links
- Too Hot to Handle at IMDb
- Too Hot to Handle at AllMovie
- Too Hot to Handle at the better source needed]
- Film summary at The New York Times
